As a scholar-filmmaker, my creative work asks critical questions about identity, inequality, and memory. Life After Life (2019), a feature-length documentary about physically integrated dance, challenges stereotypes around race, age, and ability. Every Body Dances (2020) extends the accessibility of that project by adding captions and audio description for the hearing and visually-impaired. Salvage (2020), an experimental film about power, aesthetics, and the consequences of taste, revives old objects to critique consumer capitalism's historic asymmetries of gender, ethnicity, and class. And Cosmic•Atomic (2022) is a 360 video remake of my short film Power Trip (2018), an immersive journey across space and time compressing 60 years of scientific imagination. My work has screened at over 100 film festivals all over the world and won Best Video Essay at the Orlando Film Festival, Special Mention at DocsMX in Mexico City, a Director's Choice Award from the Thomas Edison Film Festival, Best Short Documentary at the Sunscreen Film Festival, Best VR Interactive Documentary at the Melbourne Documentary Film Festival, Best Immersive (Jury and Audience) at CineGlobe in Geneva, and was published in the Hyperrhiz Journal of New Media Cultures and the [in]Transition Journal of Videographic Film & Moving Image Studies.