For 15 years Dance Camera West has connected diverse cultures and environments through its exploration of dance on screen, bringing hundreds of challenging and provocative films to Los Angeles from around the globe, effectively bridging the gap between the uniquely influential Los Angeles film community and the significant local dance populace. Even more importantly, Dance Camera West utilizes the accessible nature of dance as a non-verbal art form to reach across cultural, geographic, and socio-economic divides by making a special effort to engage a wide range of Los Angeles audiences of varying ethnicities and interests, offering everyone a chance to experience the thought-provoking thrill of dance media.
Dance Camera West is one of only a handful of organizations that presents dance media, and given that distinction, DCW has been fortunate to partner with some of the most prominent venues and organizations throughout the Los Angeles area. Co-presenters have included the Getty Center, REDCAT at the Walt Disney Concert Hall, Directors Guild of America, the Hammer Museum, and many others.
Dance Camera West aspires to awaken and infuse the public mainstream with a desire for critical creative programming. The vision of Dance Camera West is to present the visual language of dance on screen in a way that stretches the imagination and changes the way we think about dance.
The Dance Camera West Dance Film Festival showcases many forms of dance including modern dance, post modern dance, world dance, tap dance, dance theater, ballet, hip-hop and practically all dance that has been captured on film in a way that is of quality and essential value.
DCW’s dance film festival presents a range of contemporary, classic and alternative dance films, and showcases the talents of internationally recognized artists like Merce Cunningham, William Forsythe, Paris Opera Ballet, Pilobolus, Marie Chounard, Akram Kahn, Jiri Kylian and Netherlands Dance Theatre, Lloyd Newson/DV8, Anne Teresa de Keersmaeker with Thierry de Mey, Wim Vandekeybus with UltimaVez, Meg Stuart with Pierre Coulibeuf, Edouard Lock/La La La Human Steps, Bill T. Jones with Paula Kaiser, as well as featuring local artists like Victoria Marks, Oguri, Mitchell Rose, and Daniel Ezralow.
The genre of Screen Dance or Dance for Camera has expanded the possibilities of composition and structure by literally pushing the boundaries of dance - motion, rhythm, form and gravity - beyond what is presentable on stage.
Rules & Terms
It is the sole responsibility of the Applicant to secure authorization and permission from the copyright owner(s) of any and all copyrighted content or materials included within the submitted Project. Dance Camera West expressly disavows any responsibility for, and will not be held responsible for, any unauthorized inclusion of any copyrighted content or materials within or relating to the submitted Project, including any content or materials that are or may become the basis for any third party claims for copyright infringement. Dance Camera West reserves the right to disqualify, without refund of any or all submission fees previously collected from the Applicant, any Project with any unauthorized inclusion of copyrighted content or materials. In the event that any claim, dispute, action or proceeding shall be brought or asserted by any person or entity that alleges that the Project makes unauthorized or unlawful use of any copyrighted content or material, Applicant shall fully indemnify and defend Dance Camera West, the Festival, and each of their representatives and affiliates from any liability in connection therewith and from any fees and expenses, including but not limited to attorneys’ fees, that any of them may incur in connection therewith.
It is the sole responsibility of the Applicant to clear all content of the Project from any and all actual or potential legal claims and issues, including, without limitation, claims based upon theories of libel, defamation, invasion of privacy, violation of rights of publicity, theft of trade secrets, breach of confidence, breach of confidential relationship, and breach of express or implied contract (“Third Party Claim(s)”). Dance Camera West expressly disavows any responsibility for, and will not be held responsible for, any unauthorized inclusion of any content or materials within or relating to the submitted Project that are or may be the basis for any Third Party Claims based upon any of the foregoing legal theories or others. Dance Camera West reserves the right to disqualify, without refund of any or all submission fees previously collected from the Applicant, any Project that is or may become the subject of any Third Party Claims. In the event that any Third Party Claim(s) shall be asserted by any person or entity, Applicant shall fully indemnify and defend the Institute, the Festival, and each of their representatives and affiliates from any liability in connection therewith and from any and all fees and expenses, including but not limited to attorneys’ fees, that each of any of them may incur in connection therewith.
When submitting to Dance Camera West, The Applicant agrees that, if selected and the invitation accepted, to screen the submitted film during the dates of the festival Dance Camera West will not pay any screening fees for presentation of the film during the festival. Negotiated agreements preceding the submission of the film to Dance Camera West are exempt.
By submitting, the entrant acknowledges that the filmmaker has NOT submitted/planned for this film to be publicly screened/presented in the West Coast region three months prior to the screening at Dance Camera West. All online screeners of accepted films are to be removed or password added. Please contact email@example.com if you have any questions or concerns regarding this matter.
Press materials to include high-resolution production stills, trailers, key art, director bio, and other production must be included at time of submission to be considered by screening committee.
Submission of an entry gives Dance on Camera Festival and its presenters permission to have excerpts of accepted work, including film trailers, shown in all promotional activities related to the festival.
Entrant and filmmaker acknowledge that by submitting their film to the festival, that if chosen for the festival, Dance Camera West may include the film in the Dance Camera West/ CalArts Archive.
The following exhibition formats are eligible for Festival screening: HDCAM, BETACAM, 35MM, and in some cases digital formats, for feature length films. The Festival will accept ProRes 422 digital files for short films.