I studied computer science with a focus on linguistics, neural networks, and artificial intelligence. I worked internationally as an IT architect and automation specialist before turning to experimental film and AI-driven storytelling.

Inferno 2.0 is my first short film. Inspired by Dante Alighieri’s Divine Comedy, it reinterprets the nine circles of hell—and a final vision of paradise—through machine-generated visuals, voiceovers, music, and poetry. The entire film was produced using AI tools such as DALL·E, Runway ML, Suno AI, ElevenLabs, and ChatGPT, in a process that blended human direction with algorithmic output.

My work explores the poetic potential of generative systems. I use machines to reflect on contemporary human experience, creating immersive audiovisual narratives shaped by code but driven by meaning.