Jim Jarmusch, Quentin Tarantino, John Cassavetes, Michel Gondry, Charlie Kaufman, Sofia Coppola are just a few names of established filmmakers who blew up on the indie scene. True artists who focus on the art of filmmaking rather than on the box office.

The Sydney World Film Festival aims to introduce exactly these type of quality, non-mainstream films from global filmmakers as well as local talent. Previous highlights include filmmakers such as Marina Stepanska, Sona Moghaddam, Dimitris Katsimiris, Luca Leoni, Yoav Tal, Asa Eitan, Or Kan Tor, Pia Lauritz, Lemuel Lorca, Juan Sebastián Martínez Mora, Zheng Laizhi, Abbas Sendi, Rosa Von Praunheim, Elvis Lu, Latifa Said, Lourdes Sandoval, Vladimir Beldian, Sugandha Garg, Tamara Vittoz, Lucia Lalor, André Marques, Cristina Lladosa, Joaquín Vallet, Levente Kölcsey, Christian Calon, Darko Vukić, Vojtěch Domlátil, Magda Fernandez, and more!

Inspired by the grand screening rooms of the past and born of today’s interconnected world, the Sydney World Film Festival has succeeded in finding its unique voice within the already bustling film festival scene in Australia's largest city. It attracts young independent filmmakers not only for its selection of films, but also for the informal drinks held after each screening, providing a perfect networking opportunity.

The festival discovers, supports and develops new talent in filmmaking, providing a platform for emerging and established filmmakers from around the world. Recognising the important role independent films have in the history of filmmaking, storytelling, and culture, SWFF wants to help empower the next generation of artists. The Sydney World Film Festival is an annual event showcasing independent films with an edge.

IMDB: http://www.imdb.com/event/ev0004830/

The Sydney World Film Festival will screen the best of today's independent cinema.
All of the official selected films will receive a 'film festival entry fee waiver package' worth at least $250. This will allow you to enter your film free of charge with about 10 partner festivals from around the globe.

SUBMISSIONS
The Sydney World Film Festival accept all forms and genres. All non-English language films must be subtitled in English. Entry does not guarantee acceptance into the festival. Submissions WILL NOT be returned. We also accept submissions that have premiered elsewhere and that may have distribution agreements already in place. However, TV, theatrical, online video, other festival, or other distribution outlets that run concurrently or in the same month of the festival may not be eligible for screening. Rough cuts and incomplete projects are not accepted. Multiple entries are allowed, however a separate entry form must be submitted for each.

EXHIBITION & SCREENING
Screenings are scheduled during the Festival at the discretion of the Sydney World Film Festival. Whilst every effort will be made to adhere to the published schedule, Sydney World Film Festival reserves the right to make changes at any time for any reason. Sydney World Film Festival will not be liable for any costs claimed as a result of a change in scheduling. No film may be withdrawn from the festival program after its selection. If chosen as an official selection, Sydney World Film Festival is granted the permission to exhibit the film at the Sydney World Film Festival and all associated screenings. Location and timing of any screenings of the film shall be the sole decision of the organizers of the Sydney World Film Festival. Filmmakers will be solely responsible for all costs resulting from the submission of the film to the Festival including but not limited to postage or insurance of the film, and expenses of your staff or any representatives of the film. Producer will indemnify the organizers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.

LOSS OR DAMAGE
Although every precaution will be taken to prevent loss or damage to materials while in the possession of the festival, The Sydney World Film Festival is not responsible should any materials be damaged while in transit to or from, or while in the possession of the festival.

ENTRY LIABILITY
The filmmaker holds the Sydney World Film Festival, its management, juries, subsidiaries, agents, sponsors, affiliates, and etc. harmless from any and all claims of liability resulting from entry. The filmmaker certifies to have full rights. Producer will indemnify the organizers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.

SCREENING FEE
The festival does not offer screening fees for its films. By submitting through FilmFreeway you are agreeing to NOT request a screening fee as a requirement for your film's participation in the festival, should your film get selected for the program.

WAIVER REQUESTS
Since the festival only requires a nominal entry fee, we will NOT accept requests for other entry fee waivers.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Lorenzo Monti

    Great team with some positive energy, really responsive. The festival has adapted to the sanitary crisis and has showed some tremendous commitment to deliver the festival in an extraordinary way. Thank you for your work.

    April 2020
  • Great to be part of ur festival!) tnx!

    April 2020
  • Keren Moscovitch

    A wonderfully experimental and energy-filled festival with an excellent worldwide network! Very honored to be included and special thanks for the award recognition. A generous event that supports indie filmmakers, and the Sydney film community.

    April 2019
  • Stephan Dilley

    Hi,
    Couldn't attend unfortunately (am on the wrong side of the planet) but thanks for including my film and the brilliant communication before and during the festival.
    Stephan

    April 2019
  • Terrific being part of this wonderful festival and honored to have won Best Experimental Film! Communication was excellent.

    April 2019