"Winning the Fast Track Fellowship completely and immediately changed my life. Not only did I gain affirmation and access to the industry, I was offered representation before I [had my first meeting.]" ~ Sean Collins-Smith (staffed on reboot of Field Of Dreams)

Looking for representation or to connect with working directors or producers? Get on the Fast Track!

For twenty-one seasons, the ISA Fast Track Fellowship has been the premier screenwriting fellowship for writers on the rise.

Fast Track Fellows have:

*Signed with major agencies like CAA, Paradigm and ICM.
*Been introduced to and then signed with management companies.
*Had their scripts optioned, leading to development deals.

Two ISA Fast Track Fellows meet with eight top level agents, managers, producers and executives during a whirlwind week of career acceleration with guidance from an ISA Development Executive.

THIS SEASON'S MEETINGS WILL INCLUDE:

DESA LARKIN-BOUTTE - Development Executive, Third Rail Productions
Desa began as a PA on THE WALKING DEAD and worked her way to writer on WESTWORLD. A Development Exec for Third Rail Productions, Desa is co-writing THE GETAWAY, produced in collaboration with Don Cheadle's This Radicle Act, in development at Sony.

DARCY DONELAN - Vice President of Development and Production, Voltage Pictures
Before returning to Voltage Pictures as Vice President, Development and Production, Donelan worked in New York at HBO, where she was a marketing manager, focusing on International Original Programing, and at CAA, as coordinator in the Books Dept.

KEVIN CHESLEY - Screenwriter
Kevin wrote for two seasons on MTV's THE HARD TIMES OF RJ BERGER and recently served as Executive Story Editor for BLOOD & TREASURE for CBS, Amazon, and Paramount+.

MORE MEETINGS TO BE ANNOUNCED.

After the Fast Track Week of meetings, fellows are then accepted onto the ISA Development Slate for a minimum of one year. Throughout the year, ISA development executives champion and pitch these writers and their projects to our industry partners actively looking for material to produce.

Seven Category Selections will receive $500 cash each, be evaluated for acceptance onto the ISA Development Slate and go on to be considered for the two Fast Track Fellowships. We are looking for the freshest, most original, and most personal writing in all of these categories:

Action/Adventure
Comedy
Drama
Historical/Biographical
Sci-Fi/Fantasy
Suspense (Mystery, Crime, Horror, Thriller)
Spec TV Scripts ----> NOW ACCEPTING SPECS!

Please note: We define a spec script as an episode based on an existing television show. If your script is not based on existing IP, please submit to the television category.

PAST SEASON MEETINGS HAVE INCLUDED:

PEN DENSHAM - Producer / Writer (Robin Hood Prince of Thieves, Harriet, Twilight Zone)
DAMIEN CHAZELLE - Oscar Winner, Writer and Director (LA LA Land, Whiplash, Babylon)
ELISSA KARASIK - Producer / Writer (The Marvels, Lessons in Chemistry, WeCrashed)
CHERRY CHEVAPRAVATDUMRONG - Producer / Writer (Crazy Rich Asians, Awkafina is Nora From Queens, Joy Ride)
DIANE DRAKE - Producer / Writer (What Women Want, Only You)

All applicants also receive one free year subscription to the Digital Edition of Videomaker Magazine.

2 FAST TRACK FELLOWS RECEIVE

8 general meetings with studio / development executives & literary reps
Opportunity to pitch at a live pitch panel
A pitch practice session
Pre Fast Track Week prep session with Suzanne Gundersen, Inner Story Consultant
Year-long script development and guidance
Acceptance onto the ISA Development Slate
A 12-Month ISAConnect Membership
Fellowship announcements to media outlets
Selected from 7 Top Category Selections

7 CATEGORY SELECTIONS RECEIVE

$500 cash each
Consideration for acceptance onto the ISA Development Slate
Selected from Top 50

TOP 50 RECEIVE

The Craft Course in Screenwriting
6-Month Trial for Videomaker Plus
A 3-Month ISAConnect Membership
Consideration for the 7 Top Category Selections

All writers at every level are welcome to apply. Our mission, as always, is to shine a light on writers looking to open new doors. We have our eye on the future of this industry and are genuinely looking to amplify unique stories.

All general meetings with executives are online.

