Lisa Birke's work is a result of the collision of video, performance art, and installation. The thin line between theatrics and documentation is blurred, exposing an indeterminate subject and an even shakier subjectivity.
Lisa Birke has had solo exhibitions across Canada and her award-winning short films have been screened at film/video festivals and media centres internationally, including: Time is Love, International Video Art Program, CCA (Centre for Contemporary Art, Glasgow, Scotland), Vancouver International Film Festival (Canada), CAFKA (Contemporary Art Forum Kitchener and Area, Canada), Tom Thomson Art Gallery (Canada), Athens International Film + Video Festival (USA), Cologne OFF X (Germany and touring), along with many others. The short film Calendar Girls was awarded a “Jury Award for Creative Achievement” at the Arizona International Film Festival (USA), the Jury Award at ForadCamp (Barcelona, Spain) and was installed at Manif d’/Art (Quebec City Biennale, 2017). The Knits screened, most notably, at Slamdance Film Festival (USA, 2018) and the Florida Film Festival (USA, 2018), and was mounted as a solo exhibition at Cambridge Art Galleries (Canada, 2017). A survey program of Birke’s short film work and installation was presented at the International Short Film Week Regensburg (Germany, 2018) and her newest work The Land of Milk and Honey, an interactive 360 video installation, was included in the contemporary art biennial at the Remai Modern in Saskatoon Canada in the fall of 2020. Lisa Birke is a recipient of an Ontario Arts Council Media Artists Project Creation Grant (for The Knits), grants from the Canada Council for the Arts, along with other awards and scholarships. Birke is currently Assistant Professor of Digital and Extended Media at the University of Saskatchewan.
  • Acting (7 Credits)
    Dawn of Melancholy: A Birthday Soliloquy2024
    Experimental
    Signs of our Times2022
    Experimental, Short
    The Land of Milk and Honey2021
    Other
    The Knits2017
    Experimental, Short
    Bombshell2016
    Experimental, Short, Other
    Endgame2016
    Experimental, Short
    Calendar Girls2014
    Short
  • Director (7 Credits)
    Dawn of Melancholy: A Birthday Soliloquy2024
    Experimental
    Signs of our Times2022
    Experimental, Short
    The Land of Milk and Honey2021
    Other
    The Knits2017
    Experimental, Short
    Bombshell2016
    Experimental, Short, Other
    Endgame2016
    Experimental, Short
    Calendar Girls2014
    Short
  • Animator (1 Credit)
  • Producer (1 Credit)
    Calendar Girls2014
    Short
Best Experimental Short
Signs of our Times
Arizona International Film Festival
Tucson
2023
Official Selection
Signs of our Times
Moving-Image-Arts International Short Film Festival
Toronto
2023
Exhibition
Signs of our Times
PAVED Arts
Saskatoon
2023
Official Selection
Signs of our Times
The Magikal Charm Experimental Video & Film Fest
New York
2022
Official Selection
Signs of our Times
Tortona IndieFilm Session
Tortona
2022
Official Selection
The Land of Milk and Honey
FIVARS (Festival of International Virtual and Augmented Reality Stories)
Mississauga
2021
Best 360
The Land of Milk and Honey
Geelong Underground Film Festival
Geelong
2020
Curated Exhibition at Art Museum
The Land of Milk and Honey
borderLINE: Contemporary Art Biennial, Remai Modern
Saskatoon
2020
Nominated: Best Director
The Knits
Mirror Mountain Film Festival
Ottawa
2017
Jury Award
Calendar Girls
ForadCamp
Barcelona, Spain
2015
Jury Award: Creative Achievement
Calendar Girls
Arizona International Film Festival
Tucson, Arizona, USA
2015
College
Emily Carr Institute of Art and Design
Studio Art (BFA)
19941999
College
University of Waterloo
Studio Art (MFA)
20112013
Birth Date
July 16, 1976
Birth City
Prien am Chiemsee, Germany
Current City
Saskatoon, Canada
Gender
Female
Ethnicity
Caucasian
Married To
Michael Fleig
Lisa Birke's work is a result of the collision of video, performance art, and installation. The thin line between theatrics and documentation is blurred, exposing an indeterminate subject and an even shakier subjectivity.
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