RapidLion - The South African International Film Festival, awards the RapidLion to winning entrants. This award is fated to be the most coveted film prize outside Europe and North America.

To be held in Johannesburg, the city with the biggest man-made forest in the world, boasting the richest square mile in Africa, with the largest diversity of creative and friendly people than most metropolises in the world, the greatest city in Africa, The South African International Film Festival, RapidLion, is where all filmmakers from Africa, the African diaspora and BRICS countries will showcase their best work.

You will enjoy some of the best after-parties ever hosted in the film fraternity, meet some of the best filmmakers that ever lived, learn from them if you participate, and leave the festival a better, more determined filmmaker than ever before.

At RapidLion, the experienced will converge with the upcoming and together find ways to lead each other towards the creation of even more magical cinema.

The RapidLion Award, whose design is a fusion of the Andinkra symbol of excellence and a lioness in full flight is platinum-plated. At 265mm tall, the award is 35mm shorter than the revered Oscar, but a lot more intricate in design. Weighing in at 5.2kg, 1.35kg heavier than the Oscar. It is also manufactured by the Chicago-based R.S. Owens & Company, which has been making the Oscar and Emmy awards since 1983, and has been producing some of the world's most prestigious awards for over 73 years. On completing the final models, the company said of the RapidLion: “This award is one of the nicest pieces we’ve made. Just as beautiful as the Oscar”.

The RapidLion is designed and manufactured to represent the pinnacle achievement of any filmmaker from Africa, the BRICS countries and the African diaspora. It aims to remind RapidLion film entrants that excellence comes through hard work and ferocious focus, and that these qualities can lead to greatness.

A RapidLion will be awarded in the following categories:

- Best Student Film South Africa
- Best Student Film BRICS
- Best International Short Film
- Best Soundtrack
- Music (Best Song)
- Film Editing
- Cinematography
- Best Actor in a Leading Role
- Best Actress in a Leading Role
- Best Humanitarian Film
- Best Documentary Feature
- Best Screenplay
- Directing
- Best of South Africa
- Best of Africa and the African diaspora
- Best of BRICS
- Best Film Overall
- The Lionel Ngakane Lifetime Achievement award.

TERMS & CONDITIONS:

We encourage you to read through these Terms and Conditions in full.

TermS & Conditions for Submitting Films Through FilmFreeway.

I. Application of These Terms & Conditions

(1) The following terms and conditions (the “Terms”) govern the submission of a film (the “Film”) to The South African International Film Festival (RapidLion), through FilmFreeway.com (FilmFreeway) and any other form of entry for consideration for RapidLion (the “Festival”). To the extent that this document is inconsistent with any other document prepared by RapidLion or anyone else, this document will take precedence. Any questions about these Terms should be directed to submissions@rapidlion.co.za.

II. Submission Agreement

1. (1) By submitting a Film to RapidLion for Festival consideration, the submitter (the “Applicant”) represents that he or she has obtained consent from any and all owners, creators, writers, producers and/or other authorized representatives of the Film whose consent is required to submit the Film to RapidLion (the “Film Owners”) and screen the Film at the Festival, and has read, understood and agreed to the Terms.
2. (2) RapidLion may disqualify or reject, but is not required to do so, any submission that it determines in its sole discretion, is not in compliance, in whole or in part, with these Terms, and may do so without refunding any or all submission fees paid by the Applicant or returning the Applicant’s DVD submission.

III. Submissions Categories and Eligibility

1. (1) Films submitted to RapidLion for Festival consideration under these Terms must be submitted in one of the categories set out below.
2. (2) Films that do not meet the eligibility requirements for any of the below categories should not be submitted and will not be considered by RapidLion.
3. (3) For the purpose of the below categories: a. “South African” films are Films that were directed by a South African citizen or permanent resident of South Africa AND list South Africa as one of the countries of production. b. African films are films made by persons who were born in Africa or are members of the African diaspora. c. BRICS films are Films that were directed by a citizen or permanent resident of one of the BRICS countries (Brazil, Russia, India, China and South Africa) AND list ANY of the BRICS countries as one of the countries of production.
4. (4) Submission categories:

