The search is to make films with critical sociological discourses and aesthetic avant-garde without losing the masses in the attempt. Finally, the fist of the masses writes the history.
Born in Mexico City. studied in the Escuela Nacional de Artes Cinematográficas (Cinematography arts national school) of Mexico. He has write and direct 8 short films. His speciality is the horror and magical realism, 2 of his shorts of these genres participated in the horror film festival MACABRO 2018 in Mexico, one of these too
participated in the “fantascorto” section in the International short film festival, SHORTS MEXICO 2017. “I like to kill”, his most recent short of magical realism, has been part of the Mexican show at the SHORTS MEXICO 2019, besides being the first filmschool proyect in latin america with DOLBY ATMOS sound. His proyects as director also has participated in the Guanajuato international film festival 2016, José Rovirosa Award 2017 and a publication at the british newspaper The guardian. “Marasmo” his most recent work as a producer was part of the Short film competition at the Morelia International Film Festival 2019. His other specialities are cinematography and sreenplay. His film thesis, "ORFEO", a horror short film, is now in postproduction process.
His goal as a filmmaker is to make films with sociológical critic discurses and avant-garde without loosing the atention of the masses, at the end of the day the chance borns from all of us.
  • Writer (1 Credit)
    I LOVE TO KILL2019
    Short
  • Director (1 Credit)
    I LOVE TO KILL2019
    Short
Official selection
I LOVE TO KILL
Big shoulders International student Film Festival 2020
Chicago, Ilinois
2020
mexican selection
I LOVE TO KILL
Shorts México 2019
Mexico city
2019
College
Escuela Nacional De Artes Cinematográficas- UNAM
20152019
Birth Date
June 25, 1995
Nickname
Roberto Telles
Birth City
Ciudad De México
Current City
Ciudad De México
Hometown
Ciudad De México
Height
1.80
Gender
Male
Ethnicity
Latin american
Eye Color
Brown
Zodiac Sign
Cancer
The search is to make films with critical sociological discourses and aesthetic avant-garde without losing the masses in the attempt. Finally, the fist of the masses writes the history.
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