Our sixth annual Writers Lab Retreat will take place October 1-4, 2020 at the Guest House Retreat Center in Chester, CT (dates and location subject to change.)

We are working on this year’s agenda and recruiting the 2020 Mentors.  Stay tuned as we add Mentors to our 2020 roster.

The Writers Lab is a four-day writer’s workshop that gives 12 women screenwriters over the age of 40 the opportunity to work intensively on their winning feature film script with the support of established women film professionals. Through one-on-one meetings, panel discussions, peer workshops, and group meals, Mentors and Writers engage in a rigorous process to support intensive script development.

The Writers Lab is produced by New York Women in Film & Television and TWL co-founders Elizabeth Kaiden and Nitza Wilon, and is supported by Meryl Streep and Nicole Kidman.  It is presented in collaboration with the Writers Guild of America, East, with in-kind support from The Black List, Falco Ink, Film Fatales, Relativity Ventures, Roadmap Writers, Stony Brook Manhattan Center for Creative Writing & Film, and Tribeca Film Institute. A special thank you to Final Draft for their product contribution. 

Questions? Email ​contact@thewriterslab.nyc​ ​or go to our​ ​FAQs.

Register your script with the Writers Guild, if it is not already registered. Registration is quick and easy and the Writers Guild East has generously offered the discounted price of $17 to Lab applicants who are not members of the Guild. Registration will protect you and the Lab staff and volunteers. Choose the Student and NYWIFT/The Writers Lab option.  If you are living outside the US, please register your script with your country's Writers Guild or copyright office.

We are accepting international English-language scripts. Applicants must identify as women and be at least 40 years old, that is, born on or before October 1st, 1980. Submissions must be feature-length narrative scripts in English. (No script fragments, treatments, synopses, TV scripts, shorts, stage plays, book excerpts, or documentaries. A surcharge will be levied on scripts longer than 130 pages.) Scripts by more than one writer will be considered, but all writers must be women and over 40, and only one writer can attend The Lab. Applicants may submit up to three (3) scripts, with a separate application for each script submitted. The Lab seeks a broad selection of screenplays across all genres of fiction (drama, comedy, horror, action, thriller, science fiction, animation, musical, etc.). Scripts may be about any topic and do not specifically need to be about women, but we definitely notice scripts that feature women characters, especially if they transcend cliches and/or challenge norms. The Lab seeks submissions from all racial, ethnic, socioeconomic, and cultural groups.

NOTE: SUBMISSIONS WITHOUT A LOGLINE WILL NOT BE READ. Please make sure your name is removed from all pages of your script, including the cover page.

12 Writers are selected to attend a 4 day writing retreat.

Many of our partners offer discounts to all applicants and/or applicants who place.

The retreat offers participants the opportunity to focus on their work in a supportive, non-competitive environment, and a community of fellow women writers that can extend well beyond the 4 days of the lab.

Mentors for 2020 will be announced later this year. Past mentors have included:

