Machinimentary: 1993, San Andreas. / 機錄片：聖安地列斯1993錄影紀事

PLOT SUMMARY: Pastinaca Videotapes Plantation obtained a videotape of a male Talysh journalist in Azerbaijan——Fariq Husmanov. From the videotape, we uncovered little-known historical events of 1993 in Azerbaijan and San Andreas.

CREATIVE CONCEPT: "Machinimentary" in the title is a compound word of "machinima (machine-made video/game engine movie)" and "documentary." Pastinaca Videotapes Plantation hopes to show a cliché story in the form of found footage and describe the overwriting of different media on videotapes. We also hope to explore the degree of interpenetration between a subjectively created 3D universe and the real universe we live in. Meanwhile, with the help of the game features of "Grand Theft Auto: San Andreas" and the expansion of related MODS/DYOM/CLEO, a sense of "stupid physics" has been created. In addition to "Grand Theft Auto: San Andreas" and "Grand Theft Auto: V" (Rockstar Games), the following two games are also used in this machinimentary: "Fears to Fathom - Norwood Hitchhike" (Rayll) and "Beware" (Ondřej Švadlena).

劇情梗概：歐防風錄像種植所獲取了一名阿塞拜疆塔雷什族的男記者——法里克·胡斯曼諾夫的錄像帶。我們從中揭露出鮮為人知的阿塞拜疆和聖安地列斯的1993年歷史事件。

創作理念：片名中的“Machinimentary（機錄片）”是“Machinima（機造視頻/遊戲引擎電影）”和“Documentary（紀錄片）”的複合詞。我們小組希望以撿拾錄像帶的形式展開一個俗套的錄影故事以及刻畫出不同媒介在錄像帶上的覆蓋刷寫。我們也希望探討一個主觀創造出來的客觀3D世界（3D Universe）和我們所身處的現實世界（Real Universe）的相互滲透程度。與此同時，藉助《俠盜獵車手：聖安地列斯》本身的遊戲特性以及相關MODS/DYOM/CLEO的拓展，塑造出一種“笨蛋物理學”的突兀感。除《俠盜獵車手：聖安地列斯》以及《俠盜獵車手V》（Rockstar Games），也引用到以下兩款遊戲：《Fears to Fathom - Norwood Hitchhike》（Rayll）和《Beware》（Ondřej Švadlena）。