Category Eligibility requirements
South African Features: South African feature films with runtimes of 60 minutes or longer.
African & African Diaspora Features: Feature films made by people born on the African continent or permanently resident in any African country and by members of the African diaspora with runtimes of 60 minutes or longer.
BRICS Features: Feature films by filmmakers from South Africa, Russia, China, India and Brazil with runtimes of 60 minutes or longer.
Documentary Features: Documentary feature films by filmmakers from any part of the world with runtimes of 60 minutes or longer.
Student Shorts: Films with runtimes of 59 minutes or less made by film students from Africa, the African Diaspora, Brazil, Russia, India and China studying in any film school in the world.
International Shorts: Films with runtimes of 59 minutes or less made by film practiotioners from all parts of the world.
5. (5) The Festival is organised into a series of programmes, which are subject to change from year to year but might include, for example: In-Competition, Finalists, In-The-Spotlight, BRICS, etc. RapidLion may slot selected films into programmes at its sole and absolute discretion.
6. (6) RapidLion prefers that all short and feature films presented are, at minimum, African premieres. We will accept submissions that have already premiered in Africa, but the film’s premiere status will be taken into consideration when final programming decisions are made.
7. (7) A Film will not be eligible for consideration and should not be submitted if:
1. the Film was completed prior to January 1, 2017.
8. (8) All Feature Films and documentary feature films must be submitted as DVD screeners (as described below) or via FilmFreeway as described below.
9. (9) All Short Films must be submitted online via FilmFreeway as described below.
10. (10) For maximum copyright protection, all selected feature films must be available for final screening at the festival in a BD-ROM Blu-ray disc, (1920 x 1080p/Full HD/FHD) , 16:9 ratio with either a 'Region Free' or 'Region B' encoding, by January 15 , 2017. RapidLion should be made aware of all High-bandwidth Digital Content Protection (HDCP) encoded discs.
11. (11) Short Films and Features; H264 (at best quality constant bit rate 44.1 audio KhZ ) submitted to RapidLion for screening purposes, this format is compatible with both Apple and Windows operating systems.
12. (12) Short Films and Features; Apple users can also submit in Pro res422 (at best quality constant bit rate 44.1 audio KhZ ) formats.
13. (13) RapidLion may, but is not required to, permit films within the Wavelengths and Cinematheque programmes to be screened in the following alternative format: HDCAM. No format exceptions will be made for the Shorts programme.

IV. Submissions Process

Submission Procedure

1. (1) All Films submitted under these Terms must be submitted in accordance with the procedure outlined herein. RapidLion may, but is not required to, disqualify or reject any Film that is not submitted in this way.

2. (2) To submit a Film for Festival consideration, an Applicant must:

(a) complete the registration process at FilmFreeway and pay the required fee as outlined in article V.2 below and (b) provide to RapidLion a Vimeo online screener via FilmFreeway for review by RapidLion programming staff. RapidLion does not accept submissions in any other manner or format, including: content burned to Read/Write (RW) discs, Blu-ray discs or trailers.
(b) Submitted films must;
i. be in one version only, in the original language of production, with English subtitles if the original language is not English.
ii. be labeled with the following:
(1) Film title
(2) Film length In hours, minutes and seconds
(3) Country of origin
(4) Production Company
(5) Sender’s Name, Phone Number Physical Address and Email Address
(6) Director’s Name, and
(7) FilmFreeway Tracking Number.
iii. have the following marketing materials submitted with the film on FilmFreeway
(1) A trailer
(2) Two film posters in the following sizes: Poster 1. A6 300dpi or 1240 pixels by 1748
pixels RGB 72dpi and, Poster 2. 88.19mm (Height) 79.38mm (width), (3) Film synopsis
(250 words or less), and (4) Director's Biography (100 words or less).
iv. once accepted for the festival, be screened at the festival using the following formats:
(1) Feature Narrative Films and Feature Documentaries (60 minutes and longer): BD-
ROM Blu-ray disc, (1920 X 1080p/Full HD/FHD), 16.9 ratio with either a 'Region Free' or a
'Region B' encoding, with a CLEAR indication if the disc is encoded with High-Band
Digital Content Protection (HDCP)
(2) Short Films and Documentaries shorter than 60 minutes: H264 (at best quality
constant bit rate 44.1 audio KhZ).

3. (3) Accepted films must have screeners (see 4.(4) above) shipped in accordance with the shipping instructions set out below in sections 8 through 12.

4. (4) Applicants with accepted films should test their festival screeners thoroughly before shipping them. The Applicant has sole responsibility for ensuring that the submitted screener plays in its entirety on an industry- standard player. If RapidLion is unable to view the screener, RapidLion will attempt, but is under no obligation, to contact the Applicant in order to obtain a replacement screener.

5. (5) RapidLion will not review multiple versions of a submitted Film. Only one version of the Film may be submitted. If multiple versions are submitted, RapidLion will view only the version that was received first.

6. (6) Festival screeners will not be returned.

7. (7) RapidLion is under no obligation to contact the submitting party and/or refund the submission fee should the applicant not have adhered to rules, set out in Terms and Conditions 2. (2).

