Dancer, choreographer, videographer, photographer, and filmmaker, I have been developing an artistic practice for more than twenty-five years in which the body and movement serve as the meeting point between performance and visual storytelling.
My discovery of hip-hop dance in 1998 marked the beginning of a journey rooted in transmission, creation, and exploration. Initially self-taught, I quickly evolved from participating in dance battles to teaching, choreographic creation, and collaborating with numerous professional companies. As a performer, I have appeared on national and international stages, including New York, the Louvre Museum, the Théâtre National de Chaillot, Beijing, Brazil, Senegal, and Panama. In 2014, I joined the National Choreographic Center (CCN) of La Rochelle and began working alongside choreographer Kader Attou within Accrorap Company, while continuing to develop a wide range of artistic collaborations in France and abroad. My work has also expanded into cinema and music videos through projects such as *Bye Bye Morons* (*Adieu les cons*) by Albert Dupontel, *Break* by Marc Fouchard, and *Te Prohibo* by Jules Renaud and Fauve Hautot.
Holder of the French State Diploma in Contemporary Dance Education, I place artistic transmission at the heart of my commitment through cultural, educational, and community-based projects for diverse audiences. This ongoing reflection on movement naturally led me toward filmmaking, photography, and directing—disciplines that extend my perspective as a dancer and enrich my artistic research.
For several years, I have directed documentaries, short films, music videos, and visual content for artists, companies, and cultural institutions. My short film *Refraction* (2021) was selected for several international festivals, while *What Connects Us* (*Ce qui nous lie*), completed in 2026, is currently continuing its festival journey across Europe and has already received nine official selections.
In 2022, I founded Dameïya Production to develop my audiovisual and artistic projects. Then, in 2024, I created DBMotion Company and initiated *Never Stop Dreaming*, a multidisciplinary work combining dance, poetry, music, and visual arts, inviting audiences to reconnect with their imagination.
Today, my practice exists at the intersection of dance, cinema, and visual arts. Through each of my creations, I seek to reveal what deeply connects us: emotion, memory, dreams, and our shared humanity.
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