CHICAGO UNDERGROUND FILM FESTIVAL

The longest-running underground film festival in the world (est. 1993)
Since 1993, CUFF has been home to unruly, risk-taking cinema. Or as Roger Ebert put it:
“What you get for your money is not just admission to the films but admission to a subculture.”

We champion work that breaks rules, takes risks, and confronts audiences—formally, politically, or personally. If your film refuses the safe option, we want to see it. Underground isn’t a genre; it’s making and showing films on your own terms.

What we’re looking for
Beyond formulas. Beyond market trends. From ~2,000 submissions, we select ~100 films that stay with you. Experimental, narrative, documentary, hybrid, animation—we value impact over category. If your work challenges conventions, it may find a home here.

Who attends CUFF
Our audiences participate. CUFF draws experimental filmmakers, independent creators, art students, musicians, cinephiles, and cultural instigators from Chicago and beyond. The atmosphere is energetic, smart, and interactive.

Screenings + spaces
Most screenings are at The Harper Theater and The Gene Siskel Film Center—proper venues with top-tier projection and sound. When the work calls for it, we get weird: recently we paired Chicago House documentaries with a dance party. Velvet curtain or concrete floor—your film gets the setting it deserves.

The CUFF experience
CUFF extends beyond the screen: late-night events, music performances, and conversations that matter. Past performers include RP Boo, Lady D, Art Gray Noizz Quintet, Pedestrian Deposit, Brett Naucke, Fire-Toolz, and The Handsome Family. Q&As turn into real discussion. Panels spark ideas and connections. You’ll leave with new collaborators and a sharper sense of purpose.

Selected filmmaker benefits
Screening fee
Two all-access passes
Filmmaker hospitality space
Invitations to all events, panels, and gatherings
Professional technical checks & exhibition on calibrated projection/sound
Very limited, need-based travel support when possible
Meaningful networking & press outreach/listings (coverage not guaranteed)
Select events are documented; highlights shared when available
Festival laurels

If you attend in person, we aim to host a Q&A (block/program permitting) with an engaged audience.

Key dates (2026)
Selections announced: July 22, 2026
Info packet sent: one week later (tech specs & delivery deadlines, screening time/venue, Q&A details, pass pickup, travel tips, Chicago insider guide)
Festival dates (tentative): September 23–27, 2026
Submission deadlines & fees appear in the “Dates & Fees” section; all deadlines are 11:59 PM Central Time. Dates subject to change; final confirmation by July.

Promoting your screening
We don’t just show your film—we help bring the right people in: social media assets for selected films (templates plus show-specific graphics when feasible), Chicago press contacts, local tips/venue maps, and cross-promotion with fellow CUFF filmmakers. It’s a scene, not a solo show.

Accessibility
Our primary venues are fully accessible (ramps, elevators, restrooms). Assisted listening devices are available. ASL interpretation is available with advance notice, subject to scheduling. For other/pop-up spaces, we publish access notes or provide alternatives. Other needs? Email access@cuff.org and we’ll do our best.
Submission details
Preferred screeners: Vimeo or YouTube (private links welcome)
Non-English films must be subtitled in English
DCP required for exhibition (we can connect you with an affordable partner)
We also support 16mm and, in some cases, 35mm—talk to us early (by arrangement)
Frame rate: 24 fps preferred; 25 fps accepted with advance notice

Selection process
Every film is watched—multiple programmers view submissions before final decisions. We pick what hits, what lingers, what refuses to be ignored. If selected, you’ll be notified by July 22, 2026. If not, you’ll still hear from us. We can’t offer individual feedback, but we value every submission.

Keep us posted
You’ll get a confirmation email after submitting. If anything changes—premiere status, online release, passwords—drop us a note.

Final word
Holding it down for underground film since 1993: still weird, still wide open, still ready for whatever you’ve got. We’re here for films that don’t fit anywhere else. Join us—and let’s keep independent film weird.

AWARDS
CUFF isn’t about competition, but we do recognize work that rises above. Each year a rotating jury of filmmakers, artists, and co-conspirators selects award winners—categories shift to fit the work. That’s how we like it.

In addition to jury awards, we also present:
Made in Chicago Award (standout hometown work)
Audience Award (our audiences always have something to say)

2025 Award Winners
Best Short Documentary: Survival Without Rent — Elana Meyers, Katie Heiserman
Best Narrative Short: Fresh Values — Drew Durepos, Isaac Brooks
Best Documentary Feature: A Body To Live In — Angelo Madsen
Best Narrative Feature: TRIPOLAR THE MOVIE — Eleanor Gaver
Best Editing: Your Touch Makes Others Invisible — Rajee Samarasinghe
Best Use of Archival Footage: American Alternative: Kurt Heyl — Josh B Mabe and Ben Creech
Made In Chicago Award: $POSITIONS —Brandon Daley
Audience Award: Kombucha — Jake Myers

2024 Award Winners
Narrative Feature: Head Over Heels — Nelly Danssen
Documentary Feature: Just Above the Surface of the Earth — Marianna Milhorat
Documentary Short: These Fucking Kids — Lucky Marvel
Narrative Short: Make Me a Pizza — Talia Shea Levin
Experimental Award: Desert Cruising — Todd Verow & Charles Lum
Made in Chicago Award: Sing Our Song When the World Ends — Tanner D. Masseth & Andrea Florens
Audience Award: No One Asked You — Ruth Leitman
Honorable Mentions: The Rainbow Bridge, Another Fuckin’ War, Welcome Space Brothers, Musical Television, The Demoniacs.

