Table Read My Screenplay will help you propel your screenwriting career forward with a transformative Table Read showcase experience as the Grand Prize Winner of our screenplay competition. See more here:

You'll attend the 2020 Sundance and Slamdance Film Festivals as the Table Read My Screenplay Grand Prize Winner! Receive $1500 cash, a trip to Park City, a table read of your winning script, and industry connections. Plus, an established director will workshop your script prior to your Table Read Showcase in Park City with professional actors.

Then, you’ll become an elite member of the ISA Development Slate where the ISA Development team will work with you for a minimum of 1 year to get you and your script in front of producers, literary representatives and other industry executives from companies like Lakeshore Entertainment, Gidden Media, ICM, and others. 60 screenplays from Slate writers have been optioned or purchased in the past few years.

Table Read Winner Staffed on Gossip Girl Reboot
Congratulations to Elaine Loh! After her win with Table Read My Screenplay last year, she was immediately invited onto the ISA Development Slate. Shortly there after, she was named one of the Top 25 Screenwriters to Watch in 2019 by the International Screenwriters Association. We're excited to announce she has been staffed on the new Gossip Girl reboot for HBO Max, premiering in late 2020. This new chapter in her career began in October!

Attend the 2020 Sundance and Slamdance Festivals as the Table Read My Screenplay Grand Prize Winner. You will receive a table read of your winning script, plus these amazing prizes:

* $1500 Cash
* Plus, Flight & Lodging
* A Live Table Read of Your Script
* Invitation onto the ISA Development Slate
* ISAConnect Membership
* Sundance Movie Tickets, Parties and Panels

4 Days of Festival Events Prior to your Table Read showcase, an established director is guaranteed to personally meet with you to workshop your script with professional actors. Then, you’ll become an elite member of the ISA Development Slate where the ISA Development team will work with you for a minimum of 1 year to get you and your script in front of producers, literary representatives and other industry executives from companies like Lakeshore Entertainment, Gidden Media, ICM, and others. 60 screenplays from Slate writers have been optioned or purchased in the past few years.

SHORTS PRIZE WINNER (Includes Web Series Pilots)

As the Table Read My Screenplay Short Grand Prize Winner, you will receive a podcast recording of your script by professional actors, to be broadcast on the ISA’s Curious About Screenwriting Network. With over 3200 Industry Pros frequenting the ISA site, plenty of Directors and Producers will hear your words come to life.

*$750 Cash
*Podcast of your script on the Curious About Screenwriting Network
*ISA Development Slate Consideration
*ISAConnect Membership

You will be considered for acceptance onto the ISA Development Slate where we will share your script and podcast episode with ISA approved Industry Pros and new media outlets including AwesomenessTV and more. If you produce your short script within 18 months of winning, we’ll cover your entry fee towards three major Hollywood short film festivals.

Both Grand Prize Winners Also Receive:

CAREER COACHING with Lee Jessup. Over the past 20+ years, Lee has mentored established and emerging screenwriters in film, television and new media, while also consulting and instructing for major networks and studios.

COURSES Jessica Blank’s Character Based Story Stucture +
Character Based Story Structure for Episodics Courses

VARIOUS MEDIA OUTLETS, including Creative Screenwriting, will spotlight your success story to their audiences, including agents, managers and producers.

ADDITIONAL PRIZES from the Top 10 and Semi-Finalist categories.

TOP 10

*Script Studio Screenwriting Software
*ISAConnect Membership ($120 Value)
*ISA Logline Review ($39 Value)

TOP 100 (Features and Pilots) and TOP 25 (Shorts and Web Series)

*The Craft Course Online ($99 Value)
Go beyond the basics of screenwriting, forget all of the fancy vocabulary, and let’s get your script finished! Receive immediate access to all lessons, lectures, and audio, and the material provided within this full development screenwriting course will help you build your script, one step at a time. This course allows you to work at your own pace and finish a script in 11 weeks! You can start and finish whenever you like.

* 3 Months of ISAConnect
Gain access to advanced tools, and showcase your work to industry pros, while building the connections you need to break in. Join the thousands of writers using ISAConnect to elevate their writing, improve their connections and launch a sustaining career. Browse writing gigs, share your loglines, upload your screenplays and connect with over 4600 industry pros.

For FAQs, please visit.

