IndieX Film Fest is an international short film competition and live event series based in Los Angeles.

The festival operates through 12 monthly competition rounds, with the strongest monthly nominees and award winners qualifying for consideration at the Annual Awards and Live Showcase. Monthly selections and awards are announced online, while physical screenings take place through the annual showcase and occasional curated screenings and filmmaker Q&As.

This structure allows the festival to recognize outstanding new work throughout the year while building toward a major in-person celebration of international short filmmaking in Los Angeles.

IndieX welcomes projects from every country and genre, with particular attention to filmmakers and perspectives traditionally underrepresented within the global film industry.
The festival creates space for bold, unconventional, transgressive, eccentric, and difficult-to-categorize work alongside accomplished traditional narratives.
Whether linear or nonlinear, restrained or provocative, IndieX is interested in independent projects with a clear artistic identity, including films that simply do not fit comfortably within conventional categories.

A REAL LOS ANGELES FESTIVAL EXPERIENCE
The most recent IndieX Film Fest Annual Awards Showcase took place at Regal LA LIVE in downtown Los Angeles and welcomed filmmakers, cast members, industry guests, and attendees from around the world.

The live program included film screenings, filmmaker Q&A sessions, industry conversations, red-carpet activities, a cocktail reception, and the Annual Awards Show.

See what attending IndieX looks like in the official highlights from the IndieX Film Fest Annual Awards 2026:
https://youtu.be/R54cf575MD0?si=bjRonVoaRLumyd1D

In addition to the Annual Awards, IndieX occasionally organizes curated screenings and Q&A events with participating filmmakers, cast members, and crews.

FESTIVAL HISTORY AND VENUES
From the theaters of Raleigh Studios Hollywood to Regal LA LIVE, IndieX has presented more than 450 films through its annual showcases, special screenings, and filmmaker Q&A events.

These Los Angeles events have welcomed more than 4,000 attendees from around the world.

PREVIOUS AWARD RECIPIENTS AND PARTICIPATING TALENTS
Projects featuring or created by Academy Award winners Barney Burman and Joel Harlow have received recognition at IndieX.
Previous honorees and participating talents have also included Oscar nominees Abigail Breslin, Bill Nighy, Bruce Davison, Eric Roberts, Janet McTeer, Keisha Castle-Hughes, and Paul Giamatti.

The festival has recognized projects involving Emmy winners Kyra Sedgwick, Loretta Devine, Carey Jones, and Roy H. Wagner; SAG Award winners Donny Carrington, Hymnson Chan, and Sam Phillips; Sundance laureates Masha Ko and Bart Freundlich; AACTA winner Darren Gilshenan; and MTV Award winner Joslyn Rose Lyons.

Other notable participating talents have included Kevin Bacon, Joe Mantegna, Sosie Bacon, Danny Trejo, Karen Allen, Kevin McNally, Pixie Lott, and James Phelps, among others.

Recognition is awarded to the submitted project and credited recipients according to the applicable competition category.

HOW THE MONTHLY COMPETITION WORKS
All submissions are evaluated against consistent standards of quality, creativity, technical execution, originality, and overall artistic merit.
Each entry is scored by at least three independently assigned judges drawn from the film industry, academia, and related creative fields.

The highest-rated entries become nominees in their respective categories. Following a further comparative evaluation, the jury determines the award winners.

All officially selected projects receive the IndieX official laurel. Custom certificates are issued after the winners are announced and reflect each project’s final competition status.

An award is not guaranteed in every category. Categories in which no submission reaches the required evaluation threshold may remain unawarded.
Award levels and the number of recipients may vary according to the quality and competitiveness of each monthly round.

Monthly Official Selection, nomination, or award status does not guarantee a public screening.

ANNUAL AWARDS & LIVE SHOWCASE AT REGAL LA LIVE
The strongest monthly nominees and award winners qualify for consideration at the IndieX Film Fest Annual Awards.

Each annual cycle brings together projects recognized across 12 monthly competition rounds.

