Ilaria Giaccio (Rome, 1992) works at the intersection of art publishing, archival research, and screenwriting. Since 2018 she has been working at the Istituto dell’Enciclopedia Italiana Treccani, where she coordinates the production of art books and exhibition catalogues, overseeing the entire process—from concept development to publication—with an approach that combines editorial curation and cultural project development. She also coordinates the editorial team of ARTnews Italia magazine.

Alongside her editorial work, she has collaborated with Tenderstories as a screenwriter on the film Fuoco d’Agosto by Tommaso Acquarone (currently in development), combining her interest in cinematic language with her literary background.

Between 2016 and 2018 she collaborated with Nacne Production on archival research and as a script assistant for documentaries such as Life as a B-Movie. Piero Vivarelli (presented at the 76th Venice Film Festival and winner of the Nastro d’Argento) and La Dodicesima Battaglia di Schiavi e Laino.

She writes for Exibart, ARTnews Italia, Treccani, and Nido Magazine, of which she was co-founder and editor-in-chief.

Her research focuses on memory, identity, and visual culture. She holds a degree in Modern Philology and is currently pursuing a master’s degree in Historical Sciences at the University of Bologna, focusing on narratives of the contemporary. Her work today moves across publishing, cinema, and historical research.