CHICAGO UNDERGROUND FILM FESTIVAL
The Longest-Running Underground Film Festival in the World (Est. 1993)

Since 1993, the Chicago Underground Film Festival has championed cinema that exists outside the mainstream. For more than three decades, CUFF has been a home for filmmakers working on the fringes of commercial, institutional, and cultural expectations.

As Roger Ebert famously wrote:

"What you get for your money is not just admission to the films but admission to a subculture."

We champion work that breaks rules, takes risks, and confronts audiences—formally, politically, aesthetically, or personally. If your film refuses the safe option, we want to see it.

What Do We Mean by "Underground"?
Underground isn't a genre. It isn't a budget level. It isn't a particular style.
Underground cinema is work made on its own terms—outside dominant commercial pressures, industry formulas, and cultural expectations. We are interested in films driven by artistic necessity rather than market logic.

Experimental, narrative, documentary, animation, hybrid, essay film, personal cinema, genre deconstruction, expanded media—we care less about category than ambition.

If your film takes formal risks, challenges convention, embraces the unconventional, or simply couldn't have emerged from a focus group, studio mandate, or streaming algorithm, there's a good chance we're interested.

What We're Looking For:

Beyond formulas. Beyond trends. Beyond content.

From nearly 3,000 annual submissions, CUFF selects approximately 100 films that surprise us, challenge us, haunt us, provoke us, or expand our understanding of what cinema can be.

We program experimental work alongside documentaries, narrative films alongside hybrids, emerging artists alongside established voices.

A CUFF film isn't necessarily a perfect film. We're often more interested in originality, ambition, and risk than polish, professionalism, or commercial potential.

The question isn't simply "Is this a good film?"

The question is: "Is this a CUFF film?"

Who Attends CUFF

CUFF audiences are active participants, not passive consumers.

Our screenings attract experimental filmmakers, independent creators, artists, musicians, students, cinephiles, critics, and cultural instigators from Chicago and around the world.
The atmosphere is curious, energetic, intelligent, and deeply engaged.

Screenings + Spaces

Most screenings take place at Chicago's premier cinemas:

• The Harper Theater
• The Gene Siskel Film Center
Both venues provide professional projection, calibrated sound, and a theatrical experience worthy of the work being shown.

When the work calls for it, however, we venture beyond traditional screening spaces. Recent events have included documentary screenings paired with dance parties, live performances, expanded cinema presentations, and site-specific programs.

Whether it's a velvet-curtained movie palace or an improvised cultural space, we strive to find the right environment for every film.

The CUFF Experience
CUFF extends far beyond the screening room.

The festival includes artist talks, live music, performances, exhibitions, panels, parties, and conversations that continue long after the credits roll.

Past performers have included RP Boo, Lady D, Art Gray Noizz Quintet, Pedestrian Deposit, Brett Naucke, Fire-Toolz, and The Handsome Family.

Many filmmakers tell us their most valuable festival experiences happen not during screenings, but during the unexpected conversations afterward.

CUFF exists to create those moments.

Selected Filmmaker Benefits

Selected filmmakers receive:

• Screening fee
• Two all-access festival passes
• Access to filmmaker hospitality space
• Invitations to festival events, panels, and gatherings
• Professional technical presentation
• Festival laurels
• Networking opportunities with fellow artists and industry professionals
• Press and promotional support when available
• Limited need-based travel assistance when resources permit

Whenever possible, attending filmmakers participate in audience Q&As and post-screening discussions.

Key Dates (2026)

Selections Announced:
July 29, 2026

Festival Information Packet:
Approximately one week after selections are announced

Chicago Underground Film Festival:
September 23–27, 2026

Submission deadlines and fees appear in the Dates & Fees section.

All deadlines are 11:59 PM Central Time.

Promoting Your Screening

We don't just screen films—we help build audiences.

Selected filmmakers may receive promotional assets, social media support, local press outreach, venue information, audience recommendations, and opportunities for cross-promotion with fellow filmmakers.

Our goal is to connect your work with the people most likely to appreciate it.

Accessibility

Our primary venues are fully accessible and include:

• Wheelchair access
• Elevators
• Accessible restrooms
• Assisted listening devices

ASL interpretation may be available with advance notice, subject to scheduling.

Accessibility information for alternative venues and special events will be provided whenever applicable.

Questions or accommodations requests may be directed to access@cuff.org.

Submission Details

• Vimeo and YouTube screeners preferred (private links accepted)
• Non-English language films must include English subtitles
• DCP required for exhibition
• 16mm and select 35mm presentations possible by prior arrangement
• 24fps preferred; 25fps accepted with advance notice

Selection Process

Every submitted film is watched.

Submissions are reviewed by multiple programmers before final decisions are made.

We look for work that lingers, challenges, surprises, and refuses to be ignored.

Selected filmmakers will be notified by July 29, 2026.

While we cannot provide individual feedback, we sincerely appreciate every submission and recognize the effort involved in bringing independent work into the world.

Keep Us Posted

After submitting, you'll receive a confirmation email.

If your premiere status changes, your film becomes available online, your screener link changes, or other significant updates occur, please let us know.

Final Word

For more than thirty years, CUFF has remained committed to artists working outside the boundaries of conventional film culture.

Still weird.

Still independent.

Still underground.

We're here for films that don't quite fit anywhere else.

Join us.

AWARDS
CUFF isn’t about competition, but we do recognize work that rises above. Each year a rotating jury of filmmakers, artists, and co-conspirators selects award winners—categories shift to fit the work. That’s how we like it.