From this pool, the annual judging team selects approximately 75–85 Best of the Year nominees across multiple genres, crafts, performances, and production categories.
Annual nominees are considered for inclusion in the live screening program at the Annual Awards Showcase at Regal LA LIVE in Los Angeles.

The live event brings together selected filmmakers, cast members, industry professionals, and guests for screenings, Q&A sessions, networking activities, and the Annual Awards Show.

Learn more:
https://indiexfest.com/annual-awards/

IMPORTANT INFORMATION ABOUT EVENT DATES
The event date displayed on FilmFreeway refers to the scheduled announcement of the award winners for the applicable monthly competition round.

Monthly rounds do not include a physical screening.

The Annual Awards Showcase, special screenings, and filmmaker Q&A events follow separate schedules. Dates, selected films, venues, and attendance information are announced through the festival website, FilmFreeway communications, email notifications, and official social-media channels.

Filmmakers selected for an in-person event are contacted in advance and provided with the necessary participation and attendance information.

PRIZE PACKAGE FOR BEST SHORT OF THE SEASON
Awarded Every Month — Estimated Value Over USD $1,000

Every monthly Best Short of the Season winner receives a professional prize package that includes:

Professional DCP Package from FilmVault
A complimentary professional Digital Cinema Package for a future project of up to 40 minutes, provided by our Official DCP Partner, FilmVault.
The prize may be redeemed within two years of the award announcement and includes professional DCP creation, secure cinema delivery, and encrypted cloud storage for the DCP and related assets, helping filmmakers prepare their work for theatrical exhibition.

1-Year Dehancer Pro Subscription
The winner also receives a 1-Year Dehancer Pro Subscription, providing access to professional film-emulation, color-grading, and image-enhancement tools used by filmmakers and colorists worldwide.

MONTHLY AWARDS
Each monthly round recognizes overall standout projects, including:
Best Short of the Season
Best Foreign-Language Short of the Season, when eligible
Awards of Excellence, generally presented to two or three additional outstanding films

The jury also presents awards across the applicable genre, performance, directing, writing, technical, and production categories.

In addition to the main award in each category, the jury may grant:
Student Awards, when applicable
Outstanding Achievement Awards
Honorable Mentions
Special Jury Awards

Awards are based on the final evaluation of each project and are not guaranteed in every category.

SHORT SCRIPT COMPETITION
Projects submitted to the Short Script Competition receive a written jury review after the announcement of the award winners.

Eligible scripts may also receive:
Best Short Script
Outstanding Achievement
Honorable Mention
Additional writing awards when applicable

CHOOSING YOUR SUBMISSION CATEGORIES
IndieX offers a broad range of genre, craft, performance, and production categories so that each project can be evaluated according to its specific creative strengths.
Filmmakers are not expected to enter multiple categories. A single submission is fully eligible for evaluation in the category selected. Additional categories are optional and should be chosen only when they meaningfully reflect the project or the individual achievement being submitted.
The number of available categories does not determine the number of awards granted. Every category remains subject to the festival’s judging threshold and may remain unawarded when no submission reaches the required standard.

ANNUAL AWARDS ELIGIBILITY
The strongest monthly nominees and award winners qualify for consideration at the IndieX Film Fest Annual Awards.

Annual nominees compete for Best of the Year honors across multiple categories and are considered for screening during the Annual Awards Showcase at Regal LA LIVE in Los Angeles.

Monthly recognition, annual nomination, and screening selection are separate stages of the competition.

Please read these Rules & Terms carefully before submitting.
By submitting a project to IndieX Film Fest, the submitter confirms that they have read, understood, and accepted the conditions below.

1. ELIGIBILITY
1.1. IndieX Film Fest accepts films from all countries and across all genres.
1.2. Submitted films must have a maximum running time of 60 minutes, including credits.
1.3. Short scripts must not exceed 60 pages.
1.4. Films containing dialogue in a language other than English must include accurate English subtitles.
1.5. Short scripts must be written in English.
1.6. Works may have been previously screened, distributed, broadcast, or made available online.
1.7. The submitter is responsible for selecting the appropriate submission category.
1.8. The festival may reassign a project to a more suitable category when considered appropriate.

