Do you have a great script but don't have the access to the industry to move it forward? That's what we're here for.

The ISA Fast Track Fellowship gives two undiscovered screenwriters a direct line to meet with and be mentored by eight top executives in Los Angeles. We'll fly you to LA and provide you the experience of a lifetime by connecting you to top industry contacts seeking to work with writers like you. The two Fellows will also immediately be invited onto the ISA Development Slate and work directly with the ISA Development Team for an entire year in an effort to Fast Track their careers.

58 SCRIPTS ON THE ISA DEVELOPMENT SLATE HAVE BEEN PRODUCED OR OPTIONED!
Many more are out to top producers and many of these emerging screenwriters have received representation as a result of getting onto the Slate.

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FAST TRACK MENTORS ANNOUNCED:

TOM NUNAN - Co-founder, Bull's Eye Entertainment (Crash)
As a former network and studio president, Nunan has helped both create and oversee entertainment companies including but not limited to: ABC, FOX, NBC-UNIVERSAL and THE CW. As a producer, he cofounded BULL’S EYE ENTERTAINMENT, a company best known for its Oscar-winning film, Crash, along with dozens of other projects.

CARLY WRAY- Writer (Mad Men, Mindhunter) Producer (Westworld)
Carly Wray is an award-winning television writer, producer, and screenwriter. A graduate of Reed College and USC's School of Cinematic Arts, Wray got her start on Mad Men, where she began as the writers’ assistant and ultimately won a Writers Guild Award for the show's final season. She has since written on The Leftovers and Mindhunter, and received her first Emmy nomination as a writer-producer on season two of Westworld. Wray is also the writer and EP of an upcoming feature based on the New York Times Magazine article "The Incarcerated Women Who Fight California's Wildfires.” Margot Robbie is attached to produce.

Gayle Nachlis - Senior Director of Education at Women in Film (former Talent Agent and Vice President at William Morris)
Currently the Senior Director of Education, Gayle Nachlis joined Women In Film as Executive Director in 2005, following a 29-year career as a Talent Agent and Vice President at the William Morris Agency. When she took the reins at Women In Film, Ms. Nachlis reviewed all programming and conducted surveys of members and industry leaders. As a result, WIF trimmed the ideas that had little traction and created or expanded the programs that are relevant to the community. She broadened WIF's reach with more and better television and new media programs and retooled the Mentoring and Internship Programs to enable accomplished professionals to support and nurture the next generation. Her goal is to provide women with the resources they need to survive and thrive in the industry.

Adam Krentzman
For 25 years, Mr. Krentzman has been involved with packaging, producing,and arranging the financing on over 50 feature films. As a long time agent at CAA, he knows the entertainment industry landscape. For 20-years Mr. Krentzman served as a motion picture agent representing Hollywood’s top directors, producers,and writers. His clients included: Michael Bay, Francis Ford Coppola, Michael Mann, Antoine Fuqua, Jerry Bruckheimer, Sundance Films, and National Geographic. Mr. Krentzman’s current consulting firm works with Creative Future and Fortium Technologies on behalf of all of Hollywood’s anti-piracy efforts. He produced the feature film The Domestics for MGM which was released in July.

4 more mentors to be announced...

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2018 SUCCESS STORY:
Fast Track Fellow signs with same management as Barry Jenkins, the writer/director of the Oscar winning film MOONLIGHT

Sean Collins-Smith, one of our most recent Fast Track Fellows met executives at Silent R Management during his Fast Track week and signed with them just 10 days later.
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With the ISA Fast Track, you win the experience of a lifetime, a launching pad to a career with connections the normally take decades to create. When we fly you to Los Angeles, you'll build relationships that can lead to a paying career doing what you love! The ISA is here to give writers a shortcut to resources, support and experience that will aid in long-term career success. We encourage emerging screenwriters of all levels and backgrounds to apply.

