Trying to keep the fragments together through the montage. If the surface cracks, the crack becomes the surface; that break means intensity. Points of intensity and not sutures, to convey freedom of sense, instead of constrictions of meaning.
Sara is an Italian visual artist currently based in Singapore. As independent videographer she has been collaborating with performers and musicians, directing clips, ads. She also curated visuals in clubs. Her video works have been screened worldwide; at the Anthology Film Archives, the San Francisco Independent Short Film Festival, the Ann Arbor Film Festival, the Miami New Media festival, the Athens Digital Arts Festival,at Rome MACRO Museum, the Cinemateca do MAM in Rio for Dobra Festival, the MOMus in Thessaloniki for Videolands curated by Miden Festival, the itinerant Time is Love screening curated by Kisito Assangni, the Mexico City CODEC festival, Other Cinema at San Francisco ATA Gallery, the LA Echo Park Film Center, the Boston Cyber Arts Gallery and more; she won the Veneto Region Award at the 10th Lago Film Fest and a merit for the 2019 Sino per NIIO Illumination Art Prizes, with one of her work displayed in Hong Kong in one of the world biggest public screen; she has been selected for several residencies, ie in 2016 by Joan Jonas at Fundacion Botin (Spain). She has been recently selected for the ISEA 2019 symposium in South Korea. She is currently working on her first documentary film, Forest Hymn for Little Girls. https://www.foresthymn.com/
4th Prize Merit
Chronoscope in HK
Sino per Niio Art Prizes
Hong Kong
2019
Birth Date
June 17, 1982
Birth City
Treviso
Current City
Venice
Hometown
Treviso
Gender
Female
"Something bizarre about the cinema struck me: its unexpected ability to show not only behavior, but spiritual life. Spiritual life is not dream or fantasy – which were always the cinema’s dead ends – but rather the choice of existence. Cinema not only puts movement in the image, it also puts movement in the mind… the brain is the screen." Deleuze
Trying to keep the fragments together through the montage. If the surface cracks, the crack becomes the surface; that break means intensity. Points of intensity and not sutures, to convey freedom of sense, instead of constrictions of meaning.