The Oregon Short Film Festival is a seasonal event (Winter, Summer and Fall) on the Film Festival Circuit for filmmakers of all genres to showcase their creative works in the Pacific Northwest. A live screening of international independent short films, series episodes, and music videos of all genres. Oregon is known for being a fun and laid back state in the Pacific Northwest with yummy food and lots to do. Whether it’s the nature experience, the arts or the wonderful wine, craft beer and food options, if you haven’t visited at least once, perhaps it’s time you came out here! This event was founded by author and retired filmmaker Mikel Fair who worked on location in the Film and Television industry from 1999-2015. Our mission is to screen several programs of international independent short films in a "back to back" format.

Looking for a FilmFreeway Waiver Code Discount or Promo Code Discount?
https://filmfestivalcircuit.com/blog/FilmFreeway-promo-codes

Our panel of 12 judges will give out 20+ different awards with up to 5 nominations per category:

Best Acting Performance
Best Animated Film
Best Cinematography
Best Comedy Film
Best Comedy Series Episode
Best Dark Comedy Film
Best Dark Drama Film
Best Director
Best Documentary Film
Best Drama
Best Editing
Best Experimental Film
Best Fantasy Film
Best International Film
Best Music Video
Best Oregon Film
Best Relationship Drama Film
Best Science Fiction Film
Best Suspense Film

All films are eligible, regardless if they have distribution or not. All films are eligible even if they have been accepted to other film festivals. All films and videos are eligible, regardless of when or where they were produced. Even if your film or documentary series is publicly available on YouTube or Vimeo, it is still eligible for submission.

The submission fee does not include an event ticket fee if selected. Submission fees and event ticket fees are separate. There are no filmmaker passes.

The judges read and rate scripts for this specific competition only. Submitting to this film festival does not affect the ownership or copyright of your screenplay or teleplay.

DCP Screening Format and Requirements (for film and video submissions, not screenplays)

Our film festival screens films in a commercial theater that requires the DCP (Digital Cinema Package) format. Please note:

DCP is not required for submission or evaluation. You can submit your film in any standard video format for review.
DCP is only required if your film is selected for screening. If selected, you must provide a working DCP file to ensure smooth playback in the theater.

To handle DCP files efficiently and reliably, we partner with AutoDCP.com for quality control and delivery. Here's how it works for selected filmmakers:

We will provide you with a Dropbox link to upload your DCP file directly to AutoDCP.com.
AutoDCP.com collects the files, checks them for integrity (to confirm they're complete and error-free), and tests playability.
They also generate a projection report that includes key details like frame rate, file size, runtime, and other relevant information to support the screening.

Costs and Trial
AutoDCP.com charges a fee of $10 for their e-delivery service.
First-time users get a 7-day free trial, which you can cancel after your file is delivered.

Why We Use This Process
Sending DCP files via email, shared links, or other methods often leads to issues like incomplete downloads, untested files that may not play correctly, or other workflow problems. Using AutoDCP.com ensures everything is verified and ready for the theater, avoiding last-minute surprises.

Encoding Your DCP
You do not need to use AutoDCP.com for encoding your film into DCP format, only for e-delivery and quality checks.
Free or built-in options for DCP encoding include:
DCP-o-matic (free software available at https://dcpomatic.com/).
Adobe Premiere Pro.
DaVinci Resolve Studio.
Converting your video to DCP is your responsibility as the filmmaker, and any associated costs are not covered by the festival.

If you are not comfortable with these requirements, including providing a working DCP if selected and using AutoDCP.com for e-delivery, please do not submit your film to this event. We want to ensure a positive experience for everyone involved. By submitting, you acknowledge that you understand and accept these conditions.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • I feel deeply honored that the OSFF selected Walking in Paint for the festival and named my project for the Best Documentary award. The festival team provided excellent communication from start to finish. When an issue surfaced with the DCP copy, Mikel Fair contacted me and helped with the conversion process. I have submitted other projects to OSFF in the past and plan to continue in the future. An enormous thank you to Mikel and Zeami Eccles-Irwin for your support and efforts!!

    February 2026
  • Eric B.

    Great festival! Really enjoyed the other films and meeting all the filmmakers and staff.

    February 2026
  • Grateful to have 3 Finalist Scripts (Classification: Human, Final Draft and Cop or Cone) and 2 Award Winners in this festival. The feedback was thoughtful and communication prompt and professional.

    January 2026
  • Scott Park

    Thank you for including Cutter in your festival! And thank you for the YouTube review, Mikel! It was so fun seeing it on a big screen.

    January 2026
  • I wish more festivals were as professional as Oregon.

    January 2026