Don't sell yourself, don't sell me, not for sale
Fabio Mourilhe (Fabio Bola) has a PhD in art from UERJ, a post-doctorate in art from UFRJ, a master's degree in design from PUC-Rio and a degree in web design. He took courses on Macromedia and Adobe software in 1999. He also has a PhD and a degree in philosophy (UFRJ and UERJ). He has been developing a diverse range of work, including audiovisual. See several projects on Behance: https://www.behance.net/magneticstudiobr
- In the late 1990s, he began developing work with flash animations and their expansions through JavaScript. The technological resources available with these tools have allowed him to create works that are close to both design and art. In this context, we have Cinepoemas (2006 and 2023) with the writer Fernando Gerheim, animations on typography for Magnetic Records, animated websites based on artistic works (on a painting by Malevich, for example), websites with animations for Ziraldo (Eternet website), various animations for Alexandre Perlingeiro (Dakshina Tantra Yoga), animations for the text of designer Luli Radfahrer (Cyberparnasianismo) and animations on comic strips. - Recently, at the end of the 2010s, he began to develop educational videos for music classes, with scores that move in parallel with the musical sequence and with the action of the hands playing the pieces on the piano. For music, he also began to develop music videos mixing real images and animation for the Hipecirco and Fabio Bola X projects. - In 2023, he began to use image generation and sequence images to create videos through the Stable Diffusion Deforum installed on the Google Colab notebook or simple SD in Automatic 1111, Runaway Gen 2.0, Leonardo AI, Seaart with ControlNet and Wombo Dream. - He is co-author of the book Philosophy of art, which has a specific space for audiovisual (cinema); and of the chapter “Beyond formalism”, which discusses cinema, phenomenology and Jean Luc Godard. - His doctoral thesis in art “Expressibles, sensations and expressivities in the comics of the end of the World” uses some concepts that Gilles Deleuze used in Cinema 2: Image-time, as crystal image and pure optical image; and in Cinema 1: Image-movement, as the northern line. He also works with other concepts specific to cinema, such as the sequence shot, and addresses the aesthetics of German expressionist cinema, the relationships between comics, video games and cinema; the relationships between cinema, futurism and surrealism in the dream image; events between comic book frames and Michelangelo Antonioni; and theoretical comparisons between the dysnarrative in cinema and comics.
- In his article “Simulated make-believe games: reality and fiction in comics”, we use concepts from the cinema of Epstein, Pasolini and Jean Rouch to think about comics.
- In his article “Aesthetics of violence in comics”, we discuss silent cinema and the adaptations of superheroes from comics to cinema.
- In his article “Grotesque in comics: considerations on a Bakhtinian bias”, we expose the parodies of cinema produced by Mad Magazine and the graphic experimentation of cinema foreseen in comics. - In his book “The Frame in Comics”, we have comparisons between the framing of comics and cinematographic practice.- In his article “Milo Manara: An Adventure in the World of Eroticism”, we have analyses of the joint work between Frederico Fellini and Milo Manara.
- In his article “Ontology of (Mass) Art in Comics”, we have an analysis of certain aspects of the transposition of comics to cinema.
He has a degree in arrangement and a master's degree in audio design for the web. The title of his master's thesis is “Audio and usability: Application in web interfaces, an ergonomic analysis” (2007). He began studying music at the age of 10 (1977) as part of the activities of the São José Marist School Choir with maestro Gilberto Bittencourt. With the choir, he won second place in a choir competition held at Sala Cecília Meireles. He studied guitar between the ages of 10 and 15 at the Brazilian Conservatory of Music. From 1985 onwards, he studied composition and instruments in the music course at UNESA (mixed popular and classical training) (incomplete training), with João Carlos Assis Brasil (piano), Cláudio Caribé (percussion), Colósimo and Maria Helena (singing) and Guilherme Bauer (composition), and represented the institution at other universities with the project “Musical Look”, directed by João Carlos Assis Brasil, alongside João Cantiber and Nando Gabriele. Still in the 1980s, he studied piano with Luizinho Eça, electronic music with Rodolfo Caesar (Estúdio da Glória), experimental music with Vânia Dantas Leite (Unirio) and singing with Eládio Perez Gonzales. In the early 1990s, he graduated in arrangement with Ian Guest, in the first arrangement class offered at CIGAM, and in improvisation with Nelson Farias. The graduation ceremony was held at the former Jazzmania with the presentation of his composition “Freak Pop” arranged for wind instruments.
Official Selection
Série "Nanovídeo Antropozoide"
Estação Net Botafogo
Rio de Janeiro
2025
Official Selection
Série "Nanovídeo Antropozoide"
MFL CCBB Rio de Janeiro
Rio de Janeiro
2025
Official Selection
Série "Nanovídeo Antropozoide"
MFL CCBB SP
São Paulo
2025
Official Selection
Série "Aion"
MFL CCBB SP
São Paulo
2025
Official Selection
Série "Aion"
MFL CCBB Rio de Janeiro
Rio de Janeiro
2025
Official Selection
Série "Aion"
Estação Net Botafogo
Rio de Janeiro
2025
Officil Selection
O que faço é música
2a Chamada Helio Oiticica
Rio de Janeiro, Rio de Janeiro
2024
Official Selection
Um minuto na rua processada
mix-FOF-cv-bang!
Curitiba, Paraná
2024
Official Selection
LK Variations
Festival Irradia
Fortaleza, Ceará
2024
Official Selection
Série "Nanovídeo Antropozoide"
MFL CCBB Brasília
Brasília
2024
Official Selection
Série "Aion"
MFL CCBB Brasília
Brasília
2024
Official Selection
Democracia
Parada 7 2024
Rio de Janeiro, Rio de Janeiro
Don't sell yourself, don't sell me, not for sale
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