1 Week in Los Angeles, 8 Amazing Mentor Meetings!

Accepting Features and Pilots. Multiple submissions accepted with reduced application fees.

Awards & Prizes

Mentorship Week: Los Angeles - November 13 - 17, 2019

TWO FAST TRACK FELLOWS WILL RECEIVE:
*Mentorship Week in Los Angeles featuring 8 meetings with studio and development executives and literary agents
*Airfare and hotel included
*Year-long script development and guidance
*Acceptance onto the ISA Development Slate
*One-on-one consultation with the Director of Education Max Timm
*A 12-Month ISAConnect Membership
*The Craft Course in Screenwriting
*Fellowship announcements to various media outlets

As an ISA Fast Track Fellow you'll get to create new relationships and ask burning questions with industry professionals from around Hollywood. Past mentors include those from: Funny or Die, Lakeshore Entertainment, Producers Guild of America, Gidden Media, ICM and more.

Past fellows have had their projects optioned or have received representation from Catapult Entertainment Group, The Savage Agency, Indomitable Entertainment, Requiem Entertainment and more.

TOP 50 SCREENWRITERS:

The Fellows are chosen from the Top 50 writers we highlight prior to the big announcement, all of which receive The Craft Course in screenwriting ($99 Value).

"As a Fast Track runner-up, the ISA helped me secure my first manager, which ultimately catapulted my career into a full-time, working writer. And they haven't stopped there. Both Max and Felicity have provided me with indispensable advice, time and knowledge in guiding the Hollywood system. I'm very grateful to have them in my corner, and consider the ISA an integral part in forming my career. - Evan Cooper - (Fast Track II Top 10)

“Winning the Fast Track Fellowship gave me more industry exposure in one week than I had in over a decade of writing. A Fast Track mentor sent one of my scripts out to major studios, and I still remain in contact with this producer. I am also currently developing a television show with another Fast Track mentor. If you want to take your writing career to the next level — apply right away!” ~ David Kushner, Writer/Fast Track Fellow

"My experience with the ISA has been truly amazing. They have been incredibly supportive in the most practical way imaginable - by getting CHARLES DICKENS'S GHOST CLUB directly into the hands of respected production companies who can genuinely get it made. The script has now been optioned by Eclectic Pictures as a direct result of the ISA's tireless efforts." ~ Mark Robertson, Writer/ISA Development Slate Screenwriter.

"It was an absolute pleasure participating in Fast Track. We had a very productive meeting where we discussed everything from the state of the business, to ways of getting discovered as a new writer. I loved their enthusiasm and passion for the craft, and I found the overall experience to be very rewarding." - Jonathan Weber, Key Creatives

SUCCESS STORIES:

*Melissa Birks signed with The Savage Agency.
*Andy Byrne’s, commissioned feature re-write is set for production in 2018 with director/producer, Kevin Goetz (Scenic Route). He also signed with Catapult Entertainment Group, and his pilot Disconn is currently under consideration by an A-list actor.
*Evan Cooper, Top 10 Fast Track screenwriter has signed with manager Kailey Marsh (creator of The Blood List) and is in production on a $2,500,000 film he wrote and will direct.
*Christopher DeWan signed an option for his TV project with Indomitable Entertainment, which prompted an almost immediate set of pitch meetings at Netflix and BBC America, among many others.
*Chris Watkins signed with Catapult Entertainment Group and has 2 films in production with name actors.

*Fast Track VIII Fellows are well on their way with pending interest from industry reps they met at their November meetings.

Rules & Terms

RulesDeadlines: EARLY - Dec 12 REGULAR - Jan 10 FINAL - Feb 12

All writers from all countries are welcome to submit to the ISA Fast Track; however, all scripts must be submitted in English, and application fees must be paid in U.S. dollars.

Previous Fast Track Fellows may not submit in any future ISA Fast Track Fellowship.

Script must be the original work of the submitting writer and may not be encumbered by any third party.

Scripts that have been sold, produced for a profit, or are currently under option are not eligible.

