My writing channels Ken Loach and Shane Meadows, spliced and diced with Tarantino, Kubrick and 70s Spielberg. I write muscular, taut psychological horror thrillers; working class explorations of masculine toxicity loaded with savage absurdity, filtered through a scuzzy socialist lens. My heroes are vulnerable, downtrodden, anxious and nervy, struggling to keep their nostrils above the waterline, but still clinging to seemingly unattainable redemptions.

Visiting Lecturer in Screenwriting at the University of Leeds, and Screenwriting Mentor at the London Horror Society and the Oakwood Film Academy. Screenwriter for hire for consultancy, redrafts, co-writing, polishes and production preparation.