​Mediterranean Film Festival Cannes highlights a selection of best films from around the world November 27th-30th 2019.

The festival aims to promote independent filmmakers and innovative work that take risks and move the frontiers from the boring and most of the times empty conventional to the artistic initiating strong emotions and out of the box exceptional. It equally aims to give the opportunity to independent filmmakers to showcase their work free of commercial constraints.

Awards

Best Feature Film ,Best Short Film ,Best Score, Special Award, Best Director, Best Documentary Feature, Best Documentary Short,Best Feature Screenplay, Best Short Screenplay,Best Commercial, Best 1st Time Filmmaker, Best Student Film, Best Experimental Short Film Best Animation, Best Narrative Short Film,Best New Wave Short Film,Best Web Series,Best TV Series , Best Experimental Animation, Best Human Rights Documentary, Best Comedy Short Film ,Best Drama Short Film,Best Children Short Film, Best Triller Short Film, Best Actor, Best Actress.

For Screenwriters.

Inktip Prize Information.

Winners of the Best Feature and Short screenplay will receive an InkTip Script Listing to promote themselves and their scripts to InkTip’s entire network of producers, managers, and agents.

Companies who are InkTip members include: ABC, Anonymous Content, APA, CBS Films, HBO Films, ICM, Paradigm, Paramount Pictures, Hallmark Channel, FX, Universal, WME, Echo Lake, Zero Gravity, Bad Robot, 20th Century Fox, and many more.

Submissions must be accompanied by the applicable submission fee.

The decisions of the Jury are final.

Films must be available for screening during the festival dates.
  
Short Films must be no more than 70 minutes in length including credits. Feature films must be no less than 75 minutes in length including credits. 

All non-English language films must have legible English and /or French language subtitles. 

 Films and screenplays  that have been submitted  in previous years are eligible to be resubmitted.

Feature and Short screenplay submissions should be in English language only. 

 The festival reserves the right in its sole discretion to reject or disqualify any ineligible entries, without a refund.

All entries must be received by the applicable Entry Deadline.

All films  are screened as digital files during the Festival,  films on  DCP are not eligible.  

All films must have been produced not earlier than five years due to the event dates. 

 We do not accept hardcopy submissions by  postal mail.

Films or screenplays  using non-licensed, copyrighted musical,or literary properties, without legal permission are not eligible.




Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Kristin Samuelson

    Communication was terrific with this festival! Really wish I could have attended. It sounded like it was a really fun one. So glad we entered.

    April 2020
  • This festival features a very friendly, personable staff who loves to communicate with you. They strive to promote the winners, and send warm welcome to all to attend the event. One of my favorites.

    March 2020
  • Demetrio Casile

    FELICISSIMO DI AVER PARTECIPATO AL VOSTRO PRESTIGIOSO FESTIVAL CON LA MIA SCENEGGIATURA the last 12 hours of Jesus... grazie dall'Italia

    March 2020
  • “I was delighted to be
    selected to the Mediterranean Film Festival of Cannes.
    I learned a lot from this experience and I am grateful
    to the organizers of the Festival for their feedback on my work. Moreover, during all days of the Festival, I had the
    opportunity of meeting many experienced film
    makers from all around the world. They all were
    more experienced than me and I was happy to
    confront my ideas with them. I enjoyed their
    company, we had different social moments in which
    to reflect on our own practices and share knowledge
    on film making. I hope I keep contact with them in the
    future and I wish all the them a brilliant career.”

    February 2020
  • Jon-Claire Lee

    The Festival provided a wonderful opportunity for international film work to be seen by discriminating and appreciative judges and audiences.

    January 2020