LIVE EVENT DATES: NOVEMBER 14 - NOVEMBER 16
SCHEDULE AT A GLANCE *

*ALL FILMS WIL BE SHOWN AT THE LAEMMLE MONICA FILM CENTER OR AT NEARBY VENUES TBA - PLEASE REVIEW ADDRESS FOR PANELS AND EVENTS – ORDER OF MOVIE TITLES ON THIS SCHEDULE IS NOT FINAL TO ENCOURAGE THAT FILMMAKERS ATTEND THE ENTIRE BLOCK

NOVEMBER 14, 2025-NOVEMBER 16, 2025
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The NewsFest — True Stories International Film and Writers Festival — is an exciting opportunity for documentarians, narrative film producers and directors, news professionals, news producers, anchors, field reporters, news crews, production teams, and, even the guy on the street, to have his/her/their work considered for an award.

We are a niche festival, that includes categories that are often not featured in other Fil festivals. Since its inception in 2019, this festival has offered a variety of categories in which to enter their work.. Those who have written manuscripts and screenplays based on true and actual events, and those who have composed original music to accompany features, series, segments, or music videos to go with them, are also eligible for coveted honors.
If you are a filmmaker, news professional, a documentarian, a writer, or an individual who captures, reenacts, or adapts an authentic news event to a screenplay or narrative film, you’re invited to enter your work. This festival is not only for adults, but students, as well.
Whether you shot your footage on your smartphone or your fancy, studio-quality video camera — or anything in between — we want to see it.
One of the unique advantages of submitting to TheNewsFest is that category winners with projects under 30 minutes, will have the opportunity their winning entry to be televised in the local Los Angeles market!
The NewsFest has showcased important true stories from around the world.
Some of our previous winning filmmakers include: Sandi Bachom, and award winning reporter for the New York Times, Rohini Ruhi Hak, who has brought us compelling stories from India, Angela Koh of South Korea, whose stories take place in North and South Korea, while her other projects reveal the challenges with South Korean culture within the USA. Other winners include: Mederbek Zhalilov of Kyrgyzstan, who chronicled voter fraud in his own country; Thea Haavet, who told the story of Tim Peters, a brave refugee advocate, who smuggled desperate individuals from North Korea to freedom in South Korea. Then there was Arizona News television reporter, William Pitts, who shared some of his poignant hand-picked local stories — the ones that resonated with members of his community, and beyond. Joining him in taking awards was also Tommy Tucker, a U.S., citizen who cleverly documented his quest to urge his son to do his homework by holding up camera-friendly posters in various sports venues imploring his son to do better in school. Paul Foulkes of Japan told his own story of struggles with HIV and laid out the surprising gift that the disease had given him. Amy Leigh McCorkle, who allowed audiences to take an intimate look at her struggles with mental health as she chronicled her battles also received honors for her candid reporting. Anabelle Munro, who openly shared her own struggles with eating disorders, showed audiences how they could learn from her travails, Washington D.C. documentarian, Valerie Whitcomb, who recounted her brave account of her experience following a marijuana farmer in Tennessee; and Liane Scott, who brought the festival viewers the angst of the daily struggles among the members of that city’s Black community.
Past winning screenwriters have included award-winning writers such as the renowned Harold Brown of Canada; Ron Podell of Wyoming, John McCarney of Arizona, and Bob Messinger of New Jersey.
Among the winning music composers, we’ve honored Jill Sissel, Barbara Heller, The Poppyseeds, Paul Helou, and Jay Mullings.
The NewsFest is an unusual event under the ETHOS festival umbrella — one that garners a great deal of interest as “real” stories are told in different news formats!

Selected Projects receive:
Selection Laurels
All Access Pass to the NewsFest and to the Ethos Film Awards of which NewsFest is a part, and includes All screenings and seminars. The festival is also supported by the newly formed non-profit "Women for Women in Film."

Winners will receive:
WINNERS Laurels
Certificate and/or Trophy
Overall Winners of films under 27 minutes may have the opportunity for their winning entry to be submitted for broadcast in the local LA viewing area.