• Susan Cartsonis - The Hollywood Reporter named Susan Cartsonis one of the top five grossing producers of the year for What Women Want—the highest grossing romantic comedy at the time of its release and number two to this day, and Where the Heart Is. She produced the teen hits, The Duff, Beastly, Aquamarine and executive-produced Middle School, Invisible Sister, and No Reservations. 
• Lisa Cortes - Lisa is an Academy Award®–nominated Producer whose credits include PRECIOUS; THE WOODSMAN; and SHADOWBOXER. Her productions have received over 70 international awards and nominations, including the Academy Award®. Prior to her film career, Cortés worked with Russell Simmons and Rick Rubin to launch the iconic Def Jam brand. Later, as Vice President of Artists and Repertoire at Mercury Records, she signed many multi platinum and Grammy® Award-winning artists, and founded the iconoclastic label, Loose Cannon Records. Since launching her production company, Cortés Films, she has collaborated with directors including Ernest Dickerson and Gabourey Sidibe, producing innovative features, documentaries and short films. Current productions include a feature-length documentary about the legendary APOLLO THEATER with Academy Award Award®-winning director, Roger Ross Williams and THE REMIX: HIP HOP X FASHION which she also co-directed. 
• Amy Fox - Amy Fox is an acclaimed screenwriter, playwright and educator, and a passionate advocate for elevating women’s voices in the arts and the workplace. She is currently a staff writer on the TV series The Conners, and she wrote the screenplay for Equity, the female-driven Wall Street film which premiered at Sundance 2016 and was released by Sony Pictures Classics.
• Lisa Jones - Lisa Jones is an author and screenwriter. Her essay collection Bulletproof Diva: Tales of Race, Sex, and Hair (Doubleday) has been widely anthologized.  She has written film projects for Dreamworks, Focus Features, Fox Searchlight, and Universal, among others, and has adapted works of fiction for the screen, including Disappearing Acts (HBO) and The Wedding (ABC).
• Mary Jane Skalski - Mary Jane Skalski began her career at Good Machine, where she worked on the early films of Ang Lee, Ed Burns and Nicole Holofcener. As a producer, her credits include four films with director Tom McCarthy (The Station Agent, The Visitor, Win Win and The Cobbler); Gregg Araki’s Mysterious Skin which premiered at the 2004 Venice Film Festival, Todd Louiso’s Hello I Must Be Going which opened the 2012 Sundance Film Festival, Adam Salky’s Dare, Peter Callahan’s Against the Current, Julien Goldberger’s The Hawk Is Dying, Jem Cohen’s Chain and Naomi Foner’s Very Good Girls.
• Robin Swicord - Robin Swicord is an American screenwriter and film director. She is known for literary adaptions.  In 2008, her screenplay for The Curious Case of Benjamin Button was nominated for Academy Award for Best Adapted Screenplay and Golden Globe Award for Best Screenplay.  She wrote the screenplay for Memoirs of a Geisha, based on the novel of the same name by Arthur Golden, for which she won a 2005 Satellite Award.  Her other screenplay credits include Little Women, Practical Magic, Matilda, The Perez Family, and Shag.  
• Pat Verducci - Pat has written screenplays for Touchstone Pictures, Witt-Thomas Productions, and Disney’s animation division. She has also worked as a story consultant for Disney/Pixar as part of their Brain Trust.
• And many more...

Eligibility
• Applicants must identify as women and be at least 40 years old, born on or before Oct 1, 1980.
• We will be accepting scripts internationally.
• Submissions must be feature-length narrative scripts in English. (No script fragments, treatments, synopses, TV scripts, shorts, stage plays, book excerpts, or documentaries. A per-page surcharge will be levied on scripts longer than 130 pages.)
• Scripts by more than one writer will be considered, but all writers must be women and over 40, and only one writer can attend The Lab.
• Applicants may submit up to three (3) scripts, with a separate application for each script submitted.
• The Lab seeks a broad selection of screenplays across all genres of fiction (drama, comedy, horror, action, thriller, science fiction, animation, musical, etc.). Scripts may be about any topic and do not specifically need to be about women, but we definitely notice scripts that feature women characters, especially if they transcend cliches and/or challenge norms.
• The Lab seeks submissions from all racial, ethnic, socioeconomic, and cultural groups.
Requirements - The following materials are required for your application and must be submitted electronically:
1. Basic Biographical Information (name, email address, contact phone number, mailing address, birth date.)
2. Script Genre
3. Log line
4. PDF of a feature-length narrative screenplay (Name removed)

Application Instructions
1. Register your script with the Writers Guild or the US Copyright Office, if it is not already registered. Registration is quick and easy and the Writers Guild East has generously offered the discounted price of $17 to Lab applicants who are not members of the Guild. Registration will protect you and The Lab staff and volunteers. Choose the Student and NYWIFT/The Writers Lab option. If your script is not legally registered for copyright protection, The Writers Lab, New York Women in Film & Television, its directors, employees, agents and representatives cannot be held liable for any infringements that may be perceived to result from the submission of said unregistered intellectual property. Failure to register your script may result in your disqualification for this submission. Register your script with the Writers Guild if it is not already registered: https://www.wgaeast.org/mo/script_registration/registrations?&cookie_check=1
2. The script must be in PDF format. PDFs must be labeled with the project name only. DO NOT include the name of the screenwriter(s) ANYWHERE on the PDF.
3. Complete the electronic application (link at the top of this page) filling in ALL fields. You will be asked to complete questions in text boxes on the web application. We recommend that you draft your answers, then cut and paste the final text once it has been completed to your satisfaction. Text boxes in the form include: Name, email address, contact phone number, mailing address, birth date, script genre, log line.
4. Agree to the Terms and Conditions.
5. Pay the non-refundable application fee.

