The Yorkton Film Festival began in 1947 as the Yorkton Film Council. Thus, making it North America’s longest running film festival.

From its inception the festival has gone through many evolutions, however, it continues to be dedicated to the promotion of the best Canadian screen based media content, through our annual film festival and Golden Sheaf Awards competition. In addition to the annual event, the festival is dedicated to the promotion of short film content through our year round screening and tour outreach programs.

The Yorkton Film Festival is a qualifying festival to the Canada Screen Awards.


•All main entry categories and special award categories come with a Golden Sheaf Awards statuette.
•The Kathleen Shannon Award comes with a cheque for $1000 CDN
•The Ruth Shaw Award comes with a cheque for $750 CDN

2026 Entry Rules, Regulations and Eligibility Requirements

Eligibility, Rules & Terms

• Only Canadian filmmakers, producers and distributors are eligible and are invited to submit their original work to the 2026 Yorkton Film Festival competition for the Golden Sheaf Awards.
• Canadian productions 60 minutes and under will be accepted, exception (Best Feature Documentary and Best Feature Drama/Comedy, which must be over 70 mins.). A Canadian production is defined as any production which:
i. As been Certified by the Canadian Audiovisual Certification Office (CAVCO) as a “Canadian film or video production.”
OR
ii. Recognized as an audiovisual treaty coproduction by the Ministry of Heritage. OR
iii. Directed and produced by Canadians and its copyright is owned by Canadians.

• All entries must have been completed in the period between February 01, 2024, and January 31, 2026, and not have been entered in a previous Golden Sheaf Awards competition.
• Films that premiered at other festivals or were broadcasted before February 01, 2024, are not eligible to enter.
• A single production cannot compete in multiple main entry categories. It is eligible to be entered in one main category only. Exceptions: -
i. If your production is part of an anthology series where episodes are produced by different production companies, then each production company may submit their work as a standalone entry. A separate entry form and fee are required for each entry.
ii. If you are also entering your production in the Technical Award category, any of the Accompanying categories and or Craft categories. (Additional fee applies).

Rough cuts can be entered with the understanding that the file submitted will be used throughout the adjudication process and the film cannot be submitted in future years.

The final decision regarding interpretation of the rules and regulations including the eligibility of any production for admission into the competition will be the responsibility of the festival.

Fees and Entry Deadlines

• Early bird until end-of-day Dec. 12th, 2025
• Regular until end-of-day January 31st, 2026
• Early bird -Student Production until end-of-day Nov, 07th, 2025
• Regular – Student Production until end-of-day Dec. 12th, 2025

All main entry category submissions(expectations: Commercial, Outstanding Colour Grading and Best Non-Fiction Podcast categories) will be automatically considered for the Special Awards (Ruth Shaw Award- Best of Saskatchewan and Best of Festival) where applicable, (no additional fee is required).

Refunds
•Entry fees must be submitted with the production at time of entry.
•All entry fees are non-refundable. This policy applies to all entries, regardless of the circumstances including those that may be disqualified for any reason.

How to submit

• All festival submissions are handled through FilmFreeway.
• Entrants are responsible for the technical quality of their submissions. Entries which cannot be adequately judged because of technical problems prior to upload/submission will be deemed ineligible
• Recommended video specs for export:

Bit rate: 8Mbit.
Codec: H.264
Resolution: 1920x1080p, or 1280x720p
Frame rate: 23.98, or 29.97 fps
Audio: 48khz 2 channel, stereo audio

Entries & Nominations

All entrants will be notified of selection status via FilmFreeway. Nominations in the main categories will be available in late March while nominations in the accompanying and
craft categories and the Kathleen Shannon award will be available in April via our website, www.yorktonfilm.com

Screening and Yorkton Film Festival Bursary.

Nominees who are attending the festival are given priority for screenings. To help cover costs, filmmakers may apply for limited bursaries to cover registration to the festival. Note, this will be at the discretion of the festival. We also happily provide letters of reference to help with travel grant applications.

Adjudication

Qualified jurors, selected by the festival, will judge the entries. Awards may not be given in categories where, in the opinion of the jurors, the entries do not merit distinction. In the case of entries of three or less in any category, the festival reserves the right to collapse that category.

YFF On Demand Screening Centre

All productions submitted will be available for screening during the festival, and at the on-demand screening centre during the film festival.

DVD Tour and Festival Library

• A program of Golden Sheaf award productions may be taken on tour to other Canadian centres, following the festival. If your production is selected, it may be included in these special festival-run screenings.
• All productions submitted will be archived in the festival library for viewing by the public (no rental fee will be charged).

Rights and Clearances

•By entering a film(s) for consideration to the YFF, the entrant is confirming that they own or control the film’s copyright and are duly authorized to submit the film to the YFF.
•The entrant agrees to grant the YFF use of their production in the manner indicated above.
•The YFF reserves the right to copy and use any materials (photographs, film stills, trailers, and film clippings) for non-commercial public promotions, at no additional cost.
•The entrant hereby agrees to indemnify and hold harmless the YFF from any financial liability or obligation incurred by entrant in connection with the submitted film(s).