Until further notice, all general meetings will be virtual.
All writers from all countries are welcome to apply to the ISA Fast Track, however all scripts must be submitted in English, and application fees must be paid in U.S. dollars.
Previous Fast Track Fellows may not apply in any future ISA Fast Track Fellowship.
Script must be the original work of the applicant and may not be encumbered by any third party.
Scripts that have been sold, produced for a profit, or are currently under option are not eligible.
Original full-length feature screenplays and TV Pilots only are accepted. Anything else, including but not limited to short scripts or web series, novels, short stories, stage plays, musicals, treatments, synopses, reality show concepts, and/or documentaries are not eligible. Script submissions must be an original screenplay or teleplay.
Screenplays adapted from the submitting writer's own self-published books, plays, or other source materials are eligible if the writer retains all rights to the work.
Adaptations from other works are permissible provided the writer has written permission by the owner to adapt the material.
Adaptations of works in the public domain are permissible.
Co-written material will be accepted. However, any and all prizes issued will be based on a single applicant. Both writers can attend and participate in general meetings.
Multiple submissions are accepted by one writer, however if one or more screenplays of the same writer tie, only one screenplay (the decided “best”) will be selected to determine the chosen "Fellow."
The writer understands that script feedback can take up to 90-days turn-around time and may not be received before the end of the final application deadline.
The ISA cannot guarantee feedback for the submitted script will be received within enough time to resubmit during the same season.
Applicants must submit materials and payment online only.
Once a script has been submitted, substitutions of new drafts or corrections may only be accepted within 24 hours of the original application. A revised draft of a script may be accepted after 24 hours if it is submitted as a new application with the appropriate fee.
Promotional discounts or waivers offered may only be utilized at the time of submission.
Promotional discounts or waivers offered may not apply on all submission platforms (i.e. Film Freeway)
If a writer receives an Application Fee Waiver as part of a Feedback Promotion or otherwise, the waiver is valid only during the current season, unless an expiration date is otherwise specified. Application Fee Waivers will not be honored in subsequent seasons.
Writers under the age of 18 years old must have parent or legal guardian’s permission to participate.
Fellowship applicants must accept without reservation the decisions rendered by the judges.
The writer understands that it is his/her sole responsibility to register material to be submitted with the U.S. Copyright Office and/or with the Writer’s Guild of America or the appropriate agency in his/her country.
Applicants awarded a place in the Top 50 or higher understand and accept that the ISA will be free to use his/her name, likeness and voice for advertising or promotional purposes without additional consideration.
Writers retain the rights to their screenplay.
Applicants are non-exclusive to ISA Fast Track and may submit their screenplay to any other person, competition, producer, agent, publisher, and/or organization.
No transfer, substitution or cash equivalent for prizes is allowed.
The ISAConnect Membership gift may only be used within 90 days and may not be combined with any current free membership.
ISA will not be held responsible for general meeting cancellations or rescheduling.
If Fast Track Fellows miss or are late to a general meeting, the ISA makes no guarantees to reschedule.
Length requirements are as follows: 1). Full-Length Features: 70-120 pages. 2). TV Pilots: Up to 70 pages.
If applicant orders feedback a $1 per page fee may be charged separately over 120 pages, not including the Title Page, or the reader may only read the first 120 pages.
Standard title pages should be included: listing the script title, name of author(s), telephone number, and email address. Applicants will not be disqualified if it is not included.
Under no circumstances should the writer include name or contact information within the body of the script.
ISA is not responsible for any applicant errors or omissions on any submitted application materials.
Synopses, casting suggestions, letters, resumes and photos will not be considered. TV Pilot submissions may include standard supplementary materials, such as lists of recurring characters and future episodes.
The writer accepts, without reservation, that the submitted logline and screenplay will be reviewed by ISA staff and/or panel of Industry Judges for evaluation and that any one of these employees, or judges may have been or may be exploring ideas similar to the submitted material, and the applicant hereby waives any claim that the ISA and Fast Track, its staff or judges may have misappropriated any ideas or portions of the submission, logline or screenplay.
There are no refunds for any reason after 24 hours from submission.
The writer understands and accepts without reservation that he/she is an independent contractor and that Fast Track Administrators are not responsible for withholding any taxes or payments to any government agency, at any level, be it state, local or federal.
By submitting to this fellowship, the writer's email address will be added to the contest database as well as the International Screenwriters' Association newsletter for weekly updates, contest promotions and other notifications. The writer may unsubscribe at any time.
It is our full intention to fulfill all prizes as posted. However, due to an unlikely event, act of God or other, we reserve the right to update or edit prizes.
The Fellow will be recorded during interviews and the ISA has the right to use their name, likeness and voice for educational and promotional purposes.
To submit materials and be considered, the writer must agree to the Rules.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Highly recommend! ISA Fast Track was a wonderful experience!! Felicity and Shayna are kind, genuine and truly passionate about their writers. I had a whirlwind week of 8 meetings with executives, Upper-level TV writers and producers. A few highlights included: Elissa Karasik, Screenwriter of The Marvels, Niceole Levy, Co-EP on Found (NBC) and Scott Emmer, Development Executive at Riverside Entertainment. These meetings led to script requests, an open door for submissions and even the exchange of contact info. If you want access to the Hollywood decision makers, then ISA Fast Track is definitely the way to go!! Also, the $500 dollar cash prize was a nice added bonus!

    May 2024