Researcher, filmmaker, and media artist exploring technologies, ecologies, and specters through speculative observations. Her practice blends transdisciplinary and collaborative methods, drawing from anthropology, storytelling, and media. Through the works The Fallen Clouds (2022, Ars Electronica) and Operational Atmospheres (2019, Forecast Forum), she has delved into the ecologies of AI and digital infrastructures in Chile. As part of the collective MAFI (Filmic Map of a Country), she co-created documentaries such as OASIS (2024, Berlinale) and GOD (2019, Visions du Réel). She holds a master's in Comparative Media Studies from MIT, where she worked at the MIT Open Documentary Lab. Previously, she worked at the Visual Anthropology Lab UC Chile and taught courses in Expanded Media Research, Digital Anthropology, Visual Anthropology, and Urban Anthropology at the same university. She is currently working on her feature film Artificial Clouds.