We are Accepting submissions focused on documentaries, feature films and scripts based on true stories and the news- local, regional, state, national or international. We are accepting film productions, written word, music and photography submissions. We want to read/see your work. If you are a documentary filmmaker, true story writer or filmmaker, news anchor, reporter, DP, AD, copywriter, producer, writer, editor, assignment editor, photojournalist, musician, etc. you can submit your work. We especially support and honor student work.

All entries will be judged on content, creativity, imagery, story and skill of the storyteller. News Productions, Historic pieces, and "True Story" films from created between October 2020 to October 2025 may be submitted. Works in progress will be accepted.
PAL SYSTEM IS NOT ACCEPTED.

All Accepted Films must be submitted on MPEG4 for exhibition. Screeners/thumbdrives are not returned.
We will NOT accept online Films for exhibition screening. Accepted Films must uploadable and in MP4 format

PAL system is NOT accepted.

Each entry must be submitted separately.
All entries must be uploaded to The NewsFest FilmFreeway sitet prepaid and, for your own protection, should be insured. Screening times are dependent upon receipt of the screeners Mp4 version, and support materials (stills, poster art, and trailer if available). Please note Support materials (postcards, posters promo items) are not returned.

Films and Screenplays SELECTED for The NewsFest will be announced no later than October 15, 2023 (exceptions may be made if deemed necessary by TNF).
Every Entry must include an Electronic Press Kit and Downloadable Trailer and trailer link.
WE DO NOT RETURN/SHIP screening materials or promo materials (posters, postcards, goody bag items).
We will NOT accept online screeners for exhibition purposes.
PAL Formatted discs will not be accepted.

Please notify us by email of any address changes. Failure to provide screening materials will result in disqualification and the film being pulled from screening.

Please note TNF will NOT return or ship materials back to the submitter once the festival has commenced (this includes thumb drives, DCPs, posters, postcards, or promo materials)

OFFICE ADDRESS
The NewsFest
C/O LAUREL ADLER
530 SOUTH LAKE AVE. #516
Pasadena, CA 91101

Submitting filmmakers acknowledge they have the legal right to exhibit the film and the collateral/promo materials at The NewsFest.

The NewsFest and ETHOS festival are hereby granted the right to utilize footage and promotional materials supplied by the submitting agent from any film submitted and accepted film, video, or project for exhibition at the Festival for promotional purposes. All accepted filmmakers agree that The NewsFest may use footage from their projects in order to promote the festival, their film or TNF Event via print, web and broadcast television. The individual or corporation submitting the film hereby warrants that it is authorized to commit the film for screening, and understands and accepts these requirements and regulations.

The undersigned shall indemnify and hold harmless TNF, its producers, vendors, sponsors, ETHOS, and supporters from and against any and all claims, liabilities, losses, damages, and expenses (including but not limited to attorney's fees, and costs of the court) which may be incurred by reason of any claim involving copyright, trademark, credits, publicity, screening, and loss of or damage to the screening videos entered.
Written Word Submission Rules.

We are also currently accepting written word submissions: news-related scripts/ copy as: features shorts, short shorts, scenes, poetry, and prose.

One copy of an original screenplay or other written uploaded as a PDF file will be accepted. (Do NOT include more than 1 version). We do not accept hardcopy scripts.

The screenplay should be in standard industry format (12 point Courier).
Only one copy, draft, or version of any screenplay may be submitted by an entrant or entrants per submission.

Under no circumstances will substitutions of either corrected pages or new drafts of an entry screenplay be allowed under the original submission. Corrected or edited screenplays must be resubmitted as a NEW entry and will require a separate submission fee.

Multi-part scripts should be submitted as separate, stand-alone screenplays.
Features that are over 120 pages must be submitted as 2 different entries.
Entry fees will not be returned or adjusted.

Submissions must be the original work of the entrant(s) and may not be based, in whole or in part, on any other fiction or nonfiction material, published or unpublished, produced or un-produced.

Entries may, however, be adapted from the entrant’s (or entrants’) original work, which should be noted in the logline required on the application form.
Entries lacking a logline on the application form will be disqualified. Logline can be included on the cover letter or title page.

If the script is based on a true story, historical or contemporary, the "based on true story/events" button should be noted in the logline.

