He's considered the heir of Joe d'Amato, misunderstood in his home country and loved by many around the world on the underground extreme circuit: Domiziano Cristopharo is an Italian filmmaker, amongst many other things, who doesn’t shy from bringing shocking images to the screens. His work comes over with a lot of finesse and style. This is the chap behind such titles as Doll Syndrome, House of Flesh Mannequins, Red Krokodil, and many more. His muse, the actress Chiara Pavoni (Andreas Schnaas DEMONIUM, Ivan Zuccon BAD BRAINS, Pastore VIOLENT SHIT: THE MOVIE) is considered a sexy icon of Italian cinema.
Both decided to dedicate this festival to the most mistreated side/category of underground cinema, where avant-garde, sensuality, sexuality and - why not - pornography find a place in the experimental matter of a film (or performance) where a language without limits of moralism, bigotry and conformity of the gender identity: Horror, Comedies, Arthouse, Exploitation and Porn are welcome in this fest (expecially) if LGBTQ themed!
Most of the fest will reject this kind of works, we acclaim, love and respect them!
Special guest/Juror 2022:
director and screenwriter, in 2005 he contributed to the collective documentary"Nuovo Cinema Paradosso", presented at the Venice Film Festival (Giornate degli Autori).
He's a member of the Actor's Center Rome, with which he made the experimental docudrama Altromondo, released in Italy in 2008 and in the United States in 2010.
His noir melodrama "Stare Fuori" had its international premiere at the Montreal Film Festival in 2009 and won Best Film and Best Actress at the Napoli Film Festival 2010.
He's currently in the post-production of "Nobody is Perfect" a feature-length documentary made in collaboration with Antonio Veneziani.
VIVIAN KAY QUINTERO
Vivian is a transgender female who’s been working in the horror industry for many years. Mostly in writing articles, reviews, and interviews for various horror magazines. She has also helped produce films such as The Satanic Works of Jasmine, Flesh Eater X, and more currently Piggy Palace; all for A Baroque House. She’s also a filmmaker with her first piece being part of Marcus Koch’s Symbolicus anthology series; appearing in Volume 3 along side the likes of Domiziano Cristopharo, Whit e Gardenia, and others.
Away from writing and helping produce films, Vivian also has her own film company that’s new to the underground horror community called Embryo House/Embryo Pink. Having her own company provides her with the outlet to be able to release films that are immersing and expressive through arthouse/abstract/horror/psychological/romance elements.
She’ll be releasing her first feature length film some time in May 2022.
Graduated at DAMS and then from CITEM in Bologna with a thesis on queer horror cinema, he is currently pursuing a master's degree in Series Development at Luchino Visconti school in Milan. He wrote for Shiva Produzioni for two years, focusing mainly on contemporary horror and LGBTQ + cinema. In 2020 he was part of the jury of the CE L'HO CORTO in the porn section. Her biggest dream is to meet John Waters and become his sugar babe.
Horror lover and writer, perpetual tourist, book worm, music fanatic
foodie and dog mommy.
She write for nightmarishconjurings.com and morbidlybeautiful.com
Best Acting Performance
Best LGBTQ themed work
SPECIAL MENTION of the year
SCREAM QUEER Festival PARTICIPANT AGREEMENT:
The participant represents and warrants that he has full legal right and authority to submit thefilm/video project for consideration by SCREAM QUEER Festival.
The participant agrees to hold SCREAM QUEER Festival and its sponsors harmless in any and all matters pertaining to the consents, licenses, and approvals of the film/video project. The participant understands that his submission is in no way a guarantee of acceptance into SCREAM QUEER Festival.
All entries selected, grant SCREAM QUEER Festival the right to use any footage from the preview screener and all submitted publicity photos and any other materials sent to us pertaining to this entry for SCREAM QUEER Festival’s promotional purposes, without limitations.
No one from SCREAM QUEER Festival or its sponsors has guaranteed the participant admission into the festival. The participant has read the terms and conditions appearing herein, and agrees, without exception, to all the terms and conditions stated:
WE ACCEPT OLD AND NEW FILMS.
Films in a language other than English must be subtitled in English.
Only the main categories of the fest (FEATURE and SHORT, will receive a physical prize)
We don’t accept physical copies.
There are no refunds.
WARNING: Only the main categories of the fest (FEATURE, SHORT, DOCUMENTARY and LGBTQ themed work will receive a physical prize, from this year ONLY the winners will be screened at the fest)
Filmmakers must deliver final format (as indicated) for Festival screenings not over August 10th. No exceptions will be permitted. If your film is selected for exhibition, please be advised that the festival will require:
A digital HD copy via WeTransfer;
Short biography of Director(s);
Synopsis, digital cover art, production stills and Cast and crew list