Slatelist's GET IN THE ROOM Screenwriting Contest.

Get in the room. The SlateList Screenwriting Competition turns a great script into a seat across from the reps and producers who hire writers — the Top 10 finalists meet them one-on-one. All genres. Submissions open now.

In this business, everything happens in the room. The room is where a script stops being pages and becomes a career — where a writer finally sits across from the person who can actually do something with their work. Talent gets you noticed. Getting in the room is how you break through. The 1st Annual SlateList Screenwriting Competition was built to open that door.

Submissions are open now. Enter your best feature, pilot, or short — in any genre — for a chance at cash prizes and mentorship through CastCru. But the prize at the heart of this competition is the room itself: our Top 10 finalists each earn a one-on-one meeting with a rep or producer who is actively scouting their next writer. The hardest part of breaking in has never been the writing. It's getting read by someone who can act on it. That's exactly what this competition is for.

Every script is read on its merits by working industry professionals who know what a great one looks like on the page. Whether you write drama, comedy, thriller, horror, sci-fi, or something that refuses to fit a box, your story belongs in the stack.

The script gets you in the room. The rest is up to you.

CATEGORIES
Feature Screenplay — Full-length screenplays, 80–130 pages.
TV Pilot — Original half-hour or one-hour pilots, 22–75 pages.
Short Screenplay — Short-form scripts, up to 40 pages.

REPS and EXECS on CastCru
Jason Lubin: manager-producer and the principal at First Story Entertainment
Adam Gherlerter: Head of Development at Gramercy Park Media
Kevin Christoffersen: Development Executive with Film StartUp
Adam Fratto: veteran industry professional with decades of experience producing film, TV and new media
Stephan Dubreuil: Montréal-based manager and co-founder of the literary management and production boutique Woolf+Lapin
Alexia Melocchi: international film producer, distributor, author, and strategic consultant
Robert Deege: Producer / Script Consultant / Sales Agent
Nicholas Bogner: Literary manager who worked on Mission: Impossible, Without Limits and The Others and Spielberg’s Into The West
Samuel Kochman: President of In Theory Productions— an independent Film and Television production company based in Los Angeles
Samm Haillay: BAFTA and Independent Spirit Nominated producer

The Top 10 Finalists — In The Room

A one-on-one meeting with a rep or producer scouting new writers
One page of industry feedback on script
Official finalist laurels

Semi- and Quarterfinalists — Just Outside The Room

One page of industry feedback on script
Official finalist laurels

Mentorship sessions and finalist meetings are real opportunities to be read and considered — not an offer of representation, employment, or a guarantee of a sale. The script gets you in the room; what happens next is up to you.

Eligibility

Open to writers worldwide.
Entrants must be 18 or older, or 13–17 with the consent of a parent or guardian.
Both emerging and produced writers are welcome.
Co-written scripts are eligible; all co-authors must consent, the prize is shared, and the submitter is the point of contact.
SlateList and CastCru staff, judges, and their immediate families are not eligible.

Submission requirements

Work must be original. You must own or control all rights to the material.
Adaptations or material based on real events must include documentation of rights, or the underlying work must be in the public domain.
Submit a PDF in industry-standard screenplay format.
Observe the page count for your category (Feature 80–130; TV Pilot 22–75; Short up to 40).
Scripts must be in English, or include an English translation.
For fair, merit-based reading, we recommend keeping your name off the title page — your identifying information stays in your FilmFreeway profile.
You may upload revised drafts until your entry's deadline tier closes.

Authorship & AI

Submissions must be completely human-authored. Fully AI-generated scripts are not eligible.

Rights

You retain all rights to your work. SlateList and CastCru claim no ownership, option, or representation rights, and the competition does not broker deals.
By entering, winners and finalists grant permission to use their name, project title, and logline for competition promotion.

Fees & administration

Entry fees are non-refundable, including on withdrawn entries.
The organizers may decline to award a category if no entry meets the standard, and may adjust dates with reasonable notice.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Thank you so much for the opportunity to be a part of your festival!

    June 2026
  • Linda Kampley

    Really an honor for SOMETIMES MY FEARS to be a QuarterFinalist in the SlateList Screenwriting Competition. Thank you, thank you and Cheers!

    June 2026
  • Thomas Zimmerman

    Slate was a great experience with communication throughout the process.

    June 2026
  • Melonie Magruder

    I was particularly thrilled to be included as a Quarter Finalist for this year's SlateList Screenwriting Competition, amongst such obvious talent. Thank you!

    June 2026
  • Thank you so much for naming my FALTERED STATE screenplay category winner for Sci Fi and my MOON SHINE screenplay a semi-finalist. Excellent festival, and I'm excited to work with you going forward. Congratulations on launching a wonderful new platform.

    June 2026