Korea Artificial Intelligence Cinema Festival

KACF

The Korea Artificial Intelligence Cinema Festival (KACF) is an AI cinema festival that presents the present and future of a new form of moving-image art expanded through generative AI.
Through AI-based creative works across diverse formats—including films, music videos, commercials, animation, trailers, posters, and screenplays—KACF introduces new possibilities for storytelling born at the intersection of technology and art.

KACF does not view AI merely as a production tool.
AI is understood as a creative partner that expands human imagination and sensibility, allowing creators to bring images, narratives, emotions, and worlds to the screen that were previously difficult to realize.

Works created with AI contain not only traces of machine-generated images and algorithmic processes, but also human emotions, experiences, questions, and philosophy.
Within these works lies a deeper exploration of what we seek to express through art, and how human creativity is changing in the age of technology.

KACF brings these works together as a platform where audiences and creators can experience a new cinematic language.
Here, AI becomes not simply the result of technology, but the beginning of new artistic possibilities, opening the first frames of a future in which humans and AI create cinema together.

The festival supports bold experimentation and innovative storytelling from creators in Korea and around the world through a wide range of categories, including AI Film, AI Music Video, AI Movie Director, Best Animation Short, Best AI Commercial Film, Best Trailer, Film Poster, and Screenwriter.
Each work represents a new creative outcome born at the intersection of imagination, technology, emotion, and narrative, presenting diverse directions for moving-image art in the AI era.

In particular, the 2nd KACF became the AI film festival in Korea with the largest publicly confirmed number of theatrical screenings, presenting a total of 110 AI films over two days at the large theater of the Seoul Cinema Center in Chungmuro, the heart of cinema in Seoul, Korea.

This is significant because KACF is not a festival that remains limited to online submissions and selections. It is a festival where officially selected works are introduced to audiences through actual theatrical screenings. For creators, official selection is not merely a result; it becomes a special experience in which their work is screened on a public stage and meets audiences in Korea.

KACF provides AI filmmakers with a real stage for presenting their work.
The experience of seeing an AI-created film projected on a large cinema screen and introduced as a cinematic work before an audience can bring great pride and joy to participating directors. KACF will continue to value theatrical screenings so that officially selected works can reach more audiences and be experienced as true works of cinema.

KACF is also supported by a jury composed of professionals from various fields, including creation, film, music, education, and welfare.
The jury includes Director Jongmin Ahn, an interactive composer active across K-POP, advertising, musicals, and global IP projects; Director Jung-Wook Kim, known for works such as Obese Family and Exist Within; Dr. Jeongso Lee, a specialist in social and child welfare research and narrative interpretation; and Director Eunkyoo Lee, recipient of the Houston International Film Festival’s Grand Prize and the Asian TV Awards’ Best Short Program. Their participation brings depth, credibility, and artistic insight to the festival’s judging process.

Independent filmmaker and screenwriter Ali Sabokbar also joins KACF as an international online jury member.
Ali Sabokbar is a creator who has continued to work on various short films and screenplays. His major works include The Bride Has a Doll in Her Hands, Dirty Water, Gladiator Baby, Qajari Coffee, Abnabat Najva, and Murder. Based on his experience in directing and screenwriting, he has built his own creative world in independent cinema, and in recent years he has actively incorporated artificial intelligence into the filmmaking process, exploring new possibilities for AI-based cinematic creation.
As an online jury member of KACF, he will contribute to the evaluation of new works in the field of AI cinema based on his experience as a filmmaker, screenwriter, and AI film creator.

Looking ahead, KACF aims to expand its scale, international partnerships, and global network each year, growing beyond Korea into a central platform for AI cinema on the world stage.
As AI and art come together to create entirely new forms of storytelling, KACF will continue to offer creators and audiences a special opportunity to encounter the future possibilities of cinema at their earliest moments.