2. SUBMISSIONS AND FEES
2.1. All submissions must be completed through FilmFreeway.
2.2. Submission fees are non-refundable, including when a project is not selected, nominated, awarded, or scheduled for screening.
2.3. Incomplete submissions, inaccessible viewing links, incorrect passwords, or files that cannot be reviewed may be disqualified without refund if the submitter does not resolve the issue within the requested period.
2.4. Applicants using a student submission fee or entering a student category may be required to provide valid evidence of current student status, such as a student identification card or official enrollment document.
2.5. Submission does not guarantee Official Selection, nomination, an award, written feedback, or a public screening, except where a specific benefit is expressly stated for the applicable category.
2.6. When submitting to an individually credited category, the submitter must identify the person or team to be evaluated in the FilmFreeway cover letter or through written communication with the festival.
2.7. Each project is evaluated only according to the category or categories in which it was submitted.

3. SELECTION AND JUDGING
3.1. All eligible projects are evaluated according to the festival’s judging procedures and standards of artistic merit.
3.2. Each project is evaluated independently against the applicable criteria for its category.
3.3. Jury decisions are final and are not subject to appeal.
3.4. The festival is not required to grant an award in every category.
3.5. Categories may remain unawarded when no submission reaches the required evaluation threshold.
3.6. Award levels, special recognitions, and the number of recipients may vary according to the quality and competitiveness of each round.
3.7. Notification dates may be adjusted when additional judging time is reasonably required.
3.8. Submitters will be informed of material changes whenever practicable.

4. OFFICIAL SELECTION AND WITHDRAWAL
4.1. A project may be withdrawn before the Official Selection announcement by contacting the festival in writing.
4.2. Once a project has been announced as an Official Selection, it may not be withdrawn without the festival’s prior written consent.
4.3. Withdrawal requests submitted after the Official Selection announcement will be considered only in exceptional circumstances.
4.4. Unauthorized withdrawal after selection may result in the revocation of the project’s selection, nomination, award, certificate, or annual eligibility.
4.5. Unauthorized withdrawal may also affect the submitter’s eligibility for future editions of the festival.

5. RIGHTS AND AUTHORIZATION
By submitting a film or script, the submitter represents and warrants that:
5.1. They own or control all rights necessary to submit, evaluate, promote, and, when applicable, exhibit the project, or are duly authorized to act on behalf of all applicable rights holders.
5.2. The project does not unlawfully infringe any copyright, trademark, privacy right, publicity right, contractual right, or other personal or proprietary right.
5.3. The project does not contain unlawful defamatory material.
5.4. All required music, archive, performance, image, screenplay, literary, location, and other licenses and clearances have been obtained.
5.5. All fees, royalties, residuals, permissions, and other obligations arising from the submission and authorized exhibition of the project have been or will be fulfilled by the appropriate rights holders.
5.6. The submitter is duly authorized to represent all persons or entities holding ownership rights or interests in the project.
5.7. The submitter accepts responsibility for any claims arising from a breach of these representations.
5.8. The submitter agrees to indemnify and hold harmless the festival, its organizers, venues, representatives, partners, and contractors from claims arising from such a breach, to the extent permitted by applicable law.

6. PROMOTIONAL MATERIALS
6.1. By submitting, the submitter authorizes IndieX Film Fest to use the project’s title, synopsis, and publicly supplied production information for festival-related promotional and informational purposes.
6.2. For film submissions, the festival may use the project’s poster, promotional artwork, trailer, teaser, stills, and behind-the-scenes images.
6.3. For script submissions, the festival may use the script’s title, logline, synopsis, cover artwork, credited author information, and brief excerpts when reasonably necessary for promotional purposes.
6.4. The festival may use publicly supplied credits, biographies, and production information.
6.5. The festival may use short film or script excerpts when reasonably necessary for festival promotion, event coverage, reviews, or award announcements.
6.6. Promotional materials may be used on the festival’s website, social-media channels, newsletters, press materials, event programs, award announcements, and other official platforms.
6.7. The festival will not publicly release or distribute a complete film or script without separate authorization from the applicable rights holder.
6.8. A complete film may be used for an agreed festival screening when the project has been formally invited and the screening authorization has been accepted.

