Machinimentary: 1993, San Andreas. *DEEP CUT* / 机录片：圣安地列斯1993录影纪事 *DEEP CUT*

PLOT SUMMARY: Pastinaca Videotapes Plantation obtained a videotape of a male Talysh journalist in Azerbaijan——Fariq Husmanov. From the videotape, we uncovered little-known historical events of 1993 in Azerbaijan and San Andreas.

CREATIVE CONCEPT: "Machinimentary" in the title is a compound word of "machinima (machine-made video/game engine movie)" and "documentary." Pastinaca Videotapes Plantation hopes to show a cliché story in the form of found footage and describe the overwriting of different media on videotapes. We also hope to explore the degree of interpenetration between a subjectively created 3D universe and the real universe we live in. Meanwhile, with the help of the game features of "Grand Theft Auto: San Andreas" and the expansion of related MODS/DYOM/CLEO, a sense of "stupid physics" has been created. In addition to "Grand Theft Auto: San Andreas" and "Grand Theft Auto: V" (Rockstar Games), the following two games are also used in this machinimentary: "Fears to Fathom - Norwood Hitchhike" (Rayll) and "Beware" (Ondřej Švadlena).

剧情梗概：欧防风录像种植所获取了一名阿塞拜疆塔雷什族的男记者——法里克·胡斯曼诺夫的录像带。我们从中揭露出鲜为人知的阿塞拜疆和圣安地列斯的1993年历史事件。

创作理念：片名中的“Machinimentary（机录片）”是“Machinima（机造视频/游戏引擎电影）”和“Documentary（纪录片）”的复合词。我们小组希望以捡拾录像带的形式展开一个俗套的录影故事以及刻画出不同媒介在录像带上的覆盖刷写。我们也希望探讨一个主观创造出来的客观3D世界（3D Universe）和我们所身处的现实世界（Real Universe）的相互渗透程度。与此同时，借助《侠盗猎车手：圣安地列斯》本身的游戏特性以及相关MODS/DYOM/CLEO的拓展，塑造出一种“笨蛋物理学”的突兀感。除《侠盗猎车手：圣安地列斯》以及《侠盗猎车手V》（Rockstar Games），也引用到以下两款游戏：《Fears to Fathom - Norwood Hitchhike》（Rayll）和《Beware》（ Ondřej Švadlena）。