Truth: Stranger than Fiction

Facts aren’t always facts, and “alternative facts” don't always lie.

In a world where “truth” is carefully curated, filtered, and viewed through the lens of social media, often the only difference between truth and fiction lies in the perspective through which one views the world.

Documentary films offer a fascinating peephole into a particular reality, at a certain time of a certain person's life. Whether in the form of an expository, a poem, an essay, an observational piece, whether it's dramatized, animated, or based on interviews, documentary films all have a message to send.

How can we make a difference in the world?

Documentary films are not just an avenue through which we can observe real life; they also serve to inform, educate, and critique. They are valuable creations in a day and age where media is increasingly curated and so much more homogenous.

That is why Doc.Paris welcomes all of the above forms of documentary film-making, and even more so, those that transcend boundaries to move fluidly between one and more styles.

DOC.WORLD
Doc.Paris is part of Doc.World, a new global network of Documentary Film Festivals, with festivals in London, Paris, Berlin, Sydney, Ghent and Boston.​
As a celebration of the cinematic and visual arts, these documentary festivals will bring diverse international films to our community and showcase the best regional and international filmmakers

PROUD PARTNER OF THE BIGGER SCREEN
Doc.Paris is supported by The Bigger Screen, an organization that aims to make film as an art form more accessible and more inclusive.

Supporting Film Festivals: Film festivals are not only a place to share films, but they are a safe haven for film makers to connect, share, and learn. The Bigger Screens supports and engages with over 25 respected international film festivals from mainstays like the 61st Ann Arbor Film Festival and the Brussels Independent Film Festival to emerging events such as the Venice Film Week and The Producer’s Night Los Angeles. These events bring filmmakers and filmgoers together, providing that place to connect and engage in a comfortable setting, away from Hollywood glitz and glamour.

Connecting Cultures Program: Each year, The Bigger Screen selects ten countries and grants filmmakers from those areas the ability to submit their work free of charge to partner festivals all over the world. This opens the door of film exposure to those who may not otherwise be able to enter. As we support inclusivity and shareable films, this program exemplifies our mission.

Inclusive Audience Program: Our screenings are always low or even free of charge to provide opportunity for interested film goers to view up and coming, challenging, and inspiring pieces of art, encouraging students, seniors, and those in underprivileged environments to share the experience of film and cinema. We welcome film goers, regardless of income and financial status.

The Tarkovski Grant: All selected filmmakers will receive The Tarkovski Grant, a film festival submission fee waiver package with an average value of about $500. This not only saves you a lot of money, but it also recognizes your work as something to watch for during the selection procedure, making a selection with another partner film festival more likely - but of course, never guaranteed. The Tarkovski Grant supports hundreds of filmmakers each year in their challenging journeys as independent filmmakers, by promoting existing films, no matter the genre, style or length.

Each edition, the festival will also give out awards in the following categories:
Best Feature Documentary Film
Best Short Documentary Film
Best German Documentary Film
Best Experimental Documentary Film
Best Underground Documentary Film
Best Animated Documentary Film
Best Cinéma Vérité Film
Best Essay Film
Best Found Footage Film
Best LGBTQ+ Documentary Film
Best Connecting Cultures Film
Best Poetic Documentary Film
Best Super Short Documentary Film

THE TARKOVSKI GRANT
All selected filmmakers will receive The Tarkovski Grant, a film festival submission fee waiver package with an average value of about $500. This not only saves you a lot of money, but it also recognizes your work as something to watch for during the selection procedure, making a selection with another partner film festival more likely - but of course, never guaranteed. The Tarkovski Grant supports hundreds of filmmakers each year in their challenging journeys as independent filmmakers, by promoting existing films, no matter the genre, style or length. The Tarkovski Grant is supported by film festivals from all over the world. Find out more here: www.thetarkovskigrant.org.​

DISTRIBUTION OPPORTUNITY
You'll have the opportunity to have your film included in the main collection of our streaming partner www.whush.com for a period of one year. Whush.com is available worldwide, on desktop, mobile, tablet and smart TV. There’s no rights fee provided, but in return you’ll receive a free subscription to the service for the period of one year. You keep the right to cancel the agreement at any time. As it’s a non-exclusive deal you keep all the rights to your film and are able to make similar distribution agreements with other companies. As an added bonus, every month Whush.com gives away 500 USD to the filmmaker whose film was the most popular!

FREE SUBSCRIPTION TO WHUSH.COM
All selected filmmakers will receive a free subscription to Whush.com for 3 months. Whush.com is a streaming service that has teamed up with over 20 film festivals worldwide, exclusively streaming official selections during the festival period. More information: www.whush.com.​

EXPOSURE
One of the biggest hurdles in an independent filmmaker's journey, is getting noticed. With thousands of filmmakers out there trying to get exposure it's hard to stand out. Share your story with Final Cut Magazine, whether it be a press release on a new selection, project, winning an award, a one-on-one interview, ...

We accept short and feature documentary films up to 120 minutes.

SUBMISSIONS
The Doc.Paris Documentary Film Festival accepts documentaries in all forms. All non-English language films must be subtitled in English. Entry does not guarantee acceptance into the festival. Submissions WILL NOT be returned. We also accept submissions that have premiered elsewhere and that may have distribution agreements already in place. Rough cuts and incomplete projects are not accepted. Multiple entries are allowed, however a separate entry form must be submitted for each. The festival has the capability to screen MP4 & MOV.

EXHIBITION & SCREENING
Screenings are scheduled during the Festival at the discretion of the Doc.Paris Documentary Film Festival. Whilst every effort will be made to adhere to the published schedule, Doc.Paris Documentary Film Festival reserves the right to make changes at any time for any reason. Doc.Paris Documentary Film Festival will not be liable for any costs claimed as a result of a change in scheduling. No film may be withdrawn from the festival program after its selection. If chosen as an official selection, Doc.Paris Documentary Film Festival is granted the permission to exhibit the film at the Doc.Paris Documentary Film Festival and all associated screenings. Location and timing of any screenings of the film shall be the sole decision of the organizers of the Doc.Paris Documentary Film Festival. Filmmakers will be solely responsible for all costs resulting from the submission of the film to the Festival including but not limited to postage or insurance of the film, and expenses of your staff or any representatives of the film. Producer will indemnify the organisers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.

LOSS OR DAMAGE
Although every precaution will be taken to prevent loss or damage to materials while in the possession of the festival, The Doc.Paris Documentary Film Festival is not responsible should any materials be damaged while in transit to or from, or while in the possession of the festival.

ENTRY LIABILITY
The filmmaker holds the Doc.Paris Documentary Film Festival, its management, juries, subsidiaries, agents, sponsors, affiliates, and etc. harmless from any and all claims of liability resulting from entry. The filmmaker certifies to have full rights. Producer will indemnify the organisers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.

SCREENING FEE
The festival does not offer screening fees for its films. By submitting through FilmFreeway you are agreeing to NOT request a screening fee as a requirement for your film's participation in the festival, should your film get selected for the program.

WAIVER REQUESTS
Since the festival only requires a nominal entry fee, we will NOT accept requests for other entry fee waivers.