Located in the heart of Cajun country, the annual eight-day Cinema on the Bayou Film Festival is an international juried film festival dedicated to presenting narrative, documentary, animated and experimental films and filmmakers with truly original voices in one of the friendliest, most unique cultures in the world. COTB is also committed to promoting both established and emerging filmmakers and the relationship-building that is crucial to their continued work. The dedication and commitment of COTB in this regard continue regardless of the pandemic -- we will have a juried 2021 Festival whether in person or, if necessary, on line.

Cinema on the Bayou, Louisiana's second oldest film festival, was founded in 2006 in Lafayette, Louisiana, by filmmaker Pat Mire after Hurricane Katrina caused the cancellation of the New Orleans Film Festival in the fall of 2005. Pat was contacted by the National Film Board of Canada, which offered a U.S. premiere of the documentary MAROON, by famed Quebecois filmmaker Andre Gladu, which was originally scheduled to premiere in New Orleans. Cinema on the Bayou was launched in response, and Gladu and his film opened the inaugural Festival. Pat continues to serve as Artistic Director of the Festival.

Since 2006, Cinema on the Bayou has presented hundreds of internationally acclaimed documentary, narrative fiction, animated and experimental films, with filmmakers in attendance from across the United States and around the world. The Festival is now unique among film festivals in the U.S. in that it also regularly screens a large number of French-language independent films and presents filmmakers from throughout the Francophone world. The Festival also has the distinction among film festivals of having given the Audience Award to Moonbot Studio's animated film THE FANTASTIC FLYING BOOKS OF MR. MORRIS LESSMORE one year before the film was nominated for and won an Academy Award in the animated short category.

In 2020, the Festival screened nearly 200 films which were chosen as Official Selections from a pool of more than 1,200 submissions. The vast majority of the films chosen were World, U.S. or Louisiana Premieres. Included within the official selections were more than 60 French-language films. In addition to screening films from across the United States, the Festival also screened films from Canada, France, Japan, Australia, the U.K., Brazil, Denmark, Germany, Spain, Slovenia, Haiti and Argentina. More than 200 filmmakers, actors, musicians and other industry professionals attended from Paris, London, Tokyo, Berlin, Hamburg, Madrid, Sydney, Denmark, Haiti, Los Angeles, New York, Tampa, Memphis, Nashville, Austin, Houston, Shreveport, Baton Rouge, New Orleans, New Mexico, Seattle, Pittsburgh, Baltimore, Baltimore, Kansas City, Toronto, Ontario, Calgary, Moncton, Nova Scotia and a large group from the Quebec Provence, including Montréal, Québec City
and Gaspésie. Representatives from Festival international du cinéma francophone en Acadie (FICFA), Le Festival de cinema de la ville de Québec (FCVQ) and Le Festival international de cinema et d’art de Percé, Les Percéides, were in attendance. The Festival awarded 35 goujon caille (spotted catfish) awards.

Cinema on the Bayou has been selected as the Editors' Choice for "goings-on in the South and beyond" by Garden and Gun Magazine. Describing our Cajun Country setting as a "stew of French, Spanish, and African influences," the Editors concluded that it was an ideal spot for Cinema on the Bayou, an international film festival "charged with exposing attendees to the most original voices in film while fostering cultural exchange among the French-speaking peoples of the world."

Cinema on the Bayou also made the list of the Top 15 Winter Film Festivals in the U.S. by AudNews, an on-line magazine for filmmakers and film lovers.

Over the years, the Festival also has earned the respect of its many loyal filmmaker alums who come from around the world to share in the joie de vivre that defines the culture here. It says a lot about the festival that these highly talented independent filmmakers not only make repeat visits to Cinema on the Bayou, but also recommend the Festival to their filmmaker colleagues.

Cinema on the Bayou also has partnered with several independent film distribution companies in the United States and Canada, whose representatives attend the Festival, in order to facilitate relationships designed to provide opportunities for filmmakers to reach wider, more diverse audiences.

The Festival is committed to creating these essential connections amid exquisite Cajun cuisine, amazing local music performances, and thought-provoking discussions, both on expert panels and at after-hours parties, about all that is near and dear to that creature known as the independent filmmaker.

FILM CATEGORIES: Narrative Feature, Narrative Short, Documentary Feature, Documentary Short, Animated Short and Experimental Short.

SCREENING COMMITTEES AND JUDGES: The Festival screening committees include filmmaker alums, and the roster of judges includes festival programmers and filmmaker alum award-winners from previous Festivals, including Olivier "Bill" Bilodeau, Wendell Riley, Andy Cope, Sylvain Garel, Louise Lamarre and Andre Forcier, to name a few.

AWARDS: The "goujon caille" (the spotted catfish -- Cajun culture's most prized catfish) award, by renowned artists Pat and Andre Juneau, is given in the following categories:

Director's Choice Special Jury Award
Le Train Bleu Award
Best Narrative Feature Award
Special Jury Award - Narrative Feature
Best Narrative Short Award
Special Jury Award - Narrative Short
Best Documentary Feature Award
Special Jury Award - Documentary Feature
Best Documentary Short Award
Special Jury Award - Documentary Short
Best Animated Short Award
Special Jury Award - Animated Short
Best Experimental Short Award
Special Jury Award - Experimental Short
Best Actor
Best Cinematography
Inspiration Award
Audience Award

Cash and other prizes and awards will be listed later.