7. AI-USE DISCLOSURE
7.1. Projects that have used Artificial Intelligence tools at any stage of creation or production must include a brief AI-Use Disclosure in the FilmFreeway cover letter or project description.
7.2. The disclosure must identify the principal AI tools used.
7.3. The disclosure must briefly explain the extent and purpose of their use.
7.4. Relevant uses include, but are not limited to:
7.4.1. Screenwriting, story development, or dialogue generation.
7.4.2. Image or video generation.
7.4.3. Animation or visual effects.
7.4.4. Voice generation or performance replication.
7.4.5. Music or sound design.
7.4.6. Editing, restoration, or post-production.
7.5. The use of AI does not automatically make a project ineligible.
7.6. Material omission or misrepresentation of AI-assisted content may result in disqualification.
7.7. Material omission or misrepresentation may also result in the revocation of an Official Selection, nomination, award, certificate, written review, or screening invitation.
7.8. The submitter remains responsible for ensuring that all AI-assisted elements comply with applicable copyright, consent, privacy, and publicity requirements.

8. PUBLIC SCREENINGS
8.1. Monthly Official Selection, nomination, or award status does not guarantee a public screening.
8.2. Projects invited to participate in the Annual Awards Showcase, a curated screening, or another in-person festival event will receive a separate invitation.
8.3. Screening invitations will include the applicable delivery requirements, deadlines, venue information, and participation details.
8.4. By accepting a screening invitation, the submitter grants IndieX Film Fest a limited, non-exclusive right to exhibit the project at the specified festival event.
8.5. The screening authorization also permits the festival to include the project’s title, credits, synopsis, and approved promotional materials in connection with that event.
8.6. The submitter must immediately inform the festival of any distribution agreement, premiere restriction, rights conflict, or other circumstance that could affect the authorized screening.
8.7. Failure to disclose a material screening restriction may result in removal from the public program.

9. PUBLIC SCREENING TECHNICAL REQUIREMENTS

9.1. Primary Exhibition Format
For an invited public theatrical screening, the submitter must provide a 2K or 4K Digital Cinema Package compliant with applicable digital-cinema standards:
SMPTE format preferred
Properly mastered Interop packages may also be accepted
Frame rate of 24 fps preferred
Other properly mastered frame rates may be accepted
5.1 surround or stereo audio
5.1 surround preferred when available
Correct aspect ratio and audio configuration clearly identified
English subtitles included when required

9.2. Backup Exhibition File
The festival also requires one of the following backup files:
2K or 4K Apple ProRes 422 HQ
2K or 4K H.264 High Profile
.mov or .mp4 container
Stereo or 5.1 audio
Recommended H.264 bitrate of approximately 20–50 Mbps, depending on the project’s resolution and content

9.3. Delivery
9.3.1. Materials must be delivered through the festival’s secure upload portal or another delivery method authorized by the festival.
9.3.2. A secure, download-enabled digital-transfer link may be accepted.
9.3.3. Public streaming links that do not permit downloading are not accepted as final screening materials.
9.3.4. The submitter is responsible for ensuring that all links, passwords, and files remain accessible until delivery has been confirmed.
9.4. Subtitles and Accessibility
Films not in English must include English subtitles.
English-language captions and additional accessibility materials are encouraged.
Subtitle or caption files may be requested separately when required for technical or accessibility purposes.
The submitter is responsible for the accuracy and synchronization of all supplied subtitles and captions.
9.5. Final Approval
All screening materials must be delivered by the deadline established by the festival.
Late, incomplete, damaged, incorrectly formatted, or technically inadequate materials may result in removal from the screening program.
The festival may request replacement or corrected files when necessary.
Failure to provide adequate replacement materials by the requested deadline may result in removal from the public screening program.
The festival reserves the right to make reasonable technical adjustments required for exhibition.
Such adjustments will not materially alter the project’s creative content.

