Our mission is to recognize and reward the next generation of great writers and artists by creating a screenwriting competition designed to find them. We believe that we have created a vehicle that will infuse new energy into filmmaking while also creating unique opportunities for emerging new talent.

We are passionate about filmmaking and about nurturing, developing, and supporting the next generation of filmmakers and screenwriters from Toronto and around the world.

Toronto has a long history of nurturing and showcasing the most talented filmmakers in the entertainment industry. We are an independent screenwriting competition that wants to inspire, support, and develop writers at all levels to make great films that leave others touched, moved and inspired. And we love all kinds of scripts and stories from studio blockbusters to art house fare. No two paths are the same and no two stories are either. We accept scripts from all over the world not just the US and Canada and from artists of all shapes and sizes from anywhere in the world as well.

The Toronto Metropolitan Int'l Screenwriting Competition is a Cinema Public House production. Toronto is home to several prestigious film festivals. We, however, are an independent festival. We are not affiliated with any other film festival, production company, conference, awards ceremony, or government organization located in our city. We are a US based independent festival company that produces both live festivals and online festivals all over the world. This festival is currently online only.

The bottom line is that we support the arts, not only locally, but around the world. Our aim is to create a screenwriting festival that will inspire generations of aspiring writers and filmmakers in all genres to tell great stories in the US, Canada, and abroad.

Our aim is to open doors for aspiring screenwriters.

We reward our grand prize winning screenwriter with various prizes including a consultation package through Roadmap Writers with at least three top industry executives in New York, LA, or Toronto. Our top two finalists also receive at least one consultation as well. These introductions can be invaluable to writers. These are not just introductions, they are consultations in which our winners receive valuable feedback on their work.

Please note that we do not advertise who we will be introducing our grand prize winner to as we prefer to tailor the introduction to the individual writer's style so as to get them the most benefit. For example, if our winner wrote a drama, we wouldn't be connecting them with people who specialize in comedy.

Only the Grand Prize Winner and top two Finalists receive consultation packages and prizes while Semi-Finalists are only rewarded with laurels and online recognition like in most screenwriting competitions. Prizes and recognition will not be given to any other entrants.

Writers retain all rights to their work.

Submissions are accepted via electronic submission only.

There is no limit to the length of the projects you submit. Projects can be in script or treatment form.

There is no limit to the number of projects you may submit.

Scripts must be written in English, but can be in any film or television genre.

Entry fees for screenplay entries are posted on our partner websites and are non refundable.

Employees and family members of the film festival are not eligible.

Entries must be received on or before the deadlines and submission fee payment must be made in full at time of the submission. All entry fees are non-refundable

All submitted material must be original, and all rights must be wholly owned by the writer(s).

All entries must be the original, and unpublished, un-produced, un-optioned work of the entrant. The entrant ensures that he or she is the sole author of the work and that it does not infringe on any existing copyright.

All winners are responsible for their own U.S. income tax withholding.

The competition, its judges, and its officers accept no liability whatsoever for any claims of damages, real or perceived, by any entrant(s) as a result of their participation in this contest.

Industry distribution should in no way be in interpreted as a guarantee of future representation or success. Whether or not industry partners choose to work with finalists, is done so at the sole discretion of each and every individual company. We can not force our industry partners to option your property and or sign you as a client.

Past prizes listed in winner reviews should not be construed as current prizes. All current prizes are spelled out on our website. We also do not reveal the names of recipients on our industry distribution list.

Entrants must be 18 years or older to enter the contest. Misrepresentation of age, upon discovery, will forfeit entry and fees to the contest. Contest is void where prohibited by law.

All persons from anywhere in the world are eligible; however the material submitted must be in English.

All material submitted to other competitions or contests are eligible.

Professional writers, journalists, poets, and previous contest winners are eligible.

There are no requirements as to when the material was written.

Material must be your original work.

The material submitted must not be encumbered by any obligation to, or option held by, a third party prior to entering the competition. It can be based on existing IP, if that IP is in the public domain and or you also own the rights to that stage play, short film, etc.

We do not provide feedback, notes, grades, or rankings of any kind unless paid for with your entry at the time of entry. We assume you already know how to write at a professional level and that is why you are entering this contest.

By submitting your material you agree to be added to our email list, but can remove yourself by unsubscribing at anytime.

Please note that the Toronto Metropolitan International Screenwriting Competition is in no way affiliated with any other film festival, screenwriting competition, film school, or film related enterprise or organization including, but not limited to TSC, TCA, TWA, Tisch, and or TIFF.

TISC reserves the right to revoke recognitions status at any time with or without cause.

All judging is done at our sole discretion. We may have outside input, but all judging and all decisions are made at our sole discretion. Furthermore, we do not use "celebrity" judges or "industry" judges and we do not advertise that we use "celebrity" judges. We use intelligent readers with a passion for cinema who love to read. We distribute our winners' scripts to industry executives who provide consultations, but those executives do not judge our contests. To prevent tampering we do not reveal the identities of our judges. Entrants are prohibited from contacting the judges during the competition. Any entrant who attempts to contact a judge will be disqualified and their entry fee forfeited. The decision of the judges is final.

We do not offer script notes and or script advice. We are looking to reward professional level writers that we can help get to the next level by recognizing their work. If these are services you desire, we recommend hiring a script consultant. These services can be found via a simple google search.

By entering the competition you hereby accept these competition rules.  

This festival is produced by Cinema Public House, a US based company that produces festivals, events, and competitions all over the world.

See festival website for complete list of terms and conditions.

Overall Rating
  • Mark Labella

    Wonderful festival! Great insight and feedback. Thank you for the incredible professionalism.

    February 2021
  • Madison Flannery

    A lovely experience, glad I got to participate!

    February 2021
  • While I found FilmFreeway.com to be very responsive to my questions I was unable to contact the Toronto Metropolitan International Screenwriting Competition for general questions about their grading scheme etc. Not that I object to my quarter finalist rating, but it would have been good to know more more exactly what that means as far as a percentile.
    I did however order a review of my first draft and that was done well by a reader who had taken time and thought to follow the conspiratorial plot.
    Covid eliminated networking and Hospitality.

    February 2021
  • Thank you very much for the valuable feedback.

    February 2021
  • Thrilled to be a Semi-Finalist in the 2021 competition thank you for the great feedback as well.

    February 2021