A Journey Through International Cinema
A Celebration of the Seventh Art
Cinema As It Was Meant To Be Seen

Guatemala Film Week is a celebration of cinema dedicated exclusively to the theatrical experience. Every selected film is screened in commercial movie theaters, reaffirming the big screen as the natural home of cinema.

At a time when most films are consumed across countless devices, Guatemala Film Week offers something increasingly rare: the opportunity to experience cinema as it was conceived. The scale of the image, the impact of theatrical sound, and the collective presence of an audience create a level of immersion that cannot be replicated elsewhere.

More than a festival, Guatemala Film Week is an invitation to return to the movie theater and rediscover the unique power of shared cinematic experiences. Its defining commitment is simple: every film, every screening, and every moment unfolds in the movie theater, where cinema has belonged since the very beginning of its history.

A Singular Editorial Vision

Guided by a unified curatorial direction, Guatemala Film Week presents a carefully selected program of international features, documentaries, short films, animation, immersive works, and emerging forms of audiovisual expression. The program privileges works distinguished by artistic ambition, formal rigor, and narrative strength, creating a concentrated forum for cinema as an art form.

Journalistic Authority at the Helm

The festival's recognitions are determined by a jury composed exclusively of established film journalists and critics from national and international publications. Their evaluations emphasize artistic achievement, cinematic language, cultural significance, and the lasting impact of a work beyond commercial considerations.

This critical approach reflects Guatemala Film Week's commitment to thoughtful evaluation grounded in editorial independence and a deep appreciation of cinema.

A Strategic Gateway for Films

Through sustained collaboration with critics, programmers, cultural institutions, and film professionals, Guatemala Film Week has developed a network designed to strengthen the visibility of selected works. This framework encourages meaningful dialogue, facilitates professional connections, and contributes to the continued circulation of films across the international cultural landscape.

Ideas That Transcend Budgets

Guatemala Film Week values conviction over scale. The week champions films that express original ideas, whether produced with substantial resources or through independent means. Submission is an invitation to have a film considered on the basis of its artistic merit, creative vision, and capacity to resonate across cultures and audiences.

Ceremony, Not Spectacle

Guatemala Film Week is not conceived as a marketplace for hype or an industry-driven race for premieres. It is a curated cinematic gathering dedicated to viewing, reflection, conversation, and discovery. Every screening, discussion, and recognition exists to foreground the art of filmmaking itself.

Guatemala as a Cinematic Host

To screen a film in Guatemala is to place it in conversation with a country rich in storytelling traditions, cultural diversity, and visual beauty. The host city becomes a meeting point where international cinema encounters local audiences, creating exchanges that enrich both filmmakers and viewers alike.

An Invitation

Filmmakers, critics, programmers, artists, and cinephiles are invited to participate in a week devoted to the screen, the story, and serious cinematic engagement.

Guatemala Film Week is a gathering for those who believe that cinema remains one of the most powerful artistic languages of our time.

THE LLORONA AWARD

The Llorona Award is the highest distinction presented by Guatemala Film Week, the award is 100% inspired by the roots of the myth of La Llorona, whose origin can be traced to pre-Hispanic Mexica tradition in what is now Mexico. One of its earliest references appears in the Nahua accounts compiled in the Códice Florentino by Bernardino de Sahagún, where a woman is described as a death figure walking through the streets of Tenochtitlan, her lament interpreted as an omen of transformation and the collapse of an era.

Named after one of the most enduring figures in the cultural imagination of Mesoamerica and Latin America, the award reinterprets La Llorona not as a folkloric ghost story, but as a cinematic archetype of memory, resonance, and narrative endurance.

Long before the arrival of Hernán Cortés and the Spanish conquest of Mexico, Indigenous traditions throughout Mesoamerica preserved stories of female spiritual figures associated with motherhood, mourning, destiny, and the relationship between the living and the dead. Among the most significant was Cihuacóatl, a powerful maternal deity connected to birth, protection, sacrifice, and the fate of communities. In the earliest colonial records documenting Indigenous traditions, a mysterious woman is described wandering through the night lamenting for her children, a figure later remembered as one of the prophetic signs preceding the fall of Tenochtitlan. This account, known today as the Sixth Omen or Sixth Presage, did not create the figure; rather, it preserved a much older symbolic tradition already embedded within Indigenous memory.

Across centuries, this ancestral presence evolved through encounters between Indigenous cosmologies, colonial history, oral storytelling, religion, literature, and popular culture. The figure became known as La Llorona, yet beneath its many regional variations remained a common idea: a voice that returns because what it carries cannot be forgotten.

For Guatemala Film Week, this is the meaning that gives the award its name.

La Llorona represents a voice that cannot be silenced. She is not merely a character, but a symbol of memory's persistence. Her cry survives because it expresses experiences that communities continue to carry across generations: loss, longing, grief, displacement, injustice, love, remembrance, and the search for meaning. She reappears not because she belongs to the past, but because the past continues to speak through the present.