Next year? Different jury, different films, different categories—that’s part of what keeps CUFF alive.

SUBMISSION REQUIREMENTS

SCREENERS
Vimeo links preferred (password-protected).
YouTube private links are fine.
FilmFreeway’s player is acceptable, though Vimeo is more reliable for quality and playback.

FOREIGN-LANGUAGE FILMS
If your film isn’t in English, it must include English subtitles.

PREMIERES
We consider all submissions on merit. That said, a Chicago premiere strengthens a feature’s chances—our audience values discovering new work.
If your film has screened in Chicago before, please disclose where/when. Shorts have more flexibility; we understand that great shorts often benefit from multiple showings.

TECHNICAL SPECS (Exhibition & Delivery)
Exhibition format: DCP required for screening. (If you don’t have one, we can connect you with an affordable vendor.)
Backup file: ProRes 422 HQ (48 kHz audio) strongly preferred.
Resolution: 2K or 4K accepted.
Audio: 5.1 supported (stereo also fine).
Frame rate: 24 fps preferred; 25 fps accepted with advance notice.
Aspect ratio: Any ratio supported; we’ll letterbox/pillarbox as needed.
Stills: High-quality stills for promotion—film frames preferred over set photos.

Film prints: 16mm supported; 35mm possible at the Gene Siskel Film Center only, subject to schedule/availability. A DCP backup is strongly recommended.

Deadlines & file naming: Detailed delivery instructions arrive with acceptance materials.

CATEGORIES & FEES
We know categories can be limiting—But FilmFreeway allows one category per submission—pick the best fit for how the work primarily operates. Boundary-crossers welcome.

Narrative — From classical storytelling to loose, character-driven experiments. If there’s a story spine (even a fragile one), this likely fits.

Experimental — Avant-garde, personal, punk, found footage, video art, expanded cinema. If you’re exploring form over plot, start here.

Animation — Hand-drawn, CGI, stop-motion, clay, cut-out, hybrids. If you’re creating motion frame-by-frame, it belongs here.

Documentary — Re-enactments, collage, hybrids—if it’s rooted in the real, it counts. If you straddle doc/fiction, just flag it for us.

LENGTH GUIDELINES
(Academy standard):
Feature: over 40 minutes
Short: 40 minutes or less

WAIVERS
Alumni: If you’ve screened with CUFF before, you’re family—email info@cuff.org with your last CUFF title for an alumni waiver/discount.

Financial hardship: Write us. We try to help—usually with a discount rather than a full waiver.

Sanctions/conflict regions: We consider case-by-case waivers for filmmakers facing significant barriers. Reach out.

MATERIAL SECURITY
Your submission stays between you and us. Only the programming team accesses your screener and info. We don’t share links or contact details with sponsors/donors/third parties without consent.

SCHEDULE CHANGES & UPDATES
If a schedule or venue change becomes necessary, we’ll notify you promptly and update public listings. Tech hiccups are rare—but if they happen, we’ll communicate and resolve as quickly as possible.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Jake Myers

    Bryan and his team put together a world class festival here in Chicago. No pretension, just cool films and cool people. Loved the video art karaoke party.

    October 2025
  • Wow, what a great experience! I can't recommend this festival enough. To everyone from Chicago natives, to those across the world. To student filmmakers to people with decades of experience in the industry. This festival is open to, and includes all. The people who put the festival together have an eye for substance, and films that are rebellious and imaginative.
    Along with the festival itself, the people who gather for it are just as special and excited about what themselves and other filmmakers do. Long live CUFF!

    October 2025
  • I was unable to attend but my actress did and she had nothing but glowing things to say! So grateful for the opportunity to screen at this wonderful festival.

    September 2025
  • Eddy Frumkin

    Though Chicago Underground is not an industry festival, that doesn't mean that they don't know how to throw on a world premiere. They also throw tremendous parties. Thank you Brian, Taila, and the rest of the team for giving Rap World Day its first audience.

    CUFF does a wonderful job at bridging filmmakers and audiences. If you make something weird, diaristic, or atypical that in compared films played at other festivals, CUFF is the one fo submit to.

    September 2025
  • Meezahn Senbetta

    Super honored that my short film, HAND JOB, screened at CUFF 2025. Though I wasn't able to attend the festival, the production designer and lead animator for HJ was there to represent and she shared that the entire experience was incredible -- super kind volunteers, cool filmmakers and awesome films. I'm excited to be a part of CUFF again in the future and I'll definitely be there to experience it all in-person!

    September 2025