Maria Molteni (they/them, b. 1983 Nashville, TN) is a queer interdisciplinary artist, mystic, organizer and educator based in Boston since 2002. Formally trained in painting, printmaking and dance, their practice has expanded to incorporate research, social magic, ritual performance, and play-based collaboration. Molteni works in a variety of media–from inflatable textile to found-object sculpture, painting to publication, movement to video. They choose media per its ability to intersect conceptual rigor, formal poignancy and spiritual depth. Most known for their monumental, site-specific hand painted groundworks (often basketball courts), which they call altars to the sky, shape-shifting labyrinths and horizontal monuments, Molteni and their work make a bold contribution to national movements of embodied, accessible public art.
Molteni has exhibited at numerous galleries and museums as well as basements, meadows, sidewalks and seascapes across the globe. More formal institutions include The Momentary Contemporary Art Museum (Bentonville, AK), MFA & ICA Boston (MA), Project Rowhouses (Houston, TX), Den Frei Contemporary Art Center (Copenhagen, Denmark), Harvard University’s Carpenter Center for the Visual Arts (MA), NGBK (Berlin), Fruitlands Museum (Harvard, MA), Museum of Design (Atlanta, GA), Conduit Gallery (Dallas, TX), Flower Head (LA, CA), Fuller Craft Museum (Brockton, MA), Fitchburg Art Museum (Fitchburg, MA), Space Gallery (Portland, ME), BAK (Utrecht, Netherlands), A Plus A (Venice, IT), SLOMA (CA). They have completed residencies at Canterbury Shaker Village (New Hampshire), Heima (Iceland), Haystack (Maine), Elsewhere (Greensboro, NC), Queer Sport Split (Croatia), Platteforum (Denver, CO), Facebook HQ, to name a few. In 2016 their NCAA artist collective (New Craft Artists in Action) was invited to present their work on Capitol Hill to the Congressional Makers and STEAM Caucuses.
www.mariamolteni.com