With projects shown internationally at Centre Pompidou, Outernet London, Royal College of Music, Holy Art Paris, and Truman Brewery, Theodora works at the edges of perceptual regimes exploring ways of being and thinking across cinema and technology.
Since an early age, she has been preoccupied with what exists beyond legibility—forms of life that exceed borders, thoughts that feel almost impermissible, and sensations that resist articulation. These are not absences, but emergent systems: still forming, not yet named, yet already exerting a quiet, amplified influence on how the world around her is perceived. What draws her is this threshold—where the unthinkable begins to take shape, and where feeling precedes language. It is here that perception becomes unstable, and where new structures of understanding start to surface.
Her practice across Film and Technology is rooted in early encounters with Buddhism and Psychoanalysis, both of which inform a sustained inquiry into consciousness, desire, and the source of the self, endlessly deconstructed and reinvented. These shifts arise through her engagement with technology, movement, and cinematic world-building—not as instruments, but as active collaborators in which perception is challenged and reshaped through image, motion, and sound.
Driven by the urgency of a world increasingly informed by transhumanist narratives, her film practice investigates diverse production techniques—ranging from lens-based experimentation to the blending of multiple spaces—questioning the conventions of the traditional short film at the intersection of art, technology, and innovation.
Her work explores the space between creator and subject through a lens of clinical intimacy, using sensory inquiry to reveal the deeper connections between minds and systems. This approach extends into her film practice, where she brings the performer’s mind and body into dialogue through allegorical frameworks. Here, the relationship between nature and technology is not treated as oppositional, but as deeply entangled—opening up new possibilities for embodiment, perception, and coexistence.
In 2023, she transitioned from FashionTech and Business into Digital Direction and Film Production—an intentional evolution that expanded her creative scope. By challenging traditional industry norms with an unconventional approach, she leveraged her foundation in detail, visual storytelling, and strategic thinking to bridge both worlds seamlessly. This shift has allowed her to move beyond surface-level aesthetics, crafting narratives and experiences that explore speculative futures and new ways of co-existing within emerging cinematic and technological systems.
  • Costume Designer (1 Credit)
    Desire, Engineered: Uncoded Bodies Beyond the Age of Machines.2026
    Experimental, Short
  • Choreographer (1 Credit)
    Desire, Engineered: Uncoded Bodies Beyond the Age of Machines.2026
    Experimental, Short
  • Projection Digital Designer (1 Credit)
    Desire, Engineered: Uncoded Bodies Beyond the Age of Machines.2026
    Experimental, Short
  • Director, Producer and Writer (1 Credit)
    Desire, Engineered: Uncoded Bodies Beyond the Age of Machines.2026
    Experimental, Short
Official Curation
Desire, Engineered: Uncoded Bodies Beyond the Age of Machines.
IN OTHER MINDS: A Window into Cinema Beyond Human Knowing.
London
2026
College
Royal College of Art
MA Digital Direction
20232024
College
London College of Fashion
BA Fashion Design and Development
20182022
College
University of the Arts London
Business Management and Enterprise
20202021
Current City
London
Gender
Female
"Film is truth 24 times a second"- Jean Luc Goddard
With projects shown internationally at Centre Pompidou, Outernet London, Royal College of Music, Holy Art Paris, and Truman Brewery, Theodora works at the edges of perceptual regimes exploring ways of being and thinking across cinema and technology.
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