Collaborative work by two writers who share equally in its creation is eligible.
The collaborator’s name must be added during the online application process.
All entries must be received by or before the Extended Deadline of 10.30.22

Nominees/Winners will be announced at the Award Show. We do not ship Awards.

Entry fees will not be returned or adjusted.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Aslihan Kas

    Thank you for being so supportive 🙏🏻

    January 2025
  • We are incredibly grateful to have had the opportunity to showcase our film, MND: Mind Never Dies, at this year’s The NewsFest. The experience has been truly unforgettable, and we want to extend our heartfelt thanks to the entire festival team for their exceptional support and dedication.

    From the moment we submitted our film, we were struck by how efficient and seamless the process was. The NewsFest’s clear communication, timely updates, and user-friendly submission system made the experience incredibly smooth. As filmmakers, this gave us peace of mind, knowing that our work was being handled with the utmost care.

    The festival itself was a masterclass in curation and execution. Seeing MND: Mind Never Dies featured alongside such an inspiring selection of films was both humbling and thrilling. The thoughtful programming and diverse storytelling showcased by The NewsFest truly underscored its commitment to pushing the boundaries of creativity and championing innovative voices in filmmaking.

    A special thank you to the festival staff and volunteers, whose warmth and enthusiasm created an incredibly welcoming atmosphere. Their passion for cinema and genuine interest in our film made us feel truly valued. The organized events and networking opportunities also allowed us to connect with fellow filmmakers and engage with a passionate, perceptive audience who resonated with our work.

    Our experience at The NewsFest was nothing short of extraordinary. We are deeply thankful for the opportunity to share MND: Mind Never Dies with such an engaged and thoughtful audience. We look forward to submitting our future projects to The NewsFest and continuing to celebrate storytelling through this remarkable festival.

    Thank you once again for an incredible experience!

    Warm regards,
    Saadi Awan
    Creative Director, The SFX Studios

    November 2024
  • My documentary, Golden Wings: 50 Year Flight Path, tells the inspiring story of my mother’s remarkable career as a flight attendant for American Airlines and our family’s aviation legacy. Screening this deeply personal film at Newsfest was a dream come true, made even more special by the incredible festival experience they provided.

    Newsfest, in partnership with the Ethos Film Awards, delivered one of the most magical and meaningful experiences of my filmmaking journey. Laurel, the head of Newsfest, and Annabelle, who leads Ethos Film Awards, make an incredible team. Their passion for film and their commitment to creating a memorable festival experience truly shine through.

    The festival was held at the beautiful Laemmle Theater in Santa Monica, which provided the perfect setting for a day filled with inspiration and connection. Golden Wings was screened as part of a thoughtfully curated lineup of short documentaries. Laurel’s curation was masterful—the three films complemented each other beautifully, creating a cohesive and powerful experience for the audience.

    To top it all off, there was a wonderful, elegant awards ceremony that felt both intimate and celebratory. Having my mom with me for the screening and seeing her experience the film with an audience for the first time was an unforgettable moment. The entire day felt like pure magic, and I couldn’t have asked for a better setting or company to celebrate my film.

    Oh, and I’m not just saying this because we happened to win three awards—Most Outstanding, Most Inspirational, and Best Trailer. Truly, I could have walked away without a single trophy, and I still would have been absolutely over the moon with this festival.

    If you’re a filmmaker looking for a festival that values your work and creates a truly special atmosphere, Newsfest is a must. Laurel and Annabelle have crafted something extraordinary here, and I can’t wait to see what they do next.

    The other documentaries that filmed with mine were Shaped by the Sea directed by Stephen Jake and Regina Doyle Silent Film Starlet directed by Carla Roda.

    Thank you, Newsfest and Ethos Film Awards, for an experience I’ll treasure forever!

    November 2024
  • Jared Jacobsen

    Great to be a part of NewsFest again with "The Arc" and "Shaped by the Sea".

    November 2024
  • Rose M. Perez

    I was glad to be selected and sad that my inability to attend translated to not being screened live. I suppose this is understandable and has been the case in other festivals. I appreciated that their partner, Ethos, screened my film virtually and with ease on eoflix.com. I highly recommend this festival and will make attending a priority where scheduling allows. Thank you NewsFest and Ethos.

    November 2024