10. EVENT CHANGES
10.1. Festival dates, venues, schedules, screening programs, guests, and event formats may be adjusted because of operational requirements.
10.2. Changes may also occur because of venue availability, public-safety considerations, technical circumstances, or events beyond the festival’s reasonable control.
10.3. When a material change affects an invited project, the festival will make reasonable efforts to notify the submitter.
10.4. The festival is not responsible for travel, accommodation, visa, shipping, or other expenses incurred by submitters, filmmakers, cast members, or guests.
10.5. The festival does not guarantee the attendance of any previously announced guest, jury member, speaker, or industry representative.

11. AFFILIATED EVENTS
11.1. IndieX Film Fest is officially associated with Independent Shorts Awards and Indie Short Fest.
11.2. The festival may share submission-related information with its officially associated festivals when reasonably necessary for administration, communication, annual eligibility, or related festival operations.
11.3. The festival does not claim affiliation with similarly named events or organizations unless such an association is expressly identified through its official channels.
11.4. Any resemblance to other events, brands, or organizations is coincidental unless an official relationship is expressly stated.
11.5. IndieX Film Fest does not represent, and is not represented by, any unrelated event or organization.

12. PRIVACY AND COMMUNICATIONS
12.1. Submitter information is used for festival administration, judging, communication, event organization, awards, written reviews, and related operational purposes.
12.2. Information may be processed through FilmFreeway, the festival’s officially associated events, and service providers reasonably necessary to operate the festival and its communications.
12.3. IndieX Film Fest does not sell submitter information to advertisers or unrelated third parties.
12.4. Information may be shared when reasonably necessary to administer a screening, award, certificate, prize, jury review, annual qualification, or festival-related service.
12.5. Festival communications may be sent through FilmFreeway, email, newsletters, or other contact details provided with the submission.
12.6. The submitter is responsible for maintaining accurate and current contact information.
12.7. The festival is not responsible for missed notifications caused by incorrect contact details, spam filtering, mailbox limits, or failure to review FilmFreeway messages.

13. ACCEPTANCE OF TERMS
13.1. By submitting a project to IndieX Film Fest, the submitter confirms that they have read, understood, and accepted these Rules & Terms.
13.2. These Rules & Terms apply to all submissions, selections, nominations, awards, screenings, prizes, jury reviews, and related festival activities unless otherwise stated in writing by the festival.
13.3. The festival reserves the right to update these Rules & Terms when reasonably necessary.
13.4. Any material change affecting an existing submission will be communicated whenever practicable.
13.5. If any provision of these Rules & Terms is found to be invalid or unenforceable, the remaining provisions will continue to apply to the fullest extent permitted by law.
13.6. Any exception to these Rules & Terms must be expressly approved in writing by IndieX Film Fest.
13.7. Failure by the festival to enforce any provision on one occasion does not constitute a waiver of its right to enforce that provision in the future.

IndieX Film Fest 2019-2026 © All Rights Reserved

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Steven James Wylie

    Always love IndieX. Grateful this exists. Hope I see you all at the Annual Awards!

    July 2026
  • tom everett

    Thankyou for acknowledging, supporting, & awarding our comedy short TRADER VERDINKLE: THE UNDERPINNINGS OF AN UNDERSTUDY. As writer/director & actor who plays a part in this "hilarious, timely, sensitive" film, (btw-those are quotes directly out of my mouth), i would also like to say i very very much appreciate Mel Brooks' film YOUNG FRANKENSTEIN, and if our film comes 1/14th close... i would be more than pleased.

    July 2026
  • Acacia Khonji

    IndieX festival have been kind, professional and communicated well throughout. I was pleased my film Raw Vision was selected as an Award Nominee and Finalist for Best Experimental Short. Thank you!

    July 2026
  • Pleased to be a semi-finalist for Best Trailer. Unfortunately, there was not a category for Best AI Teaser, and the characters in my short are 100% AI generated, representing the inevitable future of filmmaking. Those that do not adapt will eventually become extinct.

    July 2026
  • Great festival with amazing evaluation and thoughtful notes on my script. Thank you so much!

    July 2026