His multimedia work orbits around the categories "representable" and "non-representable" linked to documentary construction, artistic practice and consensual fiction, thinking the ethnographie from Aesthetics and "ontological turn" of Anthropology.
Company
ART-DISSENSUS | Transversal codex recentior
https://linktr.ee/alfonsolegaz3.0 • Born in Düsseldorf to Spanish parents, he is a multidisciplinary artist who lives and works in Valencia. He holds a Master’s degree in Photography, Art, and Technique from the Polytechnic University of Valencia, with studies in Philosophy, and his practice links thought and philosophy to contemporary art. His projects revolve around the categories of the “representable” and the “unrepresentable” that determine documentary construction and artistic practice, drawing on strategies from anthropology. His first multimedia work (2006) is one of the 100 most outstanding books published in the 21st century by the Photographic Memory Archive of the Spanish Civil War. He incorporates chance as a productive agent in his highly participatory processes, working with photography, hybrid film essays, ethnographic audiovisuals, archives, oral testimony, psychoanalysis, artistic and scientific literature, and the creative acts of other artists.
Trained by international specialists such as Alexander G. Duttman, Catherine David, Jean Françoise Chevrier, Laurence Rassel, Esther Ferrer, and Joan Fontcuberta, his work has directly intervened or dialogued with the physical work of artists such as Cristian Boltanski, Darío Villalba, Antoni Tàpies, Cristopher Baker, Agustí Centelles, Xavier Ribas, Rabih Mroué, Jacques Prèvert, and Anton van Dyck. He has received collaboration from thinkers such as the French philosopher Jean-Luc Nancy, around whom he has developed long-term experimental projects in Europe that have been very well received by theoretical specialists and researchers, mainly at the Complutense University of Madrid. A substantial part of this work has been shown and published at international events such as specific conferences on art, aesthetics, and visual studies, as well as in art and philosophy publications with quality assurance evaluation standards.
Teacher with more than 10 years of experience coordinating workshops and courses related to visual arts production and visual literacy. He created the Producer of Presence Lab workshop laboratory, focused on the procedural dimension of real artistic processes at the service of social emancipation in the political sense proposed by Jacques Rancière.
His visual work, both individually and as part of a team, has been developed in various European countries, staying in specialized archives and libraries, documentary centers, and Spanish and foreign art collections such as the Reina Sofía National Art Museum, the Civil War Photographic Memory Archive, the UNED University Consortium, Jaume I University, the Ramón J. Sender Foundation, the Ardèche Images documentary film archive center in France, and Kunstagentur Dresden in Germany. His multidisciplinary production has been presented in Spanish venues and events, where his photography has won awards, as well as at festivals and exhibition centers in Glasgow, Dresden, Athens-Aegina, New York, Mexico, and Lussas.
WORK PRESENTED:
https://alfonsolegaz.tumblr.com/biography (chronological order_selection)
OFFICIAL SELECTION
THE ELECTRIC SUBJECT
1st International Congress on Film and Philosophy: The End of the World and Possible Futures (Cinematographics Imaginaries) | NATIONAL SCHOOL OF CINEMATOGRAPHICS ARTS - UNAM
MEXICO CITY
2025
OFFICIAL SELECTION
PERVERTIMENTO (THE QUESTION FOR THE THEATER)
Octubre Centre de Cultura Contemporània. OCCC ( October. Contemporary Culture Center)
VALENCIA
2023
OFFICIAL SELECTION
NANCY IN JULY
Conference-Homage Jean-Luc Nancy | Cinematography and Aesthetic Research | Complutense University of Madrid
MADRID
2022
OFFICIAL SELECTION
PERVERTIMENTO (THE QUESTION FOR THE THEATER)
PREMIERE | 37 Mostra de València-Cinema del Mediterrani
VALENCIA
2022
OFFICIAL SELECTION
MATRIX HOUSE
CONGRES-HOMAGE JEAN-LUC NANCY 2022
MADRID
2022
OFFICIAL SELECTION (Expanded Cinema)
WUNDERBLOCK
Cruce. Arte y Pensamiento Contemporáneo (Cross. Contemporary Art and Thought)
MADRID
2020
OFFICIAL SELECTION (Final Edition)
WUNDERBLOCK
Octubre Centre de Cultura Contemporània. OCCC ( October. Contemporary Culture Center)
VALENCIA
2020
OFFICIAL SELECTION
NANCY IN JULY
PREMIERE | October Contemporary Culture Center (OCCC)
VALENCIA
2020
OFFICIAL SELECTION | CONFERENCE (Expanded Cinema)
WUNDERBLOCK
To say otherwise: about the aesthetic thinking of Jean-Luc Nancy (Complutense University of Madrid)
MADRID
2019
OFFICIAL SELECTION (rough cut)
WUNDERBLOCK
PREMIERE | 33 Mostra de València-Cinema del Mediterrani
VALENCIA
2018
OFFICIAL SELECTION / SGAE Fundation and EDAV (Association of Valencian Audiovisual Writers)
PORTRAIT OF A BIRD ON THE FOURTH FLOOR
AUTORS IN SHORT, VI EDITION 2018
VALENCIA
2018
OFFICIAL SELECTION | SEMIFINALIST AWARDS
PORTRAIT OF A BIRD ON THE FOURTH FLOOR
NEW YORK CITY INFEST NICIFIF 2018
NEW YORK
2018
OFFICIAL SELECTION
PORTRAIT OF A BIRD ON THE FOURTH FLOOR
ROMA CINEMA DOC 2017
ROMA
2017
NOMINATED BEST DOCUMENTARY SHORT FILM
PORTRAIT OF A BIRD ON THE FOURTH FLOOR
BARCELONA PLANET FILM FESTIVAL 2017
BARCELONA
2017
OFFICIAL SELECTION
PORTRAIT OF A BIRD ON THE FOURTH FLOOR
KRAFTA DOC INTERNATIONAL FILM FESTIVAL 2017
GLASGOW
2017
OFFICIAL SELECTION
PORTRAIT OF A BIRD ON THE FOURTH FLOOR
SYDNEY WORLD FILM FESTIVAL 2016
SYDNEY
2016
OFFICIAL SELECTION
PORTRAIT OF A BIRD ON THE FOURTH FLOOR
ON THE LIMIT. AUDIENCES TO COME. LA POSTA FOUNDATION 2015
VALENCIA
2015
OFFICIAL SELECTION
PORTRAIT OF A BIRD ON THE FOURTH FLOOR
1975-2015 EL CARMEN AND VELLUTERS. DO WE HAVE A PLAN? Rector Peset Cultural Centre. UNIVERSITY OF VALENCIA, 2015
VALENCIA
2015
His multimedia work orbits around the categories "representable" and "non-representable" linked to documentary construction, artistic practice and consensual fiction, thinking the ethnographie from Aesthetics and "ontological turn" of Anthropology.
Company
ART-DISSENSUS | Transversal codex recentior
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