Crossing the Screen – Eastbourne International Film Festival is an international celebration of independent cinema, emerging talent and innovative screen storytelling.

We champion bold voices from around the world, showcasing films that inspire, challenge and connect audiences across cultures. From narrative features and documentaries to animation, experimental work, AI-assisted filmmaking and mobile-first Vertical Cinema, we embrace the evolving language of contemporary filmmaking.

More than a film festival, Crossing the Screen is a platform for discovery, creativity and collaboration. Through screenings, filmmaker Q&As, workshops, industry events and education programmes, we create opportunities for filmmakers, students and audiences to learn, connect and share ideas.

We welcome original storytellers who push creative boundaries and reflect the diversity, innovation and future of global cinema.

CROSSING THE SCREEN AWARD - BEST NARRATIVE FEATURE
'Crossing The Screen' award + Certificate

CROSSING THE SCREEN AWARD - BEST DOCUMENTARY FEATURE
'Crossing The Screen' statuette award + Certificate

CROSSING THE SCREEN AWARD - BEST NARRATIVE SHORT FILM
'Crossing The Screen' statuette award + Certificate

CROSSING THE SCREEN AWARD - BEST DOCUMENTARY SHORT FILM
'Crossing The Screen' statuette award + Certificate

CROSSING THE SCREEN AWARD - BEST ANIMATION SHORT FILM
'Crossing The Screen' statuette award + Certificate
 
CROSSING THE SCREEN AWARD - BEST EXPERIMENTAL SHORT FILM
'Crossing The Screen' statuette award + Certificate

CROSSING THE SCREEN AWARD - BEST STUDENT SHORT FILM
'Crossing The Screen' statuette award + Certificate

CROSSING THE SCREEN AWARD - BEST INNOVATIVE NARRATIVE/DOCUMENTARY PRODUCTION
'Crossing The Screen' statuette award + Certificate

CROSSING THE SCREEN AWARD - BEST SUSSEX PRODUCTION
'Crossing The Screen' statuette award + Certificate

CROSSING THE SCREEN AWARD - BEST AI-ENHANCED PRODUCTION
'Crossing The Screen' statuette award + Certificate

CROSSING THE SCREEN AWARD - BEST VERTICAL CINEMA PRODUCTION
'Crossing The Screen' statuette award + Certificate

1) Only online submissions will be accepted, either through the Official Website or our film festival platform partner.
2) All submissions are final. No refunds will be provided under any circumstances. Once submitted, if selected, a film cannot be withdrawn from the competition.
3) Entries must be less than 45 minutes (for short films) and 140 minutes (for feature films) and must have been produced within two (2) years prior to the Festival’s event date.
4) Multiple entries are allowed, up to a maximum of three (3) films per filmmaker.
5) Crossing The Screen welcomes films of all genres and forms. However, the Festival reserves the right to disqualify, without refund of submission fees, any film that promotes discrimination, hatred, or prejudice based on religion, race, gender, sexual orientation, ideology or political orientation.
6) The Festival does not require premiere status. Films previously featured in other film festivals remain eligible. Films that have screened theatrically anywhere in the world, including paid exhibitions, are also eligible. However, films previously made publicly available online or broadcast on television (including platforms such as YouTube or Vimeo) before the Festival dates may not be considered. This does not include online film festivals.
7) Foreign language submissions must include English subtitles. Crossing The Screen reserves the right to disqualify, without refund of submission fees, any film containing significant non-English dialogue without accompanying English subtitles.
8) Applicants are solely responsible for securing all necessary rights, licences, and permissions for any copyrighted materials included in their submitted film, including but not limited to music, images, footage, artwork, performances, archive material, software, datasets, and AI-generated or AI-assisted elements. Crossing The Screen accepts no responsibility for unauthorised use of copyrighted materials and reserves the right to disqualify, without refund, any film found to contain unauthorised copyrighted content.
9) The Selection Committee (for the Official Selection) and Jury members (for awards and prizes) decisions are final and non-negotiable.
10) Selected filmmakers will be notified no later than 30 days before the Festival. Awards and prizes are non-negotiable and non-transferable.
11) Films must be available for screening during the Crossing The Screen Festival. If selected, filmmakers must provide a QuickTime ProRes (or equivalent) file and, where requested, a DVD or Blu-ray copy. All screening materials must arrive at least 14 days before the Festival begins.
12) Crossing The Screen reserves the right to use extracts from submissions for festival publicity and marketing purposes. The Festival also reserves the right to publish in any media, reviews, articles or stills from any of the nominated finalists.
13) Winning and selected films will be highlighted within the platform.
14) By submitting their films, Applicants agree to the GENERAL AGREEMENT below.