The Writers Lab Terms and Conditions
1. I am submitting a script (Material) to The Writers Lab (the Lab). In connection with the Material submitted by me, this constitutes the agreement between NYWIFT and The Writers Lab (herein "you") and me, the undersigned.
2. I request that the panel convened for purposes of entry into The Writers Lab read and evaluate said Material, and you hereby agree to do so, and you will advise me of your decision with respect to the Material.
3. I warrant that I am a woman born on or before October 1, 1980. Proof of age and residence may be required.
4. I warrant that I am the sole owner and author of said Material, that I have the exclusive right and authority to submit same to you upon the terms and conditions stated herein, and that I have registered this script with the Writers Guild of America or, if outside the United States, with a legally recognized local guild or copyright office. If your script is not legally registered for copyright protection, The Writers Lab, New York Women in Film & Television, its directors, employees, agents and representatives cannot be held liable for any infringements that may be perceived to result from the submission of said unregistered intellectual property. Failure to register your script may result in your disqualification for this submission. Register your script with the Writers Guild https://www.wgaeast.org/mo/script_registration/registrations?&cookie_check=1 if it is not already registered. The Writers Guild East has generously offered the discounted price of $17 to Lab applicants who are not members of the Guild. Choose the Student and NYWIFT/The Writers Lab option.
5. I acknowledge that the only obligation undertaken by you in consideration of my submission is to accept the Material for review and consider me, based on the Material submitted, for The Writers Lab. No other obligation or duty on your part shall arise from or be implied by this submission.
6. I agree that any part of said Material which does not in itself constitute protectable literary property may be used by any member, officer, or employee of NYWIFT or The Writers Lab, or those participating in the selection process for The Writers Lab without any liability, and nothing in this agreement or the fact of my submission of said Material to you shall be deemed to place you in any different position than anyone else to whom I have not submitted said Material.
7. The Writers Lab is not responsible for lost, late, incomplete, invalid, unintelligible or misdirected Material, which will be disqualified. The Submission Fee will not be returned or adjusted. Submissions that do not comply with the Submission Requirements will be disqualified, and the Submission Fee will not be returned or adjusted.
8. If selected for the Lab, in return for participation in the Lab, I understand that I am asked to make the following commitments: (a) Make a tax-deductible contribution to The Writers Lab of $2500 should the Participating screenplay be produced with a total budget in excess of $1,000,000 and less than $5,000,000 on or before December 31, 2025; or, make a tax-deductible contribution to The Writers Lab of $5000 should the Participating screenplay be produced with a total budget in excess of $5,000,000 on or before December 31, 2025; and (b) The Writers Lab will receive a credit line and logo placement in the film's end titles should the Participating screenplay be produced at any budget level on or before December 31, 2025.
9. I understand that the Internet is not a secure medium and information submitted online may be accessed by third parties. Further, I acknowledge and agree that the Lab receives numerous submissions of ideas, stories and scripts, and that my submission, and the ideas and stories embodied in the Submission, may be similar or identical to other material already received and/or developed by the Lab and that I am not entitled to any compensation or credit for use by the Lab of any such other material.
10. I specifically acknowledge that you may refuse to accept, consider or otherwise evaluate my Material in the absence of my acceptance of the provisions herein.
11. In further consideration of your evaluation of said Material, I and my successors or assigns hereby release The Writers Lab and NYWIFT, their directors, officers and employees, from any and all actions, claims and demands of any kind whatsoever, which I had, now have, or hereafter may have, by reason of any matter in connection with this submission and, if accepted, my participation in the Writers Lab.
12. I have read and understand this agreement. No oral representations of any kind have been made to me and this agreement states our entire understanding with reference to the subject matter herein. Any modification or waiver of any of the provisions of this agreement must be in writing and signed by both of us.