FID:RIO is the new International Documentary Film Festival based in Rio de Janeiro, inspired by the spirit that established FIDBA as the largest documentary festival in Latin America. In its second edition, FID:RIO is projected as a meeting place for real-life cinema, where works with a shared vocation for reflection, formal exploration, and a critical perspective on the world we inhabit coexist. Organized by the same team as FIDBA Buenos Aires.
From this premise, FID:RIO presents itself as an annual event that combines a selection of films from new directors with retrospectives of established authors, as well as the recovery of essential works that remain outside the commercial circuit. The festival is a platform open to all documentary languages ​​and all forms that interrogate reality and seek to understand it through cinema.
FID:RIO also seeks to expand the film experience to other languages ​​and formats, opening up a dialogue between documentary and other disciplines: from photography to installations, from documentary theater to transmedia storytelling, and from traditional storytelling to new digital platforms. At this intersection of reality and fiction, documentary appears as an irreplaceable form of contemporary thought.
In a world where markets tend to turn every connection into spectacle, documentary reaffirms its uniqueness: it works with the uncertain, the unstable, the unpredictable. And this fragility is precisely its strength. Documentary invents forms, builds new maps, and explores territories we don't yet fully understand.
LINK:RIO is the industry space of FID:RIO, a direct heir to the work consolidated by LINK at FIDBA, one of the most important documentary gatherings in Latin America. Its objective is to strengthen documentary production through various opportunities for support, training, connection, and project development.
Its activities include:
Work in Progress – Presentation of advanced-stage projects.
One-to-One Meetings – Individual meetings between filmmakers and decision-makers.
DocLab – Laboratory for projects in development.

OFFICIAL PRIZES
FID:RIO awards official statuettes and diplomas to the top prizes in each competition:

- International Documentary Feature Competition
- International Documentary Short Competition
- National Documentary Short Competition (Brazil)
- Latin American Documentary Feature Competition
- International New Filmmakers Competition (First Feature Film)
- International New Narratives Competition (Experimental Cinema)
- International Reality Fiction Competition (Fiction based on real events)
- International Queer Doc Competition (LGBTQI+ Documentaries)
- International Human Rights Competition
- International Competition on Childhood and Adolescence

FID:RIO Rules and Regulations 2026

1- General Terms
The 2nd Rio de Janeiro International Documentary Film Festival (FID:RIO) will take place in Rio de Janeiro, Brazil, from July 24 to August 2, 2026.

REGISTRATION:

1.1 – Eligibility
The call is open to national and international documentary short films and feature films completed after January 1, 2025.

1.2 – Competition Categories
The FID:RIO program will include various competitive sections. Films must be submitted in the category they deem appropriate, although the selection committee reserves the right to reschedule if deemed appropriate.

1.3 – Registration
Submission is made exclusively through authorized digital platforms. Submission of the registration form will be considered a sworn declaration of knowledge and acceptance of these rules.

1.4 – Participation
Once selected, the film may not be withdrawn from the festival.
The team associated with the work should not publicly announce its selection until the festival officially announces it.

2. COMPETITION CATEGORIES
International Documentary Feature Competition
International Documentary Short Competition
National Documentary Short Competition (Brazil)
Latin American Documentary Feature Competition
International New Filmmakers Competition (first or second film)
International New Narratives Competition (experimental cinema)
Brazilian Documentary Feature Competition
Thematic Panorama Competition (Music, Sports, Architecture, Film)
International Reality Fiction Competition (fiction with documentary elements)
International "LATERAL" Competition (LGBTQI+ Documentaries)
International VR Docs Competition (immersive and virtual reality documentaries)
International Human Rights Competition
International Competition on Childhood and Adolescence

* All Brazilian films must be entered in the NATIONAL category, regardless of theme or length.
* Only works that have not premiered in Rio de Janeiro or have not previously been screened at festivals or commercial theaters in the city will be admitted.

3. OFFICIAL AWARDS
Each competitive category will award the following prizes:
- 1st FID:RIO Prize – Official statuette + diploma
- The jury may award up to two special mentions per category.

Parallel prizes may be awarded by collaborating associations and entities.

4. REQUIRED MATERIALS

4.1 – For pre-selection:
Completed online form
Online viewing link (Vimeo, YouTube, etc.)
Subtitles in Spanish or English (if the original language is not Spanish or Portuguese)
Indicate whether it is a final cut, rough cut, or WIP

4.2 – If the work is selected:
Subtitles in Portuguese (.srt) and English (.srt)
List of dialogues in both languages
Technical and artistic information, director's bio and filmography, synopsis, and a high-quality still photo

5. FORMAT AND EXHIBITION

5.1 – Accepted formats for screening:
DCP (digital transfer)
MOV or MP4 digital file (H.264 / maximum bitrate: 12 Mbps)
Other formats may only be used with the express authorization of the Festival.

5.2 – Subtitles and original version:
Films will be screened in their original version.
International works must provide Spanish (and, if possible, English) subtitles in .srt.
Copies must not have embedded subtitles.
Brazilian films: an English-subtitled copy is requested, or alternatively, a dialogue list with English timecodes.

6. PROMOTION AND ARCHIVING
The Festival may use up to 3 minutes of each film (or up to 10% for short films) for promotional purposes.
Selected films may be available in the FID:RIO Online Video Library, accessible only to press and accredited film makers.
Submitted materials will not be returned.
The programming, days, and screening times will be determined by the organizers.

7. FINAL PROVISIONS
Participation in FID:RIO implies full acceptance of these rules. Any situation not covered will be resolved by the Festival organizers.