General Agreement:

I confirm that I have read, understood, and agree to comply with all the Rules for submitting material to Crossing The Screen.
I warrant that I am authorised to submit the film and that I own or have obtained all necessary rights, permissions, and clearances for all elements included in the work. I confirm that the submitted film does not infringe any copyright, intellectual property, privacy, or other rights of any person (dead or alive) or organisation.
Where AI-generated or AI-assisted tools have been used in the production of the film, I remain fully responsible for ensuring that all AI-related elements comply with applicable copyright and intellectual property laws.
I agree to indemnify and hold harmless Crossing The Screen, its organisers, partners, sponsors, jurors, and representatives against any claims, damages, liabilities, or expenses arising from any breach of these obligations or any third-party claims relating to the submitted film.
I understand that failure to comply with the Festival Rules, including the unauthorised use of copyrighted material, may result in disqualification and forfeiture of the entry fee.
I grant Crossing The Screen the right to use excerpts from accepted entries, up to two (2) minutes, still images, and promotional materials for publicity and marketing purposes.
If selected, I agree that Crossing The Screen may screen my film during the Festival at a date and time determined by the Festival.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • I was very proud to be a part of Crossing the Screen Eastbourne Film Festival and an eventual winner with my film Heaven To Know You. Domenico, Manfredi, & all the staff of Crossing the Screen were fantastic. A warm welcome and a very well curated festival with some fantastic films. Look forawards to going again

    July 2026
  • Katya Mokolo

    Thank you for having on this human sized festival. You feel the care taken in prepping, selecting and putting together the film and make the filmmaker feel welcomed. Can't wait to have another project and come back ( hopefully :D )

    June 2026
  • I was pleased to have my film, 'I don’t wanna be the best, I just wanna dance' (2025) shown in the 'Dreams, Masks and Mirrors' programme at the Cavendish Hotel. The festival was very well organised and the team were friendly and professional. I was delighted to have the opportunity to talk about my film with fellow filmmakers in a Q&A afterwards.

    June 2026
  • Zahra Azadpour

    “Crossing the Screen is a wonderfully organized and filmmaker‑friendly festival. Their communication is warm, timely, and highly professional, and the programming reflects a thoughtful appreciation for independent cinema. The team treats every film with genuine respect, creating a supportive atmosphere that makes filmmakers feel valued. I’m truly honored that my film was selected for this festival.”

    May 2026
  • One of the most human and filmmaker-friendly festival experiences I’ve had.

    From the moment Town Glitch was selected, the team stayed in constant communication and treated the film with genuine care and professionalism. What impressed me most was how seriously they respected independent filmmakers, not just as submissions, but as artists.

    They offered a live screening, premiere support, invitation letters for UK visa purposes, accommodation assistance, Q&A opportunities, filmmaker video introductions, and continuous updates throughout the process. Even though I couldn’t attend physically from India because of my next feature film schedule, they still made me feel fully included in the festival experience.

    Joe and the team were incredibly patient, supportive, and responsive throughout every step. Their communication never felt automated or distant. It felt personal.

    What also stood out was their passion for cinema itself. You can tell this festival genuinely cares about building an atmosphere where films are experienced properly with audiences, discussions, and emotional connection.

    For filmmakers wondering whether smaller or independent festivals can still create meaningful international opportunities: this festival absolutely can.

    I genuinely hope to collaborate with them again in the future, and I highly recommend filmmakers from around the world to submit their work here.

    May 2026