JUNG-WOOK KIM, President of the Jury

Jung-Wook Kim is a South Korean filmmaker and media educator who has been active in film creation and moving-image education for more than two decades.
He studied Film Directing at Kyungsung University and earned a master’s degree in Film and Media from Dankook University’s Graduate School of Culture and Arts. Over the years, he has worked across independent film, feature film, documentary, and film education.

His works are grounded in social awareness and a delicate observation of human experience. Across various genres, including comedy, thriller, and documentary, he has continued to explore reality and the inner lives of people with sincerity and depth.
His feature films Cute Man and Exist Within have gained international recognition, winning awards at major film festivals in North America and Europe.

Kim has also been active as an educator. He has served as an adjunct professor at Hallym Sungsim University and Baekseok Arts University, and currently works as the lead mentor of the Citizen Film School and as an instructor for the Short Film Production Class under the Jungbu RISE project.
Based on his extensive experience as both a creator and educator, he joins KACF as President of the Jury to explore new possibilities for cinematic art in the AI era.

Selected Filmography

2024 | Ah! That Day, Sister
Broadcast on KBS Open Channel
Winner of Best Work, KBS Viewer Committee Awards

2022 | Exist Within
Winner of Best Actress, NYTVFF

2021 | Cute Man
Awarded at the Canada International Comedy Film Festival, Dublin International Comedy Film Festival, and others

2008 | Obese Family
Winner of the Encouragement Prize at the Korea Video Awards
Official Selection, Bucheon International Fantastic Film Festival

2003 | Sundays in August
Winner of Best Film at the Fish Eye International Film Festival
Official Selection, IndieForum

1996 | Waiting
Winner of Best Film, Korea Creative Short Film Festival

Gold, Silver, Bronze, and the Jury Award will be presented to the selected winners.

AI Film
AI Music Video
AI Movie Director
Best Animation Short
Best AI Commercial Film
Best Trailer
Film Poster
Screenwriter

Korea Artificial Intelligence Cinema Festival (KACF)
Official Submission Rules & Terms

Before submitting your film, please read the following Rules & Terms carefully.
By submitting a work to the Korea Artificial Intelligence Cinema Festival (KACF), the submitter fully agrees to all terms and conditions outlined below.

1. Submission Requirements

KACF accepts submissions exclusively through online screeners.
Physical media such as DVDs, USB drives, hard copies, or other offline materials will not be accepted under any circumstances.

All films not presented in English must include English subtitles.
Submissions without English subtitles may be disqualified from the screening and evaluation process.

Filmmakers may submit multiple projects.
Each project may also be entered into more than one category, provided that it meets the requirements of each selected category.

The submitter is solely responsible for ensuring that all submitted materials are complete, accurate, and accessible throughout the evaluation period.

2. Eligibility and Rights Responsibility

By submitting a work to KACF, the submitter confirms that they hold all necessary rights, permissions, and clearances required for the submission, screening, and promotional use of the work.

This includes, but is not limited to, rights related to images, video footage, music, sound, voice, scripts, performances, trademarks, copyrighted materials, and any AI-generated or AI-assisted elements included in the work.

The submitter is solely responsible for any legal claims, disputes, or liabilities arising from the submitted work.
KACF shall not be held responsible for any copyright, ownership, licensing, or rights-related issues involving submitted works.

3. Selection and Evaluation Process

All submitted films are reviewed through a fair and independent evaluation process.
Entries are assessed based on artistic quality, technical execution, creativity, originality, storytelling, and the meaningful use of artificial intelligence.

Films selected as Official Selection will be included as part of the official program of the Korea Artificial Intelligence Cinema Festival (KACF).

The KACF Organizing Committee reserves the right to refuse the selection or screening of any film that does not align with the festival’s vision, standards, values, or operational requirements.

All official communications regarding submissions, selections, screenings, and festival-related matters will be conducted via email only.

4. Official Selection and Festival Screening

If a film is selected as an Official Selection, the filmmaker will be notified individually via email.
Official Selection results may also be announced through KACF’s official social media channels, website, or other official communication platforms.

Official Selection means that the film has been chosen as an official screening work of the Korea Artificial Intelligence Cinema Festival (KACF).

