This is a major contest and festival for screenwriters and playwrights worldwide, sponsored by FINAL DRAFT and POSTERITY ENTERTAINMENT.

We encourage you to visit our website for full information.

The 2023 awards ceremony will take place from 11am-6pm (UK-time) on Sunday 11 June 2023 at THE RONDO THEATRE in Bath, UK. Known for its Roman Baths and Georgian architecture,

Bath is one of handful of entire cities to be inscribed as a UNESCO World Heritage Site on two counts (in 1987 for its hot springs, Roman archaeology, Georgian buildings and natural landscape setting; and in 2021 as one of the Great Spa Towns of Europe). We're very proud to be based here.

Our first guest speaker will be Lucy V Hay of Bang2Write. Lucy is a script editor/reader, consultant, novelist (publishing as L V Hay) and speaker, renowned for sweary, no-nonsense writing and networking tips well as her excellent blog for screenwriters, novelists and freelance writers. Her non-fiction books include 'Writing & Selling Thriller Screenplays', 'Writing & Selling Drama Screenplays' and 'Writing Diverse Characters for Fiction, TV and Film'. Her debut novel, 'The Other Twin', was featured in The Sun and Sunday Express as well as Heatworld and Closer magazines, and Lucy is currently adapting it for Emmy-nominated producers Free@Last TV.

In 2022, our speakers were:

JOHN HODGE, BAFTA-award-winning screenwriter of films including Trainspotting; T2 Trainspotting; A Life Less Ordinary; The Beach and Shallow Grave, and a playwright whose first piece for the stage, Collaborators, won the Olivier Award for Best New Play.

DOMINIC MORGAN (aka SCRIPTFELLA) and WGA screenwriter, who taught us us 'How to break into Hollywood and land paid writing gigs', sharing knowledge picked up in London and LA. He's been optioned or commissioned by over thirty US and UK studios and production companies, including Universal, Working Title, Bold Films, Scott Free, the BBC and ITV.

There are categories for screen, stage and audio scripts of all shapes and sizes, with laurels for Quarter-Finalists, Semi-Finalists and Finalists, and trophies for winners of all categories.

Thanks to renewed sponsorship from FINAL DRAFT, the winners and runners-up in all categories with more than 27 pages will also receive a copy of FD12. And we're proud to confirm that, once again, we offer non-guaranteed but potentially industry-cracking 'route-to-production' prizes for the winners of our two S&CO/POSTERITY AWARDS.


SCRIPTWRITERS & CO (aka S&Co) is run by script consultants who have been writers all their working lives. We have thousands of subscribers, a vibrant Facebook presence and have judged thousands of script entries. We know what we're doing.

Evidence? The quality of work we select for our legendary S&Co Scratch Nights; the script notes we've offered winners in front of hundreds of audience members; and the client feedback you'll find below and on our website.

We've been knocked out by the high-quality pieces submitted, and by the overwhelming support we've had from established, emerging and new writers.

Jonathan Willis, the film and theatre producer who heads up POSTERITY ENTERTAINMENT, watched our progess with interest, and approached us to offer two exceptional categories - and prizes.


Being SCRIPTWRITERS & CO, we offer live entertainment, too! At the festival, professional S&CO ACTORS will perform excerpts from finalists' work, from micros to pilots to features.

We also offer opportunities for networking and chatting scripts with people who study or work in the performing arts, from all over the world.


Our main competition offers categories for screenwriters and playwrights.

Additionally, we offer recorded ZOOM PERFORMANCES by S&CO ACTORS, which can take place at any time of year. You may also order a recorded performance or script coverage here OR (better for us!) via our main website at


These are the jewels in our Festival's crown. SCRIPTWRITERS & CO and POSTERITY ENTERTAINMENT are collaborating to search for TWO outstanding scripts - one feature film, one full-length theatre play - whose winners may enjoy career-changing opportunities and international publicity.

While production isn't guaranteed, S&Co's Zanna Cardash (Artistic Director) and Alex Hollister (Lead Script Consultant) will talk with POSTERITY and winning writers to help them develop their scripts, with the possibility of producing:

- One feature film with professional distribution
- One immersive theatre play with an A-list cast, to be staged in Bath, England.


We're looking for original, commercial, marketable concepts, so arthouse, idiosyncratic or 'worthy' stuff is unlikely to cut it here (though is welcomed in the main competition). American accents and vernacular are welcomed, since the US is Posterity's biggest audience. Realistically, we're unlikely to select anything too 'parochial', or that requires strong UK accents, and if it's British comedy you'll have to work extra-hard to impress. Keep a keen eye on the budget - aim for £100,000. The likely winner: the writer of a movie with a universal theme that harnesses the Zeitgeist and will sell all over the world.