This contest is open to anyone except all employees, judges, directors, associates, and immediate families of the TABLE READ MY SCREENPLAY (TRMS) Contest.The writer is under no obligation to participate in the contest, and understands that it is not a guarantee or expectation of employment.We do not discriminate on the basis of race, religion, national origin, sex, sexual orientation, gender identity, age, veteran status, or disability. It is our intention that all qualified submissions be given equal opportunity and that selection decisions are based on script-related factors alone.Up to four scripts may be entered on one entry form. Additional scripts can be entered through an additional entry form.Promotional discounts offered may only be utilized at the time of submission and no partial refund for a promotional code may be issued after an entry has been officially submitted.Once material has been entered, no substitutions of new drafts or corrections will be considered after 24 hours from original submission time and date have past. After this time the writer may complete a new entry form and pay the appropriate entry fee to submit a revised version of their script.Loglines may be changed once during the competition by e-mailing with a revised logline; the writer must include the Title and Date of the original submission in the body of the e-mail along with the logline.Feedback is a separate service with an additional fee, and unless specifically part of a promotion, is not an expected part of any entry. Feedback is in no way tied to contest placement.The writer understands that feedback, whether paid or received as part of a promotion, can take 90 days or more to be returned, and may not be received before the end of the contest. TRMS will make all attempts to return feedback as soon as possible.TRMS does not provide notes and/or scoring with every entry.Grand Prize Winners from previous TRMS seasons may submit again, provided the contest city is not the same for which they previously won, and they must submit a new screenplay to be eligible.Previous Shorts Prize Winners may enter a Feature to any contest. If a writer wins the Grand Prize in two cities they may no longer submit.Those who have placed as a Top 10 or Category Winner three times with three separate screenplays are ineligible to submit in any future contest season.To be considered for the ISA Austin Writer Award the writer must currently reside within 100 miles of Austin, Texas. The ISA Austin Writer Award recipient will not receive airfare or hotel.The Austin Writer Award Winner will be provided a $50 stipend to cover gas and parking for the TRMS events.International writers are eligible to participate in the contest, so long as their participation is not prevented by law in either country.TRMS will provide roundtrip airfare up to $800 for a Domestic flight or $1500 for an International flight not to exceed $1500. There is no cash reimbursement for flights that cost more than the limit, nor will there be a disbursement of the difference for flights that are less than the limit.Adaptations from other works are permissible provided the writer has written permission to adapt the work from the original source.Adaptations of works in the public domain are permissible, however the writer assumes all responsibility assuring copyright status.Collaborative work is eligible; the writers are responsible for the distribution of the contest prize(s). Only one pass and airfare & hotel for a single writer will be awarded to the Grand Prize Winner.Writers under the age of 18 years old must have parent or legal guardian’s permission to participate.The script and any related materials must not be in a current option agreement, and/or may not have been previously sold or produced for profit.The writer understands and accepts without reservation that they are an independent contractor and that the contest administrators and sponsors are not responsible for withholding any taxes or payments on prize money to any government agency, at any level, be it local, state, or federal.The writer understands that it is their sole responsibility to register material with the U.S. Copyright Office and/or with the Writers Guild of America West or the appropriate agency in his/her country.The writer must retain at least one copy of the submitted material, and understands that any material we receive cannot and will not be returned under any circumstances.Script Length Guidelines:?Feature – (70 – 130 pages), TV Pilots – (10 – 70 pages), Shorts – (1 – 45 pages), Web Series Pilots (1-20 pages)Scripts longer than recommended length will still be considered for the contest, and will not be disqualified.If a screenplay is submitted for feedback and is over 130 pages, an additional service fee of $1 per page will apply; the writer will be invoiced separately for the fee. If the writer does not wish to pay an additional fee, the Feedback Reader will be instructed to read the first 130 pages only.All entries must be received by Final Deadline. TRMS reserves the right to extend the contest deadline up to 90 days.TRMS is not responsible for late, lost, unacceptably formatted, corrupt, or incorrect submissions, and may not be able to honor such entries.The writer may submit their screenplay to any other person, contest, producer, agent, publisher, and/or organization.The writer retains all rights to their screenplay, subject to the terms and agreements contained herein.The writer assures that to the best of their knowledge they have the legal right to submit it for judging to TRMS.The writer understands that their logline and/or screenplay will be reviewed by ISA and TRMS employees and/or our panel of Industry Judges for evaluation. The writer also understands that any one of these employees or judges may have been or may be exploring ideas similar to those contained in scripts they read, and hereby waives any claim that TRMS, its employees or judges may have misappropriated any ideas or portions of their submission logline or script.No agreement for compensation, other than the TRMS prizes listed, has been implied.TRMS intends to submit the Top 100 List to respected producers on behalf of the writer. The writer may withdraw from this process at any time.Confirmation of entry will be received once a script is submitted with an entry form and completed with an entry fee through our payment vendor. The writer must provide a valid e-mail address with entry; if an email address should change after submission, it is the writer’s responsibility to let us know.The writer understands that the ISA and TRMS will be free to use their name and likeness for advertising or promotional purposes without additional consideration, should the writer make it past the first round.All winners agree to give permission to the ISA, TRMS and other sponsors for associated contest audio and video recordings of the Table Read and other events to be used on websites and social media platforms.TRMS reserves the right to award a cash prize at its discretion. The Winner is under no obligation to accept the associated prizes but will not be awarded or owed a cash replacement upon electing not to move forward with prizes offered.TRMS may develop a series or documentary style program based on the inner workings of the contest and the production resulting there from. TRMS reserves the right to contact the writer with offers to participate in any such production. The writer is under no obligation to participate therein.All Grand Prize, Top 10 and Semifinalist choices are made at the express decision of TRMS, and once made are considered final. The writer agrees to accept without reservation the decisions rendered by the judges.There are no refunds for submissions at any time for any reason.TRMS has the right to change or add to the prizes at any time, without notice, and/or substitute prizes of equal or lesser value.Additional rules may be amended at the sole discretion of TRMS.By selecting ‘I have Read and Understand the Contest Rules’ on the entry page and submitting, the writer agrees to all of these rules.

Overall Rating
  • Erin Considine

    The staff was kind and diligent reviewing scripts. Their feedback was timely and helpful. From submission to Top Ten placement, everyone I heard from had the writers' best interest at heart! Such a wonderful, validating experience!

    August 2019
  • Great festival to be part of! Very happy to reach semi-final for my screenplay.

    August 2019

    Great feedback and a wonderful opportunity to be a part of this festival. Thank you!!!

    August 2019
  • Kevin Alexander Boon

    They did a great job communicating with me and winning opened up doors for me and created interest in my work. I don't what more you could want from a screenplay contest.

    June 2016
  • As a Top 100 Semi-Finalist for the Sundance Competition, I was impressed by the constant communication and update posts from "Table Read My Screenplay." I want to Thank the entire Team of the competition for acknowledging and giving validity to my short thriller script "The Web." You made my day!

    May 2016