Shipping Instructions for festival Screeners

8. (8) All Films must be sent by way of prepaid shipping. RapidLion will not accept collect/cash-on-delivery shipments.

9. (9) The Festival is not responsible for and will not accept shipments incurring expenses for terminal charges, duties, taxes or customs brokerage. Applicants should clearly indicate on all waybills that transportation and customs charges are to be billed to the sender. Any shipping charges incurred by RapidLion will be billed back to the Applicant.

10. (10) Films should not be shipped in excessive packaging or with any materials other than those requested by RapidLion. There is no programming value for screener submissions arriving in unusual and/or unorthodox containers.

11. (11) RapidLion is not responsible and bears no liability with respect to clearance of shipments through South African customs. However, RapidLion recommends that Applicants sending submissions from outside of South Africa take the following steps to increase the chance of successful review by South African customs:

1. Include three copies of a commercial invoice (declaration of contents) containing the following:

information:
i. Sender’s name, address and telephone number
ii. Recipient’s address
iii. Title of film and format
iv. Length of film
v. Fair market value (standard is ZAR100)
vi. Country of manufacture
vii. Declaration “Goods on loan for Festival purposes only. No commercial value. Non-
pornographic.”
viii. Sender’s signature

2. The commercial invoice should be included with the courier waybill. Applicants shipping via international post should affix a customs declaration label to the outside of the package.

12. (12) RapidLion does not confirm receipt of shipment, and is not responsible for lost or misdirected packages. It is the Applicant’s responsibility to ensure that the submission procedure is complete, and that the screener has been received by RapidLion.

V. Submission Deadlines & Fees

Eligibility

In order to be eligible for consideration, submissions must be made online via FilmFreeway, FilmFreeway registration completed, and all fees paid, by the deadlines outlined below.

1. (1) Submission fees for 2017 are as follows:

Regular Deadline Submissions & Fees
South African Features: Regular deadline August 31, 2015. Fee US $15.
African & African Diaspora Features: Regular deadline July 31, 2016 Fee US $30.
BRICS Features: Regular deadline July 31, 2016 Fee US $30.
Documentary Features: Regular deadline July 31, 2016. Fee US $30.
International Shorts: Regular deadline, July 31, 2016. Fee US$20
student Shorts: Regular deadline August 31, 2015 Fee US $10.

NOTE: Please note that all fees will be denoted in South African rands.

RapidLion may accept late submissions in its sole and absolute discretion, but an additional submission fee may apply (see V.2).

Selection

RapidLion will consider for inclusion in the Festival all eligible films that have been submitted by the above deadline and in accordance with these Terms. RapidLion reserves the right to consider for inclusion in the Festival, and include in the Festival, films received at any time and through any means, channel or process, including means, channels or processes other than those outlined in these Terms. Nothing in these Terms or otherwise requires RapidLion to select for Festival inclusion any of the Films submitted through the process outlined in these Terms.

2. (2) All selection decisions are at the sole and absolute discretion of RapidLion, and are final and cannot and will not be reviewed. RapidLion is not required to provide any feedback, comments or reasons, or any other information, regarding the selection or non-selection of any submitted Film or the process by which Films are or have been selected. RapidLion is not responsible or liable for its selection decisions; for the contents of any internal comments or feedback regarding the Film that are or may be obtained from the Applicant or anyone else; for any communications by any representative of RapidLion relating to the Film or the Festival selection process; for the manner in which the Film shall be, is or was considered and reviewed; or for any failure on the part of the Festival to provide the Applicant or anyone else with information concerning RapidLion’s consideration and/or review of the Film.

3. (3) RapidLion will notify by January 15, 2017 all Applicants who have been selected to participate in the Festival. All Applicants who are not selected to participate in the Festival will be contacted by email on or around January 31, 2017. Rapidlion will contact Applicants using the contact information provided in the FilmFreeway registration form. Applicants are responsible for providing correct and functional contact information. RapidLion is not responsible for any failed attempts to contact Applicants using the contact information provided.