Films selected as Official Selection may be screened as part of the official festival program at cinemas, theaters, screening halls, cultural venues, or similar venues designated by the KACF Organizing Committee for official festival operations.

All official screenings and main programs take place in Seoul, Republic of Korea, unless otherwise announced by the festival.

Festival screenings are organized solely for festival, cultural, and non-commercial purposes.
Such screenings do not constitute a commercial theatrical release, commercial distribution, or commercial exploitation of the work.

The screening schedule, program section, number of screenings, screening format, and venue assignment are determined at the sole discretion of the KACF Organizing Committee in accordance with festival operations and programming policies.

In cases where a film’s running time makes a full screening impractical within the festival program schedule, KACF may, while respecting the nature and integrity of the work, present the film through alternative screening formats such as a trailer, excerpt, selected footage, or program highlight.

In such cases, the film shall remain fully recognized as an Official Selection and an official screening work of the Korea Artificial Intelligence Cinema Festival (KACF).

5. Theatrical Screening Value of Official Selection

KACF places strong value on presenting AI films through real theatrical screenings.

The 2nd Korea Artificial Intelligence Cinema Festival screened a total of 110 AI films over two days at the large theater of the Seoul Cinema Center in Chungmuro, the heart of cinema in Seoul, Republic of Korea.
Based on publicly confirmed screening numbers among AI film festivals in Korea, KACF presented the largest number of AI films in a theatrical setting.

This demonstrates that KACF is not limited to online submissions and selections.
For filmmakers, Official Selection at KACF means that their work may be introduced to audiences in Korea through an actual cinema screen as part of the festival’s official program.

Seeing an AI-created film projected on a large theater screen and presented to audiences as a cinematic work is a meaningful opportunity for participating directors.
KACF will continue to provide AI filmmakers with a real stage where their works can be seen, experienced, and appreciated by audiences.

6. Screening Permission

By submitting a film to KACF, the submitter grants the Korea Artificial Intelligence Cinema Festival and its Organizing Committee the right to screen the submitted work as part of the festival’s official program if the work is selected.

This screening permission applies to festival screenings, official programs, special screenings, online festival-related programs, or other non-commercial festival activities organized or approved by KACF.

The submitter understands and agrees that no screening fee, licensing fee, rental fee, or other payment will be provided by KACF for festival screenings, unless otherwise agreed in writing by both parties.

7. Promotional Use

By submitting a film to KACF, the submitter grants the festival the right to use the film’s title, synopsis, director’s name, still images, poster, trailer, excerpts, and other submitted promotional materials for festival-related promotional purposes.

Such promotional use may include, but is not limited to, KACF’s official website, social media channels, press releases, program books, catalogs, posters, trailers, screening schedules, award announcements, and other festival-related materials.

KACF will use submitted promotional materials solely for festival-related promotion, publicity, documentation, and archival purposes.

8. Submission Fees and Refund Policy

Submission fees are non-refundable, regardless of the outcome of the evaluation.

If a filmmaker withdraws a submission after payment, the submission fee will not be refunded under any circumstances.

Incorrect category selection, missing materials, inaccessible screeners, subtitle issues, or failure to comply with submission requirements are the sole responsibility of the submitter.

KACF assumes no financial responsibility for any costs incurred during production, submission, translation, subtitling, file preparation, or material delivery.

9. Official Laurels and Promotional Recognition

Films selected as Official Selection may use the official KACF logo and laurels for promotional purposes.

Award-winning films may use the corresponding KACF award laurels and titles in accordance with the official results announced by the festival.

Any misuse, modification, or false representation of KACF laurels, awards, or official selection status is strictly prohibited.

10. Awards Structure

Each competition category will present a Gold Award.

Among all Gold Award recipients, one film will be selected to receive the festival’s highest honor:

KACF Best Picture of the Year

The Best Picture of the Year represents the official top film of KACF for that edition.

The festival reserves the right to adjust, add, combine, or withhold awards depending on the number, quality, and eligibility of submissions.

