2026 jury: https://parisartandmovieawards.com/jury-2026/
2026 program: https://parisartandmovieawards.com/program-of-events-2026/

πŸ‡«πŸ‡·

For 15 years, the Paris Movie Awards has built a direct bridge between Los Angeles and Paris, connecting creators in the two most influential capitals of world cinema. We have consistently championed independent filmmakers, screening their work on the big screen at an influential international event built on a human scale.

Jury 2026
Florent Lamy - Talent manager
Maria MΓΈrkrid - Film Sales Agent
Philippe Diaz - Distributor, producer

Expert Panelists 2026
Daren Smith - Producer, investor
Renee Yip - Strategist
Greg Bekkers - Producer, distributor

The 16th edition screenings will take place at Le Champo, listed as a historic monument since 2000, and recognized as an Art et Essai cinema by the Centre National de la CinΓ©matographie.

πŸŒŸβœ¨πŸ’«
In today's festival circuit, the big ones are out of reach, and it has become harder to find actual real festivals to submit films and build momentum.
We started the PAMA 16 years ago to mix the American-style entertainment and ambition with the high-quality expectations that French cinema is known for.

Our judges (from Monica Cruz to Mark Dacascos), attending A-list stars (𝗦𝗛𝗔π—₯𝗒𝗑 π—¦π—§π—’π—‘π—˜, Hugo Becker, Melanie Doutey, Samuel Arnold), rising filmmakers and guest speakers (James Morrison, William Baldwin) all joined in for a tradition of mixing talents, whatever your position or recognized accomplishments in our industry.

That mission lives on, and in current times of Hollywood crisis, we strive to be a part of the solution, from networking to insightful panels, from screenings to mentorship.

πŸŒ‡πŸ—ΊοΈ
Our mindset is that we are a network, not a business.
The PAMA is organized by filmmakers for filmmakers.

πŸ“Έ
15 years of our events in pictures:
https://parisartandmovieawards.com/gallery/

πŸŽ₯. 🎞️ πŸ“½οΈ
π—™π—œπ—Ÿπ— π—¦ π—ͺπ—˜ 𝗦𝗖π—₯π—˜π—˜π—‘ π—šπ—’π—§ 𝗧𝗒 π—§π—›π—˜ 𝗒𝗦𝗖𝗔π—₯𝗦 𝗔𝗑𝗗 𝗠𝗒π—₯π—˜
"The Fisherman's Diary" won twice at the PAMA in 2020, and is now selected to the 2021 𝗒𝗦𝗖𝗔π—₯𝗦, to represent its country.
"Game Changer" won an 𝗒𝗦𝗖𝗔π—₯, his director Aviv Mano then worked on Disney’s COCO and TOY STORY 4 (2018).
"The Wishgranter" won an 𝗒𝗦𝗖𝗔π—₯, an EMMY AWARD, and a 𝗕𝗔𝗙𝗧𝗔 (2016).
"Legacy of Lies" is distributed by Lionsgate (2020).
"Sgt Stubby", an unlikely hero, got a distribution deal at 𝗣𝗔π—₯𝗔𝗠𝗒𝗨𝗑𝗧 (2018).
"Curpigeon" got selected to 𝗧π—₯π—œπ—•π—˜π—–π—”, won the AMAZON VIDEO DIRECT Film Festival Stars (2016).
"Whisper" screened at FILMQUEST (2015).
"None of That" was STAFF PICK by π—©π—œπ— π—˜π—’ (2015).

πŸŽ₯. REVIEWS 🎞️
"My favorite festival" Alex Proyas (I Robot, The Crow, Dark City)

"Other nominees included already famous people! It really was an honor to be nominated alongside such great nominees" Lisa Hurel.

β€œI truly cannot say enough good things about the Paris Art and Movie Awards. My experience with this event was easily the best and rewarding” - Ev Duran.

"One of the most organized and professionally run festivals I've been to! The official selections were of a high standard and the networking was incredible" - Jami Ramberan.

"One of the best festival experiences I've had. Magnifique!" Warren Paul Glover.

