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Série "Nanovídeo Antropozoide"

Nanovideo anthropozoide is a series of video art with four short pieces. It uses plastic and abstract elements with occasional references to man to construct a disnarrative movement. It was created using generative art video editing. The soundtrack is generally very slow, with occasional percussive beats. It starts with a visual poem, with the letter “N” in the word “Não” breaking the linearity, along with the letters of the word “antropozoid” arranged in an oval shape.
Version 1 uses extension resources to fill in the non-existent spaces of the image, during the movement of the video; version 2 uses resources of progressive modification of the original, with the letters transforming into small objects; version 3 brings modifications that occur in the background with the visual poetry in front; and version 4 brings a video with greater interpolation of images and the transformation of the poetry into a human figure.

  • Fabio Bola
    Director
  • Fernando Gerheim
    Director
  • Fabio Bola
    Song Writing
  • Project Title (Original Language):
    Série "Nanovídeo Antropozoide"
  • Project Type:
    Animation, Experimental, Short
  • Runtime:
    2 minutes 19 seconds
  • Completion Date:
    July 7, 2024
  • Production Budget:
    100 USD
  • Country of Origin:
    Brazil
  • Country of Filming:
    Brazil
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • MFL CCBB SP
    São Paulo
    Brazil
    February 10, 2025
    MFL CCBB Brasília
    Official Selection
  • MFL CCBB Rio de Janeiro
    Rio de Janeiro
    Brazil
    January 8, 2025
    MFL CCBB Brasília
    Official Selection
  • Estação Net Botafogo
    Rio de Janeiro
    Brazil
    January 12, 2025
    MFL CCBB Brasília
    Official Selection
  • MFL CCBB Brasília
    Brasília
    Brazil
    December 13, 2024
    MFL CCBB Brasília
    Official Selection
Director Biography - Fabio Bola, Fernando Gerheim

Fabio Mourilhe (Fabio Bola) has a PhD in art from UERJ, a post-doctorate in art from UFRJ, a master's degree in design from PUC-Rio and a degree in web design. He took courses on Macromedia and Adobe software in 1999. He also has a PhD and a degree in philosophy (UFRJ and UERJ). He has been developing a diverse range of work, including audiovisual.

Fernando Gerheim is Associate Professor at the School of Communication (ECo) of the Federal University of Rio de Janeiro (UFRJ). Professor of the Postgraduate Program in Performing Arts (PPGAC - ECO) and the Postgraduate Program in Visual Arts (PPGAV - EBA), at UFRJ. Post-doctorate from the University of Barcelona (UB, 2019), PhD in Letters (Comparative Literature) from the State University of Rio de Janeiro (UERJ, 2003), Master in Letters (Brazilian Literature) from the same university (1998) and a degree in Social Communication - Journalism from the Pontifical Catholic University of Rio de Janeiro (PUC, 1992). He works in the areas of Arts, Literature, Video and Cinema. He is the author of the essay Invented Languages: Word Image Object: Forms of Contagion (Ed. Zahar / Companhia das Letras, 2008); of the fiction books Signofobia (Ed. 7 Letras, 2021 and Ed Multifoco, 2012) and Inifinitômetros (Ed. 7Letras, 2018). He is the co-author of Filosofia da Arte (Imagem do Pensamento, 2016). Among other video works, he produced Vídeo Brossa (2019), the video installations ZAUMDATA (2017), cinemobjeto (2012), Cinepoema no Bosque (2011) and Cinema in Natura (2008), and the videos Tomada do Mundo (2007) and Filme de uma imagem só (2006). As a screenwriter and director, he also produced the short films Salomé (2011, awards for best film at the Mostra Underground Brasil of the II Rio Fan International Fantastic Film Festival and for Best Actress at Cine Lapa) and Urubucamelô (2002). He participated, among others, in the Grito e Escuta exhibition at the 7th Mercosul Biennial (2011). He is a member of the International Research Groups Todas as Artes/Todos os Nomes and leader of the Research Group Poetics in the Experimental Field (PAX).

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Director Statement

Utiliza elementos plásticos e abstratos com referências eventuais ao homem para construir um movimento disnarrativo. Foi realizado a partir de edições de arte generativa em vídeo. A trilha sonora está, em geral, em um andamento bem lento, com uma eventual marca percussiva. Parte-se de uma poesia visual, com a letra “N” da palavra “Não” que quebra a linearidade, junto às letras da palavra “antropozoide” dispostas em formato oval.