I'm a Senior Visual Effects Supervisor, writer, filmmaker with thirty years’ experience across feature films and television. My background spans an early career in Fine-Art and Illustration, Matte Painting, through to creative direction and Immersive storytelling. I’ve worked with major studios around the world including Cinesite, DNEG, Framestore, Weta, and ILM, on over 65 productions including The Lost Bus, Chernobyl, Emerald City, Star Wars: Revenge of the Sith, The Lord of the Rings trilogy, Harry Potter and Shakespeare in Love.
My work on Chernobyl was recognised with a Primetime Emmy, a VES Award, and a Broadcast Tech Innovation Award, and I've been twice BAFTA-nominated for my contributions to television. I was also named one of Variety’s ‘Elite Artisans’ in 2019.
My focus has always been on projects where visual effects principally serve story and character — where atmosphere, restraint, and realism carry as much impact as spectacle. I am currently exploring AI as a storytelling medium where it can support the film-making process.