11. Communication Policy

To ensure fair and efficient festival operations, KACF limits communication by phone.

All inquiries, announcements, notifications, and official notices will be handled exclusively via email.

Filmmakers are responsible for providing a valid email address and checking their email regularly, including spam or junk folders.

KACF is not responsible for missed communications due to incorrect email addresses, email filtering, or failure to check email messages.

12. Festival Schedule

The Korea Artificial Intelligence Cinema Festival (KACF) is held once per year.

The official schedule, screening program, award announcements, and detailed festival information will be announced through KACF’s official social media channels, website, or other official communication platforms once confirmed.

All dates, venues, programs, and schedules are subject to change depending on festival operations, venue circumstances, or other unavoidable factors.

13. Amendments to the Rules

KACF reserves the right to modify, update, or amend these Rules & Terms without prior notice.

Any revised rules take effect immediately upon publication through the festival’s official platform or submission page.

Filmmakers are responsible for reviewing the most current version of the Rules & Terms before submitting their works.

14. Final Agreement

By submitting a work to the Korea Artificial Intelligence Cinema Festival (KACF), the submitter acknowledges that they have read, understood, and agreed to all Rules & Terms stated above.

Submission to KACF constitutes full acceptance of these Rules & Terms.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Soegimitro BOOM

    A highly professional and thoughtfully curated festival that showcases the future of AI-driven cinema.

    Korea AI Cinema Festival stands out for its focus on innovation, quality, and forward-thinking storytelling. The process is smooth, communication is clear, and the overall experience feels well structured and internationally aligned.

    I appreciate the balance between artistic vision and technological advancement.

    Honored to have "WORTHY" selected as a Finalist.

    A strong platform for filmmakers pushing the boundaries of modern cinema.

    April 2026
  • Tang Pusen

    A truly phenomenal experience with the Korea AI Cinema Festival (KACF)! My short film, "The Answer to a Question," had the honor of being screened and awarded. I have been working as an independent filmmaker for many years, but this being my very first recognition at an AI-focused film festival makes it an incredibly meaningful milestone.

    Unfortunately, unexpected passport issues prevented me from attending the Seoul Cinema Center screening in person. However, the organizing committee was absolutely outstanding. Their communication was top-notch—they promptly shared photos of my film being screened to the Korean audience and generously accommodated a special logistical request to ship my physical trophy and certificate to a friend's address in Korea. I just received the package in China, and the trophy is exceptionally beautiful and exquisitely crafted!

    The level of care, patience, and professionalism they showed to international filmmakers is highly commendable. Cinema has brought us together across borders, and there is absolutely nothing cooler than that. I strongly recommend KACF to all creators exploring AI and filmmaking. I eagerly look forward to submitting again for their 3rd edition!

    April 2026
  • Spot on, amazing comunication, helpful all the way, ticket, trophy, picture of the poster and screaning, this has been a treat, cant wait for the next festival, thank you Korea AI Cinema Festival

    March 2026
  • It was truly an honor to have been in Officially Selection here at the Korea AI Festival with my second film "Goodbye". As a first-time filmmaker it was honestly dispiriting to have gone through the festival process with my first film - there were really very few festivals I submitted to that were as invested in the AI community as the team at KACF. They were so validating and communicative, it was so humbling to be selected amongst such incredible films. The team were really encouraging. I'd absolutely recommend the festival to filmmakers of any genre - they seem to be really invested in helping the AI space grow, which not all festivals are demonstrating. I'm really looking forward to seeing the festival grow, and submitting again next year!! Thanks so much again, I'm truly honored to have been part of this year's event.

    March 2026
  • 박스미디어 None

    It was a great honor to be able to watch the world-leading AI movies in person, famous directors from all over the world.
    From the welcoming ceremony to the networking after the awards ceremony, it was a satisfactory procedure, and I felt supported until the end by contacting me after the event.
    We would like to attend every year to raise the status of AI movies and lead the trend together.

    March 2026