Dallas Videofest is the major event presented by the Video Association of Dallas, which is dedicated to promoting an understanding of video as a creative medium and cultural force in our society, and to supporting and advancing the work of Texas artists working in video and the electronic arts. Through its programs and information services, the Video Association intends to educate and inform artists, students, educators, critics, video and film producers and an interested public so they may better understand, appreciate and evaluate the creative possibilities of the video medium. It will also provide a forum for the work of regional video artists, in order to stimulate excellence in their work and provide the opportunity for dialogue and critical discussion.

February 2019: Dallas VideoFest presents AltFiction (narrative films and TV)

Trophy and Laurel for Best Short, Best Narrative Feature. Audience award for Best of the Texas Show, $150 cash prize for Texas Show.

Dallas VideoFest Alternative Fiction is open to professional and non-professional filmmakers working in all genres: documentary, narrative, animation and experimental. There are no length or thematic or content restrictions, although works which reflect innovation, creative storytelling, alternative viewpoints, diversity, multidisciplinary explorations, or off-the-beaten path subjects compete strongly. Every eligible submission is guaranteed to be viewed by the artistic director, there is no pre selection.

Works previously submitted are not eligible. All video entries must have been originally produced within the last two years and/or post-produced in video or some electronic form. Works must be submitted in NTSC format. Works which are accepted will be notified and at that time entrants will send works as DCP.

Works using non-licensed, copyrighted music or other copyrighted works or literary properties without legal permission are not eligible. Questions: contact us.

Cat Videos: By submitting this video the filmmakers grant permission to the rights of any images of the footage submitted to be use for promotional events without payment or any other consideration. The filmmakers understand that the submitted video may be copied, exhibited, or published on social media,and expressly waive the right to inspect or approve the finished product shown on the social media on which it may appear. Additionally, the filmmakers waive any right to royalties or other forms of compensation arising from or related to the use of the video in this manner. The filmmakers also understand that this material may be used in diverse educational settings within an unrestricted geographic area.

Here's what to do:
Read the Rules Before you Fill out the Registration Form. Read all the rules first. Please. Really. We mean it.

Fill in the Online Registration Form. Fill in all the required fields. This information goes straight into our database, so if there is an error with your information (i.e. name, address, phone number, email, etc.) it will become a repetitive error, so please make sure all information is complete and correct. Please note in the comments section any idiosyncrasies of your program title or name (lower case proper names, unusual spellings or punctuation, etc.)..

It is Video Association of Dallas' policy not to issue fee wavers for unsolicited work.

You May Include These Optional but Recommended Items:

Photos. Electronic version of b/w production still or color slide from the work. All electronic images must by print quality (300 dpi or greater) and clearly labeled with your registration number. Please do not email photos, video files or graphics unless requested. If your photos or program clips are downloadable from a website, please indicate so in the comments section of your registration. All photos must have a caption (identify characters, description of action, or visual style if experimental) and photo credit (who took the photo). This is very important because if you don't have a photo description and photo credit, the press likely won't print it.

Press Kits. Press kit which contains program synopsis, cast and crew lists, biographies of key personnel, reviews, press clippings, etc...

Works using non-licensed, copyrighted music or other copyrighted works or literary properties without legal permission are not eligible

Keep us informed of address changes. At the end of the Festival, we actually send you participating artists money. Yes, money. If we don't know where to find you, we can't send you money, now can we?

Selection Process and Awards:
Festival director, Bart Weiss, will chooses all entries for the five days of Festival programming. To be eligible for The Texas Show, the work must be under 20 minutes and have been produced in Texas or by a Texas resident.

The Best of the Texas Show ($150) will be given to the Texas Show program which receives the popular vote of the audience.

Festival Programs:
The Festival program is not formally announced until all entries have been received and reviewed and the entire festival schedule set.

Artists whose programs are not accepted will be notified on or around Jan 15 via email.

If Your Program is Accepted:
Artists whose programs are accepted will be notified as accepted by email as soon as practicable. Professional format (DCP) and additional information will be requested at that time. A screening fee will be paid for films accepted, payable after conclusion of the Festival.

Festival program book, honorarium and other items will be mailed to you at a later date, often several months after the Festival.

Please be sure to keep us informed of any address, telephone, or email changes.

Overall Rating
  • George Wada

    Honored to be part of the festival!

    May 2019
  • Sheila Schroeder

    While I wasn't able to attend the festival, the team there is fantastic and the programming wonderful! Communication was spot on and I was never left hanging with questions. My only regret was not being able to attend.

    February 2019
  • krista Steinke

    thanks for including my work!!!!

    December 2017
  • Kate Morgan

    Such a fun time, truly always enjoy.

    December 2017
    Video head
    Response from festival:

    thank you Kate we are big fans of Film Will Never Die

  • kevin nash

    The Dallas VideoFest is not just a great festival, it is one of Dallas's most vital and fundamental cultural institutions. Through his imagination, vision and versatile approach to film, Bart Weiss has created a film festival that continually pushes the frontiers of the form, asking questions, never settling for the trite or the populist programming. It is not just a joy but a unique honor to have my film selected by this amazing festival. And I am indebted to the dedicated and always attentive group of volunteers. There is throughout the festival a sense of belonging, of being part of a wonderful film family. This year, Bart once again challenged the form - this time, the form of the film festival itself - by separating the festival into different time blocks, one for documentaries and another for fiction (with a specific theme related to the intersection of film and TV). This works perfectly and allows filmmakers the unique opportunity to screen their films when no other films are showing and equally to allow the audience to watch everything. I strongly endorse this approach.

    November 2017