Experiencing Interruptions?

PORTRAIT OF A BIRD ON THE FOURTH FLOOR

FILM EDITIONS: ROUGH CUT / FINAL

Julio is 66 years old. He is blind and after 40 years as singer remains in the musical underground. Between 2013 and 2014, I attended some trials that July performed with his musicians on the fourth floor of a old house located in the Historic Center of Valencia (Spain).

I scan a photograph of his childhood when he still saw and included it in my process: between that portrayed child and the old man I almost did not know everything, but somehow was before me. My explores the self-knowledge process that requires the realization of a portrait of another person, assuming own blindness layers in the process, conditions apparent proximity and distance imposed by visual while representation.

I thought it was not very different from portraying a bird.
I made the script on the poem by Jacques Prevert, «Pour faire le portrait d´un oiseau».

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CONCEPT

A questioning of the ontology of the portrait and self-portrait, of the digital medium and of the creation experience from them. Articulated script on the poem by Jacques Prèvert: 'Pour faire le portrait d'un oiseau'. An interpellation on self-knowledge when presenting to the other, tacit agreements between parts and layers of blindness that determine a process-conflict between the appearance of proximity and the distance imposed by the visual.

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CONTEXT / PROCESSUAL ART PROJECT

This videographic portrait of non-fiction, is a work-process immersed in an expanded productive context that lasts more than six years. In this heterogeneous project context, this short film is related to other procedural pieces resulting from experimenting with the individual memory document and its collective appropriation, with the tacit agreements with which these documents are generated, the community experience, as well as the formal and Conceptual that affect the portrait and that can not avoid some blindness as an ontological substrate.

  • Alfonso Legaz
    Director
  • Alfonso Legaz
    Writer
  • Alfonso Legaz
    Producer
  • Project Title (Original Language):
    Portrait d´un oiseau au 4ème étage
  • Project Type:
    Experimental, Short
  • Runtime:
    15 minutes 45 seconds
  • Completion Date:
    September 1, 2016
  • Country of Origin:
    Spain
  • Country of Filming:
    Spain
  • Language:
    French, Spanish
  • Shooting Format:
    Digital HD
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • NEW YORK CITY INFEST NICIFIF 2018
    NEW YORK
    United States
    November 1, 2018
    North American
    OFFICIAL SELECTION | SEMIFINALIST AWARDS
  • AUTORS IN SHORT, VI EDITION 2018
    VALENCIA
    Spain
    September 30, 2018
    OFFICIAL SELECTION / SGAE Fundation and EDAV (Association of Valencian Audiovisual Writers)
  • KRAFTA DOC INTERNATIONAL FILM FESTIVAL 2017
    GLASGOW
    United Kingdom
    September 29, 2017
    United Kingdom
    OFFICIAL SELECTION
  • BARCELONA PLANET FILM FESTIVAL 2017
    BARCELONA
    Spain
    September 30, 2017
    NOMINATED BEST DOCUMENTARY SHORT FILM
  • ROMA CINEMA DOC 2017
    ROMA
    Italy
    October 1, 2017
    OFFICIAL SELECTION
  • PREMIERE | SYDNEY WORLD FILM FESTIVAL 2016, Fall Edition
    SYDNEY
    Australia
    September 22, 2016
    OFFICIAL SELECTION
Director Biography - Alfonso Legaz

Born in Düsseldorf of Spanish parents, he lives and works as a multimedia artist in Valencia, Spain. Master in Photography, Art and Technique, by the Polytechnic University of Valencia, with advanced studies in Philosophy, his practices link thought and Philosophy with contemporary art in its post-conceptual form. He researches and produces his artistic work orbiting around the categories of the "representable" and the "non-representable" that determine documentary construction and artistic practice, these categories being considered from the "iconic turn", and the "ontological turn" proposed by the new Anthropology. His projects, produced and presented on an international stage, incorporate chance and indeterminacy as productive agents, with the collaboration and support of thinkers of the stature of Jean-Luc Nancy. Legaz experiments with highly participatory processes involving photography, cinematography, archives, oral testimony, psychoanalysis, artistic and scientific literature or the creative act of other artists.

The close relationship between contemporary thought and Alfonso Legaz's artistic production activates scenarios of socialisation of his visual work and theoretical contribution on specialised occasions, such as congresses, specific Aesthetics conferences, meetings in universities, where he presents specific elements of his production experience. His interest in the crisis of representation has led him to work with the direct participation of the philosopher Jean-Luc Nancy, with whom he was in direct contact in the years prior to his death, producing essay films in Strasbourg linked to personal space and the experience of community deconstructed by the French philosopher.

His visual work, individually or as part of a team, has been carried out in various European countries, with local collaborators in each geographical environment. His production is included in specialised archives and libraries, Spanish and foreign documentary centres and art collections, such as the Museo Nacional Centro de Arte Reina Sofía, the Archive of the Photographic Memory of the Spanish Civil War located at the Jaume I University, or the French documentary film centre Ardèche Images. His visual production has been presented in Spanish venues and events where he has received national awards for his photography, as well as in Festivals or exhibition centres in Glasgow, Dresden, Athens, New York or Lussas.

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