The Venice Film Week is an annual event showcasing independent films with an edge.
The Venice Film Week will run during, but independent from the Venice Film Festival.
The event was created by independent filmmakers, for independent filmmakers, with the sole purpose to showcase and screen new and upcoming talent.
Highlights from the last two years include the screening of EFA nominee 'Little Block of Cement with Dishevelled Hair Containing the Sea' (Spain) by Jorge Lopez Navarrete, 'Figurine' (Canada) by Berlinale Talent Hans Olson and Werther Germondari, Maria Laura Spagnoli's 'Sex Equo' with a practical full house. Something which isn't obvious when screening next to and during the Mostra. For our 2018 edition we're also preparing an open air screening on the Campo San Polo (photo).
The VFW focuses on the unconventional, the unusual, the underground, the intuitive, the innovative, the minimalistic and the true artists of our time. Based in Venice (Italy) the festival aims to screen dozens of feature and short films.
Visit our website and Facebook page to check last year's selection and festival trailer.
The Venice Film Week is an IMDB eligible film festival. This means that all selections and awards can be added to your IMDB film listing.
All screenings will take place at La Casa del Cinema, San Stae 1990 in Venice and an open air screening on the Campo San Polo.
The Venice Film Week was featured in Venezia Today, FilmFestivals.com, Cinematory, Cinema Italiano, We Are Moving Stories, Art Connect, The Independent Critic, In Cinemas, Indie Talk, etc.
The selected films will compete for the following awards:
Best Narrative Feature Film
Best Documentary Feature Film
Best Animated Feature Film
Best Narrative Short Film
Best Documentary Short Film
Best Animated Short Film
Best Experimental Film
Best Music Video
The Venice Film Week accept all forms and genres. All non-English language films must be subtitled in English. Entry does not guarantee acceptance into the festival. Submissions WILL NOT be returned. We also accept submissions that have premiered elsewhere and that may have distribution agreements already in place. Rough cuts and incomplete projects are not accepted. Multiple entries are allowed, however a separate entry form must be submitted for each. The festival has the capability to screen BluRay and DVD.
EXHIBITION & SCREENING
Screenings are scheduled during the Festival at the discretion of the Venice Film Week. Whilst every effort will be made to adhere to the published schedule, Venice Film Week reserves the right to make changes at any time for any reason. Venice Film Week will not be liable for any costs claimed as a result of a change in scheduling. No film may be withdrawn from the festival program after its selection. If chosen as an official selection, Venice Film Festival is granted the permission to exhibit the film at the Venice Film Week and all associated screenings. Location and timing of any screenings of the film shall be the sole decision of the organizers of the Venice Film Week. Filmmakers will be solely responsible for all costs resulting from the submission of the film to the Festival including but not limited to postage or insurance of the film, and expenses of your staff or any representatives of the film. Producer will indemnify the organisers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.
LOSS OR DAMAGE
Although every precaution will be taken to prevent loss or damage to materials while in the possession of the festival, The Venice Film Week is not responsible should any materials be damaged while in transit to or from, or while in the possession of the festival.
The filmmaker holds the Venice Film Week, its management, juries, subsidiaries, agents, sponsors, affiliates, and etc. harmless from any and all claims of liability resulting from entry. The filmmaker certifies to have full rights. Producer will indemnify the organisers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.