Each retelling has expanded, challenged, and renewed the meaning of the legend while preserving its essential function: to give voice to what endures. Such interpretations demonstrate that La Llorona is not a fixed story, but a living cultural symbol whose significance continues to evolve across generations. Her permanence lies not in remaining unchanged, but in her capacity to be rediscovered and reimagined by each era. In this sense, La Llorona embodies the very quality that Guatemala Film Week seeks to recognize in cinema itself: the power of a story to transcend its original moment, remain relevant across time, and continue resonating through new audiences, new perspectives, and new acts of interpretation.

Cinema shares this same quality.

The most significant films do not end when the screening concludes. They remain alive within audiences. They return through memory, conversation, interpretation, and emotional reflection. Their images, ideas, and questions continue to resonate long after the final frame. Like the enduring figure of La Llorona, they resist disappearance. They become part of a collective experience that transcends the moment of exhibition.

The Llorona Award therefore honors the film that most powerfully embodies this enduring cinematic capacity. It recognizes artistic excellence, cinematic vision, emotional depth, cultural significance, and the ability to create a lasting connection between a work and its audience. The distinction celebrates films that not only demonstrate exceptional achievement in craft and storytelling, but that continue to speak beyond their immediate presentation.

During the Guatemala Film Week Awards Ceremony, audience members in attendance are invited to participate in a public vote for the film they believe most deserves the festival’s highest distinction. This participation reflects a fundamental principle of the award: stories achieve lasting significance through the communities that receive, interpret, and carry them forward.

The results of this audience participation are reviewed alongside the evaluations and deliberations of the Critics Jury. The President of the Critics Jury retains the final deciding vote and formally selects the recipient of The Llorona Award.

This structure preserves the festival’s commitment to critical rigor while recognizing the essential role audiences play in the life of cinema. The award thus represents a dialogue between artistic authorship, critical reflection, and collective interpretation.

More than a prize, The Llorona Award affirms cinema's unique ability to preserve voices across time. It celebrates films that continue to resonate after the screen goes dark, works that remain present in memory, and stories whose emotional, artistic, and cultural significance cannot be silenced.

In this sense, La Llorona is not invoked as a figure of fear, but as a symbol of narrative permanence: a story continually reimagined across generations, whose voice endures because it is carried forward by those who choose to remember. The Llorona Award celebrates cinema's highest achievement, the ability to become part of that living memory.

For more information visit: http://www.TheLloronaAward.com

Critics' Recognitions

The Critics Jury may also present honorary recognitions in the following categories:

Best Feature Film
Best Documentary
Best Director
Best Screenplay
Best Cinematography
Best Actor
Best Actress
Best First Feature
Best Short Film
Best Animated Feature
Best Animated Short Film
Best Fantasy Feature
Best Fantasy Short Film
Best Science Fiction Short Film
Best Videoclip
Best 360 VR Experience
Best Artificial Intelligence Short Film

Special Mentions

The Critics Jury and Programming Committee may grant Special Mentions to films that demonstrate exceptional artistic risk, innovation, cultural relevance, or unique creative achievement beyond established categories.

Purpose and Impact

The recognitions granted by Guatemala Film Week reinforce the festival's commitment to thoughtful criticism, artistic excellence, and public engagement.

These distinctions seek to amplify critical visibility, support the continued circulation of selected works, and celebrate films that contribute meaningfully to the evolving language of cinema.

Rules & Terms

REGULATIONS

1. Organization

Guatemala Film Week is organized by filmmakers and critics dedicated to promoting cinematic expression and international cultural exchange. The event is supported by local and international partners.

2. Purpose

Guatemala Film Week is a curated international film event dedicated to exhibition, critical dialogue, and audience engagement.

Rather than functioning primarily as an industry competition, the festival emphasizes artistic discovery, cinematic appreciation, and meaningful conversation while presenting honorary recognitions that celebrate exceptional achievement in filmmaking.

3. Programming Sections

The program may include, but is not limited to:

* Contemporary Latin American Cinema
* International Perspectives
* Documentary Visions
* Debut Features
* Short Film Showcase
* Experimental & Hybrid Works
* Youth & Family Stories
* Animation
* Videoclip
* 360 VR
* Artificial Intelligence as a Medium for Expression

4. Premiere Status

World premieres are not mandatory. However, premiere status may be considered positively during the programming process.

5. Awards and Recognitions

Guatemala Film Week presents honorary recognitions determined by a Critics Jury composed exclusively of film journalists and critics from national and international publications.

The festival's highest distinction is the The Llorona Award. During the Awards Ceremony, audience members in attendance are invited to participate in a public vote. The President of the Critics Jury reviews the audience results together with the jury's deliberations and casts the final deciding vote.

Additional honorary recognitions may be granted in the festival's established categories.

All recognitions are symbolic and are intended to celebrate artistic excellence, cultural significance, and innovation in filmmaking.

6. Screeners

Preview screeners must be submitted through secure online links. If links or passwords change, participants must immediately notify the programming team.