😎 𝗝𝗨π—₯𝗒π—₯𝗦 through the years included:
🀩 John Lunn, composer of "Downton Abbey"
🀩 Monica Cruz, "Un Paso Adelante"
🀩 Olivia Sandusky, journalist, NBC
🀩 Mark Dacascos, actor, "John Wick III"
🀩 Samuel Arnold, actor, "Emily in Paris"
🀩 Patrick Fabian, actor, β€œBetter Caul Saul"
🀩 Claire Kopsky, Emmy Award-winning Journalist, CBS
🀩 Jamie Campbell, producer, "Sex Education"
🀩 Cindy Mollo, Eddie Award Winner, 4 time Emmy nominee, editor for "Ozark"
🀩 Rena Owen, actress, "Star Wars Ep II" & "ep. III"
🀩 Fola Evans-Akingbola, actress, "The Night Agent", "Siren", "Game of Thrones'
🀩 Michelle Tesoro, SXSW winner, Eddie Award Winner, editor, "The Queen’s Gambit"
🀩 Paz de la Huerta, actress, Boardwalk Empire
🀩 Brent Huff, director & actor "The Rookie", 'The Rookie Feds", 'The West Wing"
🀩 Max Markson -rep. A. Schwarzenegger, Mel Gibson, JCVD...
🀩 Cole Sibus, actor "Stumptown', Olympic Gold Medal Athlete
🀩 Mina Sundwall, actress, Netflix’s β€œLost in Space”, DC’s β€œLegends of Tomorrow”

#️⃣1️⃣ Independent π—™π—œπ—Ÿπ—  π—™π—˜π—¦π—§π—œπ—©π—”π—Ÿ π—œπ—‘ 𝗣𝗔π—₯π—œπ—¦ πŸ‡«πŸ‡·
Our program line up included movies starring: 𝗦𝗛𝗔π—₯𝗒𝗑 π—¦π—§π—’π—‘π—˜, Kirsten Dunst, π—¦π—›π—œπ—” π—Ÿπ—”π—•π—˜π—’π—¨π—™, Sam Rockwell, π—₯π—’π—•π—œπ—‘ π—ͺπ—₯π—œπ—šπ—›π—§, Vladimir Cosma, π—Ÿπ—”π—˜π—§π—œπ—§π—œπ—” 𝗖𝗔𝗦𝗧𝗔, Kristanna Loken, Mark Dacascos, Caterina Murino, Andrew J. West, Hugo Becker, Gaspard Ulliel, Jansen Panettiere, π—§π—˜π—§π—¦π—¨π—’ π—‘π—”π—šπ—”π—§π—”, Leslie Bibb, Melanie et Alain Doutey, Macarena Gomez, Emma Bell...

Picture credits: Thore Siebrands; David Shankbone; FrΓ©dΓ©ric Ballart; Georges Biard; Loic Bartolini; Adele Godefroy.

πŸ₯‡ 𝗔π—ͺ𝗔π—₯𝗗𝗦 RECOGNIZED BY THE INDUSTRY πŸ†
⭐ ⭐ ⭐ ⭐ ⭐ - reviewed 5/5 stars
⭐ ⭐ ⭐ ⭐ ⭐ - ranked #1 film festival in Paris by CBS, NBC, FOX, Authority Magazine.
⭐ ⭐ ⭐ ⭐ ⭐ - ranked by The Culture Trip best event not to miss in Paris
⭐ ⭐ ⭐ ⭐ ⭐ - Imdb & Imdb pro qualifying
⭐ ⭐ ⭐ ⭐ ⭐ - ranked by Time Out best local event
⭐ ⭐ ⭐ ⭐ ⭐ - labeled GOLD by FilmFreeway
⭐ ⭐ ⭐ ⭐ ⭐ - labeled best reviewed festival on FilmFreeway every season
⭐ ⭐ ⭐ ⭐ ⭐ - ranked Festival of the Month (May 2020) on WFCN
⭐ ⭐ ⭐ ⭐ ⭐ - favorite on the platform XERB

DATES
All listed dates are indicative and may evolve depending on local conditions in Paris, venue availability, and optimal timing for press and public engagement.

SUBMISSIONS
We welcome submissions of all genres, formats, languages, and nationalities across our international categories.
Projects may be entered into multiple categories and will be reviewed independently in each. Multiple submissions are allowed, whether for the same or different works. Each category requires a separate submission and fee.
Submission fees are non-refundable. Filmmakers are welcome to reach out by email at any time with questions or for clarification.
Entries must have been completed within two years prior to the festival date. Works in progress are not accepted.
Submissions are accepted exclusively through designated channels. If you wish to submit outside of standard platforms, please contact us in advance.
Discounts or special offers may occasionally be available but do not influence selection outcomes. Full fee waivers are not offered at this time.