The play that wins will be full-length, innovative, immersive, designed for the round, and must include an interval. We're anticipating a cast of 3 to 8 players and mix of genders, in a stage production that's likely to utilise multi-media and will definitely be original, distinctive, inventive and challenging. Explore, imagine and think outside the box to create an extraordinary and ground-breaking piece of theatre. Although aimed at a primarily adult audience, your cast may include children. Magic, illusions, projections, audio-scapes, aroma-scapes, more? Bring them on - inspire and excite us! 


We will publish lists of Quarter-Finalists, Semi-Finalists and Finalists on our website and in social and other media. All Finalists will be invited to attend the Festival free of charge, where winners will be announced.

S&CO/POSTERITY entries (including those that fail to meet Posterity criteria, or are not selected as Finalists) are also judged in the Main competition, so writers have two chances to win. However, no play or feature can win both categories, so while the two winners will remain listed as Finalists in the 'main' festival, they will be excluded from judging in this category if Posterity has selected them.

All winners will be announced at the Festival on 11 June 2023.


To ensure no unconscious bias, we prefer scripts to be submitted ANONYMOUSLY. Aside from the title, your first page should only show your mobile/cell phone number, and a logline if you wish.

By entering, you agree that we may add your name and email address to our mailing list. You may unsubscribe at any time.

Your script must be:

– In English

– Formatted to industry standards, or so it's an easy read for us and our actors - the BBC offers some handy downloads

– Devoid of watermarks (we have zero interest in copying your work, and it will not be seen by anyone except our readers and judges)

– Appropriate for your category's character or page count (the latter doesn't include the title page, or a play's cast list)

– In PDF format, with ONLY its title in the file name.


– Our readers are hired for eclectic tastes, excellent noses for a superb script and clear, objective judgement, whatever the genre or subject matter. We interview and train our reading team, so they know exactly what to look for.

– S&Co's judging principles are straightforward and will take concept, plot, story arc, pace and tone, characters, stakes, heart and logic into consideration, as well sheer enjoyability.

– We will announce Quarter-Finalists and Semi-Finalists before selecting 2-8 Finalists in each category, whose scripts will be read and assessed by at least four judges, including Zanna Cardash and Alex Hollister.

– We will present S&CO/POSTERITY finalists' scripts to Posterity Entertainment. There will be two winners - one for stage, one for screen - and responsibility for deciding who receives the awards lies with them. Production is NOT guaranteed unless Posterity Entertainment is satisfied that scripts are to the required standard, roster requirements and budgetary constraints, and contracts are issued and signed. 

- S&CO/POSTERITY finalists will also be judged against entries in the main competition, so entrants have two chances of winning a trophy. However, once our S&CO/POSTERITY award-winners have been decided, their scripts become ineligible to win the main competition.


– By entering you confirm that you are over 18, have read and accept our rules and requirements, have copyright of the work you submit and are happy for us to add your name to our mailing list (you may unsubscribe at any time).

– As well as Main Festival winners there will be two S&CO/POSTERITY winners and a further prize for 'Best Script in Festival'.

– Quarter-Finalists, Semi-Finalists, Finalists and Winners will receive S&Co laurels. Winners who attend the event will receive S&Co trophies; those who cannot attend may have their trophies posted to them at their own expense.

– You may enter more than one script in any category, upon payment of the appropriate fee in each case. We cannot offer discounts for multiple submissions.

- You may re-enter scripts you have submitted in previous years.

– Entries must be entirely original, free of plagiarism and not based, in whole or part, on another writer’s work (unless the underlying material is in the public domain).

– Judges' decisions are final and we will not engage in any discussions about them.

– We cannot be held responsible for scripts entered in the wrong category, so please check that your script meets the criteria and page count, and pay the correct entry fee.

– All qualified submissions will be given equal opportunity and decisions will be based on the script alone. We do not discriminate on the basis of age, race, religion, national origin, gender, gender identity or disability. 

– It is the writer's responsibility to register copyright if they wish to, and by entering you confirm that you understand that the organisers, judges or other writers may already have had, or be working on, similar ideas for storylines and scripts. S&Co cannot and will not be considered liable for the production, now or in the future, of any such scripts, films or plays that bear a simililarity to work you submit.

– S&Co reserves the right, at any time, without notice and without limiting any and all other rights we may have under these Rules & Regulations, at law or in equity, to remove and delete any entry that does not meet our terms, without offering any refund. This may also apply to any content we consider libellous, defamatory, obscene, pornographic or sexually, racially, culturally or ethnically offensive, harassing, intimidating, threatening, hateful, discriminatory or abusive.