Original full-length feature screenplays and TV Pilots only are accepted. Anything else, including but not limited to short scripts or web series, novels, short stories, stage plays, musicals, treatments, synopses, reality show concepts, documentaries, and/or spec scripts for existing TV series are not eligible.

Script submissions must be an original screenplay or teleplay.Screenplays adapted from the submitting writer's own self-published books, plays, or other source materials are eligible if the writer retains all rights to the work.

Adaptations from other works are permissible provided the writer has written permission by the owner to adapt the material.

Adaptations of works in the public domain are permissible.Screenplay submissions must be written by one writer only.

Co-written material will not be accepted.Multiple submissions are accepted by one writer, however if one or more screenplays of the same writer tie only one screenplay (the decided “best”) will be selected to determine the chosen "Fellow."

The writer understands that script feedback can take up to 90-days turn-around time and may not be received before the end of the final application deadline.

The ISA cannot guarantee feedback for your script will be received within enough time to resubmit during the same season.

Applicants must submit materials and payment online only.

Once a script has been submitted, substitutions of new drafts or corrections may only be accepted within 24 hours of the original application. A revised draft of a script may be accepted after 24 hours if it is entered as a new application with the appropriate fee.

Promotional discounts or waivers offered may only be utilized at the time of submission.Promotional discounts or waivers offered may not apply on all submission platforms (i.e. FilmFreeway)

If a writer receives a Free Resubmission as part of a Feedback Promotion or otherwise, the Resubmission is valid during the same or the following Fast Track season. Free Resubmissions will not be honored in subsequent seasons.

Writers under the age of 18 years old must have parent or legal guardian’s permission to participate.

Fellowship applicants must accept without reservation the decisions rendered by the judges.

The writer understands that it is his/her sole responsibility to register material to be submitted with the U.S. Copyright Office and/or with the Writer’s Guild of America or the appropriate agency in his/her country.

Applicants awarded a place in the Top 50 or chosen as a Fast Track Fellow understand and accept that the ISA will be free to use his/her name and likeness for advertising or promotional purposes without additional consideration.Writers retain the rights to their screenplay.

Applicants are non-exclusive to ISA Fast Track and may submit their screenplay to any other person, competition, producer, agent, publisher, and/or organization.

No transfer, substitution or cash equivalent for prizes is allowed.Connect Membership gift may only be used within 90 days and may not be combined with any current free membership.

ISA will not be held responsible for mentor meeting cancellations or rescheduling. If Fast Track Fellows miss or are late to a mentor meeting, the ISA makes no guarantees to reschedule.

Length requirements are as follows: 1). Full-Length Features: 70-120 pages. 2). TV Pilots: Up to 70 pages.If applicant orders feedback a $1 per page fee may be charged separately over 120 pages, not including the Title Page, or the reader may only read the first 120 pages.

Standard title pages should be included: listing the script title, name of author(s), telephone number, and email address. Applicants will not be disqualified if it is not included.

Under no circumstances should the writer include name or contact information within the body of the script.

ISA is not responsible for any applicant errors or omissions on any submitted application materials.Synopses, casting suggestions, letters, resumes and photos will not be considered. TV Pilot submissions may include standard supplementary materials, such as lists of recurring characters and future episodes.

You accept without reservation that the submitted logline and screenplay will be reviewed by ISA staff and/or panel of Industry Judges for evaluation and that any one of these employees, or judges may have been or may be exploring ideas similar to the submitted material, and the applicant hereby waives any claim that the ISA and FAST TRACK, its staff or judges may have misappropriated any ideas or portions of the submission, logline or screenplay.

There are no refunds for any reason after 24 hours from submission. The writer understands and accepts without reservation that he/she is an independent contractor and that Fast Track Administrators are not responsible for withholding any taxes or payments to any government agency, at any level, be it state, local or federal.

To submit your materials and be considered you must agree to the Rules.