Harmless Film Festival is dedicated to films that deal with memory and conflicts, wars, revolutions, and other socially transformative events - as well as the causes that led to them and the consequences they left behind.

The festival welcomes documentary, fiction and animation works that confront the political, social, and emotional dimensions of collective trauma and human resilience. We seek films that question or illuminate the mechanisms of power, violence, and resistance, as well as those that explore the processes of remembrance. Through film, we aim to connect different geographies and generations of experience, fostering critical dialogue on the world’s stories of struggle, survival, and change.

At a time when culture in Serbia is under increasing pressure, and the public space is marked by demonstrations of force against citizens, Harmless Film Festival emerges as a space for resistance, exchange, and critical reflection. At the same time, as we witness once again the destruction of entire societies and the normalization of violence across the world, the need for such spaces becomes even more evident.

In addition to the competition program, the festival introduces a special selection, ALL EYES ON, dedicated to regions and communities currently facing a crisis.

The program will be complemented by talks with authors, lectures, and accompanying content through the Harmless Spotlights and Harmless Lightspots initiatives, bringing together artists, activists, and organizations from the Western Balkans.

The festival is established and organized by the Vojvodina Civic Centre (VCC). Founded in 2008 in Novi Sad, VCC is dedicated to uncovering, preserving, and publicly sharing personal experiences related to the wars of the 1990s and their lasting social consequences. Through research, oral history, and cultural production, Vojvodina Civic Centre works to build a participatory culture of remembrance grounded in overlooked and silenced narratives.

Best Short Film (Jury Award) and Audience Award


Submissions may explore, among others:

- Armed conflicts and their human cost
- Revolutions and social uprisings
- Migration, displacement, and exile
- Systems of oppression and movements of resistance
- Testimonies, remembrance, and post-conflict societies
- Media, propaganda, and historical narratives
- Women’s rights, and gender-based violence in times of conflict
- Gender identity, and queer experiences in restrictive or hostile environments

Festival Sections

Competitive Section:
Short Films (max 30 min)

Eligibility:

Films produced in 2022, 2023, 2024, or 2025.

Work-in-progress versions are not eligible unless specifically invited.

Running Time - Up to 30 minutes (including credits).

Premiere & Screening History - No requirement for world or international premiere. Serbian premiere preferred for competition. Films already publicly screened or distributed are eligible.

Language & Subtitles - Films must be presented in their original language. If not in English, English subtitles are required for both screener and screening copy.

Acceptable formats of screeners: password-protected online links (Vimeo preferred) or FilmFreeway screeners. Downloading should be disabled unless requested. Watermarks are acceptable if they do not obstruct viewing.

Screening Formats (for Selected Films) Primary format: DCP (2K/4K, JPEG2000, XYZ). Alternative formats: ProRes 422 HQ or H.264 (by prior approval). 24fps or 25fps preferred; other frame rates by prior agreement. The festival may request a clean, text-free master with separate subtitles.

Materials (upon Selection) Selected films must provide: short and long synopsis, director bio and filmography, 3–5 stills, poster, trailer link. Shipping & InsuranceFilmmakers cover outbound shipping costs. The festival covers return shipping and insures screening copies while in custody.

Programming & Rights

The festival reserves the right to determine section placement, screening dates, and use short excerpts for promotion.

Fees & Waivers

Waivers may be granted for filmmakers from marginalized or underfunded regions.