– By submitting your script, you allow S&Co and Posterity Entertainment to use your title and logline, as well as your name and image, for promotional purposes, on social media, on our websites and elsewhere.

– Should we receive a limited number of high-standard submissions in any particular category, we reserve the right to withdraw it and/or move your submission/s to another.

– We accept scripts that have been entered in other competitions, and/or have been read, broadcast or performed in amateur performances or online, but not professionally produced. We reserve the right to disqualify scripts that breach this stipulation.

– Entering does not guarantee that your work will be placed. Neither does it secure you admission to the Festival. Finalists enjoy free entry but must travel to Bath at their own expense, and their guests will need to buy a ticket to attend.

– You agree to indemnify and hold harmless Scriptwriters & Co (S&Co), Posterity Entertainment and our management, employees, judges, subsidiaries, agents, sponsors, affiliates etcetera from and against any and all claims, liabilities, losses, damages and expenses (including but not limited to legal fees, and costs of the court) that may be incurred by reason of any claim involving copyright, trademark, credits, publicity, the screening or publishing of recordings or stills of performances at the Festival, and so forth.

– SCRIPTWRITERS & CO retains copyright of all the information on this page and, while we are happy for you to spread news about the SCRIPTWRITERS & CO INTERNATIONAL FESTIVAL and prizes, we retain copyright on all the words herein, and you are not entitled to copy, paste or otherwise use or repeat our words without our express permission.

Overall Rating
  • Friendly, helpful company of writers and actors. Took the trouble to read everything all the way through and keep us informed along the way. I was unable to attend the Awards in person so can not judge the hospitality or networking. However the whole event was streamed live on Youtube and I had the thrill of hearing my name announced as a finalist. I was happy to win laurels and a certificate for a copy of FD12. for being a runner up in the feature length screenplay category. My thanks to all at S&Co.

    April 2022
    Response from festival:

    Thanks for your lovely review, Elizabeth. I'm so glad you saw and heard that you placed as a runner-up in real time!

  • Belinda Brady

    A fantastic day! The programme ran smoothly to time and without technical hitches.
    Slick and professional hosts and two excellent speakers – big names in the industry.
    A warm and supportive environment for writers. Excerpts from finalists' plays expertly performed (live or on video clips) by the team of actors. Beautiful trophies and superb prizes of Final Draft software. A wonderful experience, so uplifting in the current grim climate.

    April 2022
    Response from festival:

    So glad you came and enjoyed it. And we have to agree about the trophies - we chose ones we would have liked to win, no expense spared! Many thanks for such a brilliant review.

  • Carol Bell

    Delighted to attend as a finalist and receive accolade as runner up in short play category (LAST ORDERS). Hosting by Zanna and Alex was slick, profrssional and fun. Guest speakers John Hodge anf Doninic Morgan gave us vakuable insidet tips.. worth their weight in gold! Congratulatikns to all the winners.

    April 2022
    Response from festival:

    Many thanks for your lovely review, Carol. So glad you enjoyed the day!

  • Morgan Cave

    This is the first time I have ever submitted a script to a festival and I am so happy that I did. I had a great time at the Scriptwriters and Co International Festival. Held in the scenic city of Bath. The organisers did a superb job and welcomed everyone to a day of guest speakers, John Hodge and Dominic Morgan, live performances and networking. I am honoured that my script reached the finalist stage and it was a fantastic opportunity to meet many talented writers. I recommend this festival to anyone who has a script they’ve worked on. Thank you, Scriptwriters and Co.

    April 2022
    Response from festival:

    Hi Morgan, we're honoured that the S&Co International Festival was the first one you trusted with your work. And thanks for this great review, which is very much appreciated!

  • Mark Ralph-Bowman

    The inauguration of what I hope will become an important international annual event in the world of writing for screen and theatre in the UK. At the Rondo Theatre in Bath, we were treated to inspirational speakers, extracts from an impressive variety of work entered for the competition, capped off by the tension of announcing runners up and winners. Congratulations to Gloria Williams, Matthias Sundberg and Derek Masterson for winning full-length screen and theatre awards. Scriptwriters & Co led by Zanna Cardash with Alex Hollister and a spirited team did an amazing job just to make it happen during the uncertainty of COVID-19. I feel privileged to have been a part of it and for my play Nymph to have been runner-up to Gloria’s Imperfect Baby in the full-length play category.

    April 2022
    Response from festival:

    Wow, what a wonderful endorsement, Mark. Thank you so much from everyone in Team S&Co. And congratulations to you too, for being the runner-up in arguably the toughest category to judge, since the standard of plays submitted was extraordinarily high.