7. Rights Clearance

Submitters are solely responsible for securing all rights necessary for public exhibition, including but not limited to music, images, archival materials, trademarks, and any third-party content contained in the submitted work.

Guatemala Film Week assumes no responsibility for claims arising from copyright infringement, unauthorized use of protected materials, or any other legal dispute related to the submitted film.

8. Submission Deadline

The final submission deadline is September 15, 2026.

9. Language and Subtitles

Films must be presented in their original language.

Non-Spanish-language films must include English subtitles.

The festival may request additional subtitle formats when necessary for exhibition purposes.

10. Transfer of Rights

If rights to a submitted film are transferred to a distributor, sales agent, producer, broadcaster, or any third party after submission, the original submitter remains responsible for ensuring that all commitments made to Guatemala Film Week are fully honored.

11. Withdrawal Policy

Once a film has been submitted and the festival has successfully received and downloaded the screening or preview materials provided by the submitter, the film may not be withdrawn from consideration, official selection, or exhibition.

By submitting a film, the rights holder acknowledges that Guatemala Film Week allocates editorial, programming, technical, scheduling, and promotional resources to the evaluation and presentation of submitted works.

Withdrawal requests made after screening materials have been received and downloaded will not be accepted except under extraordinary circumstances and solely at the discretion of the Festival Director.

12. Promotional Authorization

By submitting a film to Guatemala Film Week, the submitter grants the festival a non-exclusive, worldwide, royalty-free license to use the filmmaker's name, likeness, biography, approved publicity photographs, film stills, posters, press materials, and up to thirty (30) seconds of footage from the submitted work for promotional, educational, editorial, archival, press, and marketing purposes related to the festival.

These materials may be used in print publications, television broadcasts, websites, social media platforms, digital advertising, festival trailers, press releases, accreditation materials, catalogs, and other communication channels used to promote Guatemala Film Week and its official activities.

Participation in the festival constitutes authorization for such uses without additional compensation.

13. Delivery of Screening Materials

Final screening copies must be delivered no later than fourteen (14) days before the first scheduled screening unless otherwise agreed in writing.

Guatemala Film Week does not cover costs associated with creating screening materials.

Failure to provide exhibition materials by the required deadline may result in removal from the program.

14. Screenings

Selected films may be screened up to three (3) times during the festival at the discretion of the organizers.

No screening fees, rental fees, exhibition fees, royalties, or other forms of compensation will be paid unless otherwise agreed in writing by the festival.

15. Shipping and Handling

Participants are responsible for all shipping, customs, insurance, import duties, taxes, and handling expenses related to the delivery of materials to and from the festival.

The festival assumes no responsibility for delays caused by shipping carriers, customs authorities, or third-party logistics providers.

16. Return of Materials

Physical materials submitted for exhibition will be returned within two weeks after the conclusion of the festival unless alternative arrangements have been agreed upon.

The festival shall not be liable for ordinary wear resulting from normal handling and exhibition procedures.

17. Festival Rights and Programming Decisions

Guatemala Film Week reserves the right to determine eligibility, selection, scheduling, screening formats, venues, programming sections, award categories, jury composition, and all other operational and curatorial matters.

All decisions made by the festival, its programmers, jurors, and management are final.

18. Compliance

Submission to Guatemala Film Week constitutes full acceptance of these regulations and all festival decisions regarding eligibility, programming, scheduling, exhibition formats, promotional use, jury procedures, and awards.

The festival reserves the right to interpret these regulations and resolve any disputes at its sole discretion.

By submitting a film, participants confirm that:

* They are the rights holder or are fully authorized to act on behalf of the rights holder.
* The submitted work complies with all eligibility and exhibition requirements.
* All necessary rights have been secured for public exhibition and promotional use as described in these regulations.
* Any work submitted as a work-in-progress will be delivered in its final exhibition version no later than October 1, 2026.
* They understand that films whose materials have been received and downloaded by the festival may not be withdrawn except at the sole discretion of Guatemala Film Week.
* They grant Guatemala Film Week the promotional rights described in these regulations.

Evaluation Policy

Guatemala Film Week conducts its programming with a singular purpose: to evaluate films on the basis of cinematic form, artistic vision, narrative integrity, technical execution, and cultural significance.

To ensure fairness and consistency, programming decisions are made exclusively through the viewing and evaluation of submitted films.

The festival does not consider press kits, marketing campaigns, audience statistics, social media metrics, awards histories, recommendation letters, or other ancillary materials as determining factors in the selection process.

The film itself remains the primary basis for consideration.

Guatemala Film Week reserves the right to modify programming sections, recognitions, jury structures, schedules, operational procedures, and exhibition formats whenever necessary to fulfill its curatorial mission.

Updated on October 22th, 2025.

GUATEMALA FILM WEEK
Europlaza, Zona 14, Guatemala, Guatemala, 01014
http://www.guatemalafilmweek.com
E-mail:submission@guatemalafilmweek.com
Founder of Guatemala Film Week: Alejandro Rodriguez Huerta

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