2019 Theme: USE AND PURPOSE
Featuring new films of 20 minutes or less and co-curated by Gareth Evans (Whitechapel Gallery) and Nora Foster (Frieze), the Swedenborg Film Festival invites entries from the latest emerging and established talent of experimental and artist film, exploring the theme of 'Use and Purpose'.
Selected films will be screened in November 2018 at Swedenborg Hall, ‘one of London’s most atmospheric venues’ (The Guardian) and the winner will be chosen by a guest judge (TBA).
Artist Susan Hiller was the guest judge for the 2018 festival. Artists and writers including Ali Smith, Bridget Smith, Andrew Kötting, Jeremy Millar and Lech Majewski have judged and shown work at SFF.
Filmmakers are invited to explore the concept of 'Use and Purpose'- a theme encountered in the work of scientist, philosopher, theologian and visionary, Emanuel Swedenborg (1688–1772) as well as those he influenced. A foundation of the Romantic, Symbolist and Surrealist artistic traditions, Swedenborg was a seminal influence on generations of radical thinkers.
The only film festival in the world inspired by the work of a single philosopher, the SFF has received a huge response from thousands of filmmakers around the world since its launch in 2010. The annual festival was re-launched in July 2015 with an expanded framework, a new competition and a fresh commitment to showing the work of international filmmakers who are engaging with themes similar to those that energized Swedenborg.
2017 Festival explored the theme of 'dreams', with a season of iconic features and visionary shorts chosen by the writer Ali Smith. An award-winning writer and cultural critic, Smith curated a season of films – from Fellini's classic 'Nights of Cabiria' to iconic short films by Jean Vigo – all questioning boundaries between imagination and reality, performance and identity. The festival concluded with the screening of the 2017 shortlist and Smith's announcement of the 2017 winner: Fenglin Chen, alongside special mentions: Michelle Brand, Atobe Hiroshi and Chay Milne.
The 2015/16 programme celebrated the award-winning Triptych of the great Polish filmmaker Lech Majewski alongside remarkable shorts by Richard Ashrowan; followed by a dynmaic programme of short films on 24 March, judged by the artist Bridget Smith. In November 2016, a second round of shortlisted films were screened alongside features by John Rogers and guest judge Andrew Kötting. The 2016 winners were Harold Charre, Toby Tatum and Daphne Rosenthal.
Filmmakers worldwide are invited to submit films of 20 minutes or less, which have been made between 1 June 2018 and 30 June 2019. For further information, please visit swedenborg.org.uk/events/swedenborg_film_festival
Selected films will be screened in November 2019, to a public audience at Swedenborg Hall, ‘one of London’s most atmospheric venues’ (The Guardian). Winners will receive distinctive prizes related to the festival.
Guidelines for Submission:
– Films must be 20 minutes or less in length
– Films must have been created between 1 June 2018 and 30 June 2019.
Terms & Conditions:
I confirm that I have obtained all necessary written consents from all persons, companies and organizations involved in the making of the film.
I confirm that I hold the rights in this film or relevant permissions necessary to allow the film to be screened for public exhibition at the Swedenborg Short Film Festival 2019. I am willing to produce evidence of such ownership or permissions if required to do so by the Festival Director, Festival Board or Selection Panel.
I hereby grant the Festival the necessary license to screen the film during the
period of the Festival free of charge.
I understand submission of this completed application form and film file/DVD/web link does not guarantee the film's inclusion in the Festival.
I understand that the decision of the Festival Selection Panel to screen the film or not is entirely at their discretion and any decision is final.
I understand the organizers can accept no responsibility for any loss or damage to the film while it is in their hands.
I confirm that I will indemnify the organizers against any claim against them arising directly from the screening of the film, including but not by way of limitation, legal proceedings for libel or defamation.