I like to explore the ambiguity between reality and our conception of it. Through nuance or distortion, I amplify the interrelations between perception and emotion. Time, the senses and dreams play key roles in my work: they conjure up a language that is often metaphorical, arousing curiosity or blurring apparent meanings and triggering unexpected mental images. My work is protean and intermedial: sounds and/or images in installation or projection, in still or moving images follow the Fluxus philosophy, a movement that is dear to me: art is not separate from life.

I've always been fascinated by the audiovisual arts, by the unspeakable and irrational things they can convey, and by the emotions and upheavals they can create in us.

Through my visual and sound work, I seek to present a philosophical and poetic view of the world, because I'm convinced that that's what art is there for: to reveal to us things that we don't see or wouldn't have seen. ‘It is not what one looks that counts, but the place from where one looks at’ wrote Gustav Meyrink. A work of art has the power to shift our gaze and thereby enrich us, fill us with wonder and transform our perception. My quest is to (re)poetise the world through the visual arts.