VI. Intellectual Property, Legal Claims & Indemnities

1. (1) By submitting the film to RapidLion, the Applicant and Film Owners (the “Submitting Parties”) hereby warrant and represent that: (i) the Film is wholly original and is not copied from and does not include any other work that is the subject of copyright or other protection, unless such work is in the public domain or the Submitting Parties have obtained any and all consents, releases, licenses, and other authorisations or waivers of any kind necessary for the inclusion or reproduction of any person, character, location, thing, trade-mark, sound recording, musical composition or other work in the film; (ii) the Film does not defame any person or violate the common law or statutory rights, including, without limitation, the rights of privacy and publicity or any other right of any person; (iii) the Film is not the subject of litigation; (iv) there are no agreements, nor will there be any agreements made subsequent to the date of this Film submission that would or could have the effect of impairing the Submitting Parties’ ability to provide the Film as contemplated herein, or otherwise conflict with any provision of these Terms; and (v) the Submitting Parties have the full right, power and authority to submit the Film to RapidLion for Festival consideration, and to grant all of the rights granted hereunder and in the FilmFreeway registration form, and there is no obligation or disability which would in any way impair, restrict or impede the Submitting Parties from fully performing all obligations pursuant to the submission and these Terms.

2. (2) The Submitting Parties agree to indemnify and hold harmless RapidLion, its licensees, successors and assigns, and its and their members, officers, directors, employees, agents, representatives, associates and affiliates (each, a “Releasee”), from any claim, suit, action or other proceeding brought against a Releasee and from any losses, costs, or damages, including the Releasee’s full legal fees and costs, which it may have suffered or incurred or may suffer or incur, directly or indirectly based on, in connection with, or arising from the use and exhibition of the Film submitted by the Applicant or the breach or alleged breach of any representation, warranty or other agreement made by the Applicant in these Terms, or in the Applicant’s FilmFreeway registration form.

3. (3) RapidLion takes all reasonable anti-piracy precautions. While in RapidLion’s possession, all Films are securely stored and regularly inventoried. Access to Films is limited to RapidLion staff who require access in order to screen and consider submissions. No duplication and loaning of Films is permitted. By submitting a Film to RapidLion, the Submitting Parties hereby release the Releasees from any and all liability in the event of theft, unauthorized access or copying, or any breach of copyright of the submitted Film while it is in RapidLion’s possession.

4. (4) By submitting the film to RapidLion, the submitting parties agree to the screening of the submitted film at any edition of RapidLion that could take place anywhere in the world within two years of the original edition of the festival for which the film was entered.

VII. Other

(1) RapidLion reserves the right to rule, in its sole discretion, on cases and situations not foreseen by these Terms.
(2) RapidLion does not pay screening fees.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Sihle Hlophe

    Great festival! Submit your work!

    March 2018
  • Yakima Waner

    Rapid Lion has been the most disappointing festival I have experienced so far in the 27 festivals that we have been accepted in. It is very disheartening as it was my first festival I entered into and one of the most cherished as it’s based in my city and having our film accepted and shown in Market Theatre is a dream come true as it’s one of our greatest gems in Johannesburg. The festival and award was pushed as one of the greats. When our short film To Wake Buddhi was accepted it meant the world to us, I even had my co director fly in from Cape Town to come and attend this very special event at our cost after paying entry fees into Rapid Lion. Thank goodness it was well worth it as it was our first time watching the film together since it was released, besides for that it was totally disappointing. I couldn’t even compare it to free festivals that I have attended which still handled my film with respect. With Rapid Lion I felt no respect, Starting from the beginning, it was falsely represented as one of the most prestigious events out of North America and Europe. The communications were poor, I sent my film via we transfer twice and still was wasn’t properly downloaded. Only made aware the day before the event that they still didn’t have my film. We never received any invite for the opening . Our film summary in the book was mixed up with another film. There was very poor marketing of the festival so poor attendancE. I helped promote my film on social media and paid for advertising helping Rapid Lion and was told the wrong screening time. I had people come in especially even taking off work and the time given was incorrect , the selling of tickets was incorrect. The film started 1 hour late due to technical difficulties. All the shorts in that slot was not harmonized correctly with the right frame rate therefore All the films jumped. I still left my usb there the day before so they could check that it plays correctly in sync. It is awful to work so hard on a film and make sure the timing and fluidity of shots are perfect Just to see it at the end of the day all of it thrown out the window due to incompetence. The Q&A was the only good point just for it all to be ended off with being told sorry there is no awards evening due to no money. Nobody even had the decency to tell us, when are people going to understand that grants for social documentary are based on titles won. We only get support when we win or are recognized. So many sponsors but at the end of the day nothing to show for it. I understand budget cuts and I appreciate problems happen, but I as a South African film maker was totally invested into Rapid Lion, it was not mutual.

    March 2018
  • Arthur Musah

    Fabulous festival, with a one of a kind networking opportunity for filmmakers. Great team. Absolutely worth your attention.

    June 2017
  • Worth to apply and participate. Good luck with everything.

    April 2017
  • We were thrilled to be at the Rapid Lion festival and highly recommend it!

    March 2017