If a film of mine can make an audience member forget their troubles, have them engaged in what's on-screen, and feeling something for the characters—even just for a moment—I'll consider that film a success.
Noah Needle is an up-and-coming young screenwriter from Greater Manchester, England, with a passion for crafting compelling stories, the likes of which explore themes of finding one's place in the world, friendship, and coming-of-age. His TV pilot script 'Roommates', a slice-of-life sitcom about two university students, was recognized as a Semi-Finalist in the 2021 London International Screenwriting Competition. Additionally, his fantasy TV pilot, 'Children of Iron', was named as a Quarterfinalist in The Script Lab's Free Screenplay Competition 2024, showcasing his versatility and ability to write successfully across genres.
As an autistic writer, Needle brings a unique perspective to his work, often distinguished by his impressive ability to create naturalistic and impactful dialogue. He approaches each project with meticulous attention-to-detail and dedication, refining his drafts through numerous revision to ensure the highest quality storytelling. With aspirations to write for both television and film, including a dream of contributing to the Marvel Cinematic Universe, Needle is committed to pushing creative boundaries and making a lasting impact in the industry through stories that resonate deeply with audiences.
Finalist
Children of Iron
Cambridge Script Festival 2025
2025
Quarterfinalist
Children of Iron
The Script Lab - Free Screenplay Competition 2024
2024
Semi-Finalist
Roommates
London International Screenwriting Competition
2021
College
Manchester Metropolitan University
Filmmaking
20212024
High School
Crompton House Church of England Sixth Form
Psychology, Art, Media
20192021
Birth Date
June 6, 2003
Birth City
Manchester
Current City
Manchester
Hometown
Oldham
Height
183cm
Gender
Male
Ethnicity
White British
Eye Color
Blue
Zodiac Sign
Gemini
If a film of mine can make an audience member forget their troubles, have them engaged in what's on-screen, and feeling something for the characters—even just for a moment—I'll consider that film a success.
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