ELIGIBILITY & CATEGORIES
Projects should be submitted to the category that best reflects their format. Animated works, documentaries, and scripts should be entered into their respective categories, including student productions.
Student submissions may be asked to provide proof of enrollment.
If a submission is entered in an incorrect category, the festival may adjust it, or you may request a modification.

MATERIAL REQUIREMENTS
Our selection committee conducts thorough reviews and values context about both the project and the filmmaker.

We recommend that your submission profile include:
Country of origin
Project poster
A short synopsis (minimum five lines)
A short biography of the director or artist
At least two still images (no watermarks)
A trailer hosted online (YouTube or similar), if available

Incomplete or inaccessible materials (such as broken links or corrupted files) may affect consideration. If your online materials change, please update your submission profile accordingly.
If an element is missing, the submission may be marked as incomplete to notify you. The information and materials provided in your profile may be used for official communications and, if selected, for festival promotion.

SELECTION & NOTIFICATION
Selected projects receive an Official Selection laurel along with additional information via email. In some cases, selections may be announced in stages to assist with planning.
Due to the volume of submissions, individual feedback is not provided.

SCREENINGS
Screening formats vary by venue. Some theaters require DCP, while others accept HD digital files with specific technical guidelines. Final requirements and deadlines are communicated to selected participants.
Incomplete or late delivery of materials may affect screening eligibility.
Films not in French that contain dialogue are expected to include burned-in French subtitles.
The festival maintains a curatorial standard for public screenings. If submissions within a category do not meet the expected quality level, a screening for that category may not be scheduled.

ATTENDANCE
The festival places strong value on in-person participation. Selected filmmakers and award recipients are encouraged to attend screenings and the award ceremony or arrange for a representative.

TRAVEL & ACCOMMODATION
Travel and accommodation are not covered. Recommendations for local options may be provided.

NON-SCREENING CATEGORIES
Selection does not automatically guarantee a screening. Some categories focus on specific crafts or achievements rather than full works. In these cases, the submitted element is recognized and promoted rather than screened.

SCRIPTS, SCORE & SOUNDTRACK
Scripts may be submitted whether produced or unproduced, provided they meet eligibility criteria.
For score and soundtrack categories, submissions focus on the music itself. A single .mp3 file is required.
If submitting both a film and its score, each must be entered separately.

LENGTH GUIDELINES (INCLUDING CREDITS)
Short films: up to 29 minutes (recommended under 15)
Feature films: up to 105 minutes (recommended 80–90)
Documentaries: under 15 minutes (short), under 90 minutes (feature)
Animation: under 10 minutes
Experimental: under 5 minutes
Music videos: up to 7 minutes
Scripts: features under 120 pages, shorts under 10 pages

RIGHTS & PROMOTION
By submitting, participants authorize the festival to use provided materials (including images, excerpts, and descriptions) for promotional purposes related to the event.
Screenings may be organized at the festival’s discretion, with or without ticketed admission, and without revenue sharing.

GENERAL TERMS
The festival reserves the right to decline incomplete or ineligible submissions. In rare cases involving rights or originality concerns, submissions may be reviewed and addressed accordingly.
All decisions made by the festival are final.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • We are truly grateful to the PAMA Film Festival for selecting our film 'Living UN DONE' as Best Documentary Short Film. This recognition means the world to us and validates the hard work and passion that went into our project.

    The festival's dedication to showcasing diverse voices and compelling stories is truly inspiring. Thank you for providing a platform for filmmakers like us to share our work and connect with audiences. We are honored to have been part of such a wonderful event!

    February 2025
  • Gizem tataroğlu

    I am truly grateful for an amazing experience at the PAMA Film Festival! Premiering our film β€œCargo” and receiving the Best Dance Film Award was an incredible honor. The festival’s 15th anniversary at Los Angeles Performing Arts was beautifully curated, and I felt great joy watching the carefully selected films and connecting with so many talented artists.

    A huge thank you to the festival team for their dedication, hospitality, and wonderful energy. Your hard work and meticulous organization made this event unforgettable. I can’t wait for the next edition!

    February 2025
  • Lovely festival. I learned a lot from the question and answer sessions. Matt was wonderful communicating and accommodating issues that came up. Would love to attend again.

    January 2025
  • It was a great experience for me!

    January 2025
  • Tyler Reese

    The short films were great and I wish all the filmmakers nominated more success. Thank you to the team there for organizing this event; Matt was extremely communicative and accomodating. For my first time attending a film festival, this was a great experience.

    January 2025