In addition to jury awards, we also present:
Made in Chicago Award (standout hometown work)
Audience Award (our audiences always have something to say)

2025 Award Winners
Best Short Documentary: Survival Without Rent — Elana Meyers, Katie Heiserman
Best Narrative Short: Fresh Values — Drew Durepos, Isaac Brooks
Best Documentary Feature: A Body To Live In — Angelo Madsen
Best Narrative Feature: TRIPOLAR THE MOVIE — Eleanor Gaver
Best Editing: Your Touch Makes Others Invisible — Rajee Samarasinghe
Best Use of Archival Footage: American Alternative: Kurt Heyl — Josh B Mabe and Ben Creech
Made In Chicago Award: $POSITIONS —Brandon Daley
Audience Award: Kombucha — Jake Myers

2024 Award Winners
Narrative Feature: Head Over Heels — Nelly Danssen
Documentary Feature: Just Above the Surface of the Earth — Marianna Milhorat
Documentary Short: These Fucking Kids — Lucky Marvel
Narrative Short: Make Me a Pizza — Talia Shea Levin
Experimental Award: Desert Cruising — Todd Verow & Charles Lum
Made in Chicago Award: Sing Our Song When the World Ends — Tanner D. Masseth & Andrea Florens
Audience Award: No One Asked You — Ruth Leitman
Honorable Mentions: The Rainbow Bridge, Another Fuckin’ War, Welcome Space Brothers, Musical Television, The Demoniacs.

Next year? Different jury, different films, different categories—that’s part of what keeps CUFF alive.

SUBMISSION REQUIREMENTS

SCREENERS
Vimeo links preferred (password-protected).
YouTube private links are fine.
FilmFreeway’s player is acceptable, though Vimeo is more reliable for quality and playback.

FOREIGN-LANGUAGE FILMS
If your film isn’t in English, it must include English subtitles.

PREMIERES
We consider all submissions on merit. That said, a Chicago premiere strengthens a feature’s chances—our audience values discovering new work.
If your film has screened in Chicago before, please disclose where/when. Shorts have more flexibility; we understand that great shorts often benefit from multiple showings.

TECHNICAL SPECS (Exhibition & Delivery)
Exhibition format: DCP required for screening. (If you don’t have one, we can connect you with an affordable vendor.)
Backup file: ProRes 422 HQ (48 kHz audio) strongly preferred.
Resolution: 2K or 4K accepted.
Audio: 5.1 supported (stereo also fine).
Frame rate: 24 fps preferred; 25 fps accepted with advance notice.
Aspect ratio: Any ratio supported; we’ll letterbox/pillarbox as needed.
Stills: High-quality stills for promotion—film frames preferred over set photos.

Film prints: 16mm supported; 35mm possible at the Gene Siskel Film Center only, subject to schedule/availability. A DCP backup is strongly recommended.

Deadlines & file naming: Detailed delivery instructions arrive with acceptance materials.

CATEGORIES & FEES
We know categories can be limiting—But FilmFreeway allows one category per submission—pick the best fit for how the work primarily operates. Boundary-crossers welcome.

Narrative — From classical storytelling to loose, character-driven experiments. If there’s a story spine (even a fragile one), this likely fits.

Experimental — Avant-garde, personal, punk, found footage, video art, expanded cinema. If you’re exploring form over plot, start here.

Animation — Hand-drawn, CGI, stop-motion, clay, cut-out, hybrids. If you’re creating motion frame-by-frame, it belongs here.

Documentary — Re-enactments, collage, hybrids—if it’s rooted in the real, it counts. If you straddle doc/fiction, just flag it for us.

LENGTH GUIDELINES
(Academy standard):
Feature: over 40 minutes
Short: 40 minutes or less

WAIVERS
Alumni: If you’ve screened with CUFF before, you’re family—email info@cuff.org with your last CUFF title for an alumni waiver/discount.

Financial hardship: Write us. We try to help—usually with a discount rather than a full waiver.

Sanctions/conflict regions: We consider case-by-case waivers for filmmakers facing significant barriers. Reach out.

MATERIAL SECURITY
Your submission stays between you and us. Only the programming team accesses your screener and info. We don’t share links or contact details with sponsors/donors/third parties without consent.

SCHEDULE CHANGES & UPDATES
If a schedule or venue change becomes necessary, we’ll notify you promptly and update public listings. Tech hiccups are rare—but if they happen, we’ll communicate and resolve as quickly as possible.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Jake Myers

    Bryan and his team put together a world class festival here in Chicago. No pretension, just cool films and cool people. Loved the video art karaoke party.

    October 2025
  • Wow, what a great experience! I can't recommend this festival enough. To everyone from Chicago natives, to those across the world. To student filmmakers to people with decades of experience in the industry. This festival is open to, and includes all. The people who put the festival together have an eye for substance, and films that are rebellious and imaginative.
    Along with the festival itself, the people who gather for it are just as special and excited about what themselves and other filmmakers do. Long live CUFF!

    October 2025
  • I was unable to attend but my actress did and she had nothing but glowing things to say! So grateful for the opportunity to screen at this wonderful festival.

    September 2025
  • Eddy Frumkin

    Though Chicago Underground is not an industry festival, that doesn't mean that they don't know how to throw on a world premiere. They also throw tremendous parties. Thank you Brian, Taila, and the rest of the team for giving Rap World Day its first audience.

    CUFF does a wonderful job at bridging filmmakers and audiences. If you make something weird, diaristic, or atypical that in compared films played at other festivals, CUFF is the one fo submit to.

    September 2025
  • Meezahn Senbetta

    Super honored that my short film, HAND JOB, screened at CUFF 2025. Though I wasn't able to attend the festival, the production designer and lead animator for HJ was there to represent and she shared that the entire experience was incredible -- super kind volunteers, cool filmmakers and awesome films. I'm excited to be a part of CUFF again in the future and I'll definitely be there to experience it all in-person!

    September 2025