For more information visit www.yorktonfilm.com

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Even before the festival began, I was struck by the generosity, responsiveness, and genuine support of Randy, Taynika, and the entire Yorkton Film Festival team. Taynika was an absolute pleasure to work with and helped make my first festival experience feel seamless, welcoming, and stress-free. Their commitment to supporting both emerging and established Canadian filmmakers is truly inspiring.

    If you're looking for celebrity red carpets, glitzy premieres, and paparazzi, this probably isn't the festival for you. What makes Yorkton special is something far more valuable: direct access to the leaders of Canada's major funding organizations, broadcasters, and industry decision-makers in a relaxed, approachable environment. Rather than only seeing these people on stage during panels, you have genuine opportunities to connect with them one-on-one and have meaningful conversations throughout the weekend.

    The festival staff make you feel like part of the family from the moment you arrive. I thoroughly enjoyed every aspect of the experience, and the awards gala was outstanding. I'm still in shock that our film was honoured with three Golden Sheaf Awards.

    What stayed with me most, however, were the filmmakers and producers I met along the way. They were talented, generous, supportive people who share a deep passion for independent filmmaking and for helping one another succeed.

    For Canadian short filmmakers, the Golden Sheaf Awards remain one of the most rigorous, respected, and prestigious competitive platforms in the country. I cannot recommend the Yorkton Film Festival highly enough.

    June 2026
  • Moira Simpson

    Our documentary, The Lady Architect, was nominated in the social/political category of the Yorkton Film Festival 2026.
    It's an honour that our film was a nominee in the longest continuous film festival in North America. We watched the awards ceremony and it was tremendously moving. Thank you.

    May 2026
  • David Cormican

    ★★★★★
    Something Pointless was nominated for Best Short Film (Drama/Comedy) Golden Sheaf Award at the 79th Yorkton Film Festival — and to be considered at North America's longest-running continuous film festival, with a Golden Sheaf Awards adjudication process that spans over seventy industry jurors from coast to coast, is a genuine honour for any short film.

    There is also a personal dimension to this one. The script that became Something Pointless was first recognised by the Canadian Short Screenplay Competition over fifteen years ago as part of YFF. Returning to Yorkton with the finished film — and as a nominee, no less — felt like a full-circle moment for our entire team.

    Since premiering at USA Film Festival in Dallas, Something Pointless has won Best Short Film (United Kingdom) at iDEAL International Film Festival, been nominated for Best Short Film Made in Wales (the John Hefin Award) at Carmarthen Bay Film Festival, nominated for Best Short Film at the International Sound & Film Music Festival in Croatia, and selected for several dozen festival dates continuing well into 2026.

    Randy, Taynika and the entire Yorkton team are exceptionally well organised, welcoming, and clearly devoted to championing the best of Canadian screen-based storytelling. And I can't think of anywhere else where you can enjoy lobsters and skeet/trap shooting as part of a film festival. It makes for an incredibly memorable event for networking with industry buyers and fellow filmmakers!

    For any Canadian short filmmaker, the Golden Sheaf Awards represent one of the most rigorous and respected competitive platforms in the country. Highly recommended.

    — David Cormican, p.g.a., Producer, Co-Screenwriter, Something Pointless

    May 2026
  • Erica Bulman

    A Golden Sheaf Nomination, Lobster in Saskatchewan, and Five Clay Pigeons

    The Yorkton Film Festival is the kind of event that sneaks up on you. You arrive thinking you’re going to attend screenings, talk about craft, meet a few fellow filmmakers, and maybe do some polite networking over coffee. Then suddenly you’re eating lobster in landlocked Saskatchewan, firing a shotgun at clay pigeons beside a lobsterfest tent, and tucking into a huge Ukrainian feast before an awards gala.

    I had a wonderful time at this year’s festival, where my short documentary It Didn't Happen to You was nominated for a Golden Sheaf. I didn’t win, but I truly didn’t mind. Just being selected felt like a win in itself. There is something deeply encouraging about having your work recognized by a festival with such a long history of celebrating documentary, storytelling, and the strange, stubborn, generous people who make films.

    What struck me most was the quality of the people. I met brilliant filmmakers and producers — the kind of people who can talk with equal passion about structure, sound, funding, ethics, and how to keep going when a project nearly defeats you. The workshops were eye-opening, the conversations were energizing, and the films I saw were phenomenal. There was a real sense of community, without the exhausting gloss that can sometimes come with industry events.

    And then there was Yorkton itself. The town gave the festival a flavour I don’t think you could manufacture anywhere else. The lobsterfest was delicious and surreal. The skeet shooting was ridiculous fun — I hit five out of 10 clay pigeons, which I am choosing to regard as respectable. The Ukrainian feast before the awards gala was the kind of meal that makes you want to loosen your waistband and call your grandmother.

    There was also a personal surprise: I met the mayor of the town co-founded by my great-grandfather, John Jeremiah Cook. That gave the trip an extra layer I hadn’t expected — part film festival, part family history, part prairie adventure.

    The Yorkton Film Festival reminded me why these gatherings are still worth showing up for in person. You watch good work. You meet generous people. You learn. You laugh. You eat lobster where lobster has no business being. And, for a few days, you feel part of a big, unruly, creative family.

    Official Rating: Five out of five clay pigeons

    May 2026
  • A truly incredible awards ceremony, great community and amazing audiences that truly value your art! Yorkton was an absolute blast and its spectacular history is showcased in how well it is ran.

    July 2025