creating visceral cinematic and performative experiences
Andrea Hackl is an Amsterdam-based independent film-maker, multi-disciplinary artist.
She cherishes the alchemy of different disciplines meeting and produces films, expanded cinema & hybrid performance projects, merging cinema with performance, creating poetic, visually compelling projects that explore themes of freedom, empowerment, human connection. Her audio-visual work is enriched by her background as choreographer / dancer and has a poetic, visceral quality.
Being invited to artistic residency programs and her work being presented at festivals
and events world wide, allows her to travel, meet and collaborate with artists & communities internationally. These meetings are one of the most enriching aspects of her creative path, nourishing her inspiration and artistic work.
Her films, including THE DISAPPEARANCE OF TIME , BELE BELTZA , Silent Fragments , and Light Rising have received multiple awards for Best Film, Best Performance and Visual Poetry. Her performance project DREAMER, created on a creative path involving multiple international collaborations, received the Award for Best Interdisciplinary Live Performance at Lensdans Festival, Brussels, and continues to tour to festivals internationally.

She cherishes to develop and produce international, collaborative and boundary crossing projects, on and off screen, offering cinematic and performative experiences that expand perception and connect audiences and artists across cultures.
Best Women Film
Esistenza x Gioia
DRUK INTERNATIONAL FILM FESTIVAL
Paro
2022
Honorable Mention
BELE BELTZA
CINEDANZA Festival
Modena
2021
PEARL ARTIST PRIZE
BELE BELTZA
POOL Tanzfilmplattform
Berlin
2021
FINALIST
BELE BELTZA
Vesuvius International Film Fest
2021
FINALIST
BELE BELTZA
Prague International Film Award
Prague
2021
BEST FILM
SILENT FRAGMENTS
CINEDANZA
Modena
2020
BEST CHOREOGRAPHY
SILENT FRAGMENTS
InShadow Festival
Lisbon
2020
Best Interdisciplinary Live Performance
DREAMER
LensDans International Festival
Brussels
SPECIAL MENTION
A MOUNTAIN PORTRAIT
LensDans Festival
Brussels
“There are two paths that art can adopt to embrace life. One is broad, open, safe and easy; the other is steep, scales precipices, and harbors deadly dangers. The easy path is intelligence and it is also the path of the five senses, which only apprehend the contingent aspects of life in its dreary, stupid mundanity.
The steep path the scales precipices is the path of the soul; it experiences life as a deep dream where alternative forms of connection and unfamiliar abysses inaccessible to our pathetic intelligence are hard to discern.
These two paths are different because the intelligence of our brains is the everyday intelligence of drudgery and sweat, of mathematic and logic, whereas the soul is an infrequent feast day which cannot be embraced by consciousness and logic; it is the praise and resurrection of humanity.
For intelligence, two times two equals four, but for the soul it could equal a million as it is not aware of divisions in either time or space. For the soul, only the essence of things exists, without objects and without space, outside time” – Konrad Mägi
creating visceral cinematic and performative experiences
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