The Anafi International Film Festival (AnafiFF) is a curated short film festival dedicated to independent cinema and bold, original voices. Founded by film professionals with experience in international festivals and cultural institutions, AnafiFF creates a space for encounter, exchange, and experimentation.

We view cinema as a fluid and unified medium. We are interested in works that blur genres, challenge form, and push narrative and visual boundaries. We welcome short films of all forms; fiction, documentary, animation, and experimental,that demonstrate innovation, risk, and strong artistic vision.

The festival takes place in June on the Cycladic island of Anafi, one hour from Santorini. Screenings are held primarily outdoors, across the island, accompanied by workshops, talks, and communal gatherings. AnafiFF prioritizes meaningful interaction between filmmakers, audiences, and the island’s local community.

For its 4th edition, AnafiFF turns toward the present not as a topic to be explained, but as a condition we inhabit. A present that keeps slipping away, raising the question: How soon is now?

In times of social and political turmoil, when the present feels unstable and constantly in flux. It shifts, recalibrates, dissolves into what comes next while carrying the residues of what has already passed. Shaped by speed, saturation, and constant consumption, the now is marked by urgency and exhaustion, where attention fractures and meaning is often postponed.

This year we are interested in films that engage with the world as it unfolds. Works that register and deconstruct the friction between the personal and the political, where intimate gestures, domestic spaces, and everyday choices are entangled with broader social, historical, and geopolitical forces. We are drawn to shifting ideas of home and belonging, to questions of place, displacement, return, and attachment, and to landscapes, urban or remote, marked by memory, conflict, or silence. To bodies moving through environments that may no longer feel stable, familiar, or permanent.

Rather than offering answers, this programme invites attentiveness, some risk, and most importantly presence. We welcome films that explore absence and visibility, urgency and inertia, stillness and rupture. Films that respond to acceleration, fatigue, and fragmentation, while carving out moments of care, resistance, and slowness. If your film is rooted in the now, shaped by its tensions, contradictions, and uncertainties, we want to encounter it.

PROGRAMMING & SELECTION

AnafiFF supports independent and low budget cinema and is drawn to bold, unconventional approaches, innovative forms, and edgy stories that challenge our perception. We are passionate teams with sophisticated, quirky, and maverick sensitivities, interested in films that take risks and move beyond the familiar.

We aim to create a programme that has the power to challenge and stir the waters, but also inspire, motivate, and spark connections between the art and the person.
The programming committee is composed of film professionals and cultural workers from a variety of backgrounds, interests, and talents. All selections are made through collective discussion, and everyone’s vote is thoroughly discussed and counts equally. Our core values of equality, transparency, healthy working environments, authenticity, and balance are supported by our actions.

Our programmers are not required to read submission cover letters and other supporting materials, but we encourage you to submit them in case they want to learn more about you and your work. As a rule of thumb, we do not share programming feedback with entrants. The AnafiFF programmers’ decisions are final.

Audience award (1000€) sponsored by ANT1 Lab

1.All film submissions should be made digitally through the platform FilmFreeway. 
2.Films submitted should not exceed 45 mins in length. 
3.Films should have a completion date no earlier than January 2024. 
4.If selected to be showcased, we will request an .srt file with ENG subs to be submitted with the film. We strongly recommend that ALL submitted films regardless of category include burned English subtitles (whether the film is in English or another language) so that they may be accessible to all of our Programmers. Films in a language other than English MUST have English subtitles.
5.We consider work in progress. Please include a title card describing what is unfinished at the beginning of the submission screener. 
6.We consider films regardless of their premiere status. Even if your film has already premiered at another festival, whether it screened at a physical venue or online, it’s still eligible for consideration. 
7.All screeners must be uploaded by the appropriate deadline. 
8.We will contact entrants if there's anything wrong with the submission. If this occurs, you will need to fix the submission issue by the requested deadline, otherwise we can't guarantee that your film will be watched in time. 
9.We don't provide refunds for festival entries. 
10.The programming team reserves the right to invite short films out of the above procedure in special cases.
11.Entrants can update their screener by uploading a new video file provided your original link URL does not change. The link must stay the same after you have submitted your entry. If it is replaced programmers will lose access to your screener and it may not be watched in time for consideration. 
12.After the program is announced, a film submission cannot be withdrawn.
13.Applicants selected for participation will be informed by email no later than 1st of June, 2026.
14.If selected, entrants are responsible for delivering their festival exhibition copy, trailer, screener link, press stills and press-kit on time. 
15.If selected, we encourage the filmmakers to attend the festival.
16.The festival will provide accommodation for three nights and some of the traveling expenses, depending on availability, will also be covered.  
17.Anafi island is small and has limited accommodation options, thus we will act upon a first come, first served basis and depending on the number of attendees. Make sure you confirm with us early if you plan to attend. 
18.If selected, the filmmakers will be expected to sign an agreement stating that they own all rights to their film and its components ahead of screening at Anafiff. The participant shall declare that he/she owns the copyright for the mini-film, short film or other sample of work submitted, according to the relevant national and international regulations. He/She shall guarantee that no rights of third parties are violated by the material used in the film or other sample of work submitted. The participant unconditionally and irrevocably shall declare his/her copyright responsibility towards third parties in case of disputes over copyright violations.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • A wonderful festival with warm hospitality and a rich variety of programming, set in a fantastic location. Although I didn't manage to attend in person, it’s apparent that the festival is on the rise, with a talented team and impressive artistic direction. The communication process was also excellent. I’m confident it will soon become a major player in the industry. I'm delighted to have been included!

    August 2024
  • An amazing festival with a rich and interesting film program. Big thanks to the team of the festival for the excellent communication.

    July 2024
  • What an amazing festival and a dedicated team! Thank you all for the opportunity to screen IDENTITY IN BETWEEN at AIFF. Special thanks to curator Antigoni Papantoni for her support.

    July 2024
  • barbara peikert

    A big thank you to the passionate team of Anafi IFF for the excellent communication and organization, creating a very interesting film program with many film gems.

    July 2024
  • So thankful to have HOLD ON FOR DEAR LIFE by Simone Fiorentino screened at AIFF 2024. See you next year!

    July 2024