FESTIVAL PASSES AND LODGING: For all filmmakers whose films are accepted, Cinema on the Bayou offers two all-access passes for filmmakers in attendance and complimentary lodging for up to two nights per film for filmmakers traveling from outside the United States and for one night per film for filmmakers traveling from outside Louisiana. The Festival also offers reduced rates at the Festival hotel for filmmakers and their guests attending the Festival. Additionally, the Festival provides plenty of after-hours food and drink for our visiting filmmakers, including nightly after-parties at the "Cinema on the Bayou House." As Founder and Artistic Director Pat Mire likes to say, "we weigh them when they arrive and again when they leave, and I promise you, no one looses weight at Cinema on the Bayou!"

FILM CATEGORIES: Cinema on the Bayou Film Festival is open to all narrative, documentary, animated and experimental films of all styles and subjects, as well as foreign language films. Foreign language films must have English subtitles.

ELIGIBILITY: The film must have been completed after January 31, 2019.

PREMIERE REQUIREMENTS: Preference will be given to U.S. and Louisiana premieres. Films that have screened publicly in Lafayette, Louisiana or within a 75 mile radius of Lafayette, as well as film that have been released in theaters or on VOD or other internet outlets are NOT eligible for submission. By submitting the film, the filmmaker (or other person submitting) confirms that the film has not been and will not be screened in Lafayette, Louisiana or within a 75 mile radius or released on VOD or other internet outlets prior to Cinema on the Bayou 2021.

SUBMISSION FORMAT AND REQUIREMENTS: Either an online screener or 2 DVDs (NTSC Region 1 only) must be submitted (postmarked) by the applicable submission deadline. Please include the film title, running time, the date the film was completed, the tracking number, and the submission category on each DVD. Do not put multiple films on the same DVD. Please test your DVDs on several makes and models of players. DVDs will not be returned, and all submissions become the property of the Festival.

The filmmaker agrees to be responsible for all shipping and insurance costs for shipping submission materials to the Festival.

SCREENING HISTORY: Please include with your submission the screening history of the film and its premiere status, and please keep this information updated. While a cover letter is not required, we welcome one with information concerning your interest in Cinema on the Bayou and your inspiration for the film.

CONTACT INFORMATION: Please include with your submission your physical address as well as the best number and email by which to contact you.

RECEIPT AND ACKNOWLEDGMENT: To received acknowledgment of receipt of your entry (in addition to FilmFreeway acknowledgement), you must enclose a self-addressed, stamped postcard with your entry.

PAYMENT: Submission fees can be paid via FilmFreeway, PayPal, or by money order or check in U.S. dollars to Cinema on the Bayou Film Society, 101 Duclos Street, Lafayette, LA 70506.

EXHIBITION FORMAT: If your film is accepted, the Festival must receive, by Monday, December 28, 2020, the following: an exhibition copy of the film in the following formats: a digital (downloadable) file such as .MOV or MP4 less than 10 GB in size. Please do not send a DCP unless specifically requested by the Festival staff.

The filmmaker agrees to be responsible for all shipping and insurance costs for shipping exhibition materials to the Festival.

To receive the return of a copy of a film hard drive or jump drive, the filmmaker must enclose a self-addressed envelope with sufficient postage with the exhibition copy.

ADDITIONAL TERMS OF ENTRY: Cinema on the Bayou reserves the right to disqualify any submission without refund of submission fees.

By submitting the film, the filmmaker (or other person submitting) confirms that the film has not and will not be screened in Lafayette, Louisiana or within a 75 mile radius from Lafayette, and has not been released in theaters or on VOD or other internet outlets prior to COTB 2021. He or she also confirms that he or she is authorized to submit the film, has cleared or will clear all intellectual property rights necessary for the screening of the film at this film festival, and holds harmless Cinema on the Bayou from any liability arising from the submission or use of the film. All submissions become the property of Cinema on the Bayou, and DVD's will not be returned. If the film is accepted, it is with the understanding that clips, photos and stills of and related to the film may be used to promote the Festival.

Cinema on the Bayou does not pay screening fees or guarantee travel or distribution for filmmakers.

All accepted films may be screened more than once and are scheduled at the discretion of the Cinema on the Bayou Film Festival staff.

Cinema on the Bayou Film Festival is hereby granted the right to utilize an excerpt from any film submitted and accepted for exhibition at the festival for promotional purposes. The Festival is also hereby granted the right to utilize images and/or biographical information of the filmmakers for promotional purposes.

By completing the online entry form, the person submitting the film acknowledges his/her full and complete acceptance of the terms hereof and that he/she has read and complies with all 2021 Cinema on the Bayou Film Festival Terms of Entry.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Dorothy Kristin Hanna

    Cinema on the Bayou is an incredible film festival to meet the other film makers and have time to fully discuss process, ask questions and be immersed into seeing films, all day long! Pat and Rebecca are so welcoming and absolutely are available to talk at great lengths about their process and the films. It is totally, not stressful.

    September 2020
  • Patrick Müller

    I was unable to attend the event unfortunately because I live in Europe. But I'm very happy that my film was selected for this beautiful festival. Thank you!

    March 2020
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    Response from festival:

    We thank you for your lovely submission!

  • Olivia Vaughn

    Our director went and had an incredible time! She said the hospitality, programming, and venues were all great. It was a one-of-a-kind festival due to the location and warmth of the festival staff, locals, and other filmmakers. Our film got an award too! Thanks again to generous founders, Pat and Rebecca. Highly recommend Cinema on the Bayou!

    February 2020
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    Response from festival:

    Thanks for the kind words and your wonderful submission, Olivia!!

  • Phil Comeau

    Already 15 years!... Great hospitality, good films, and easy to meet other filmmakers. Also great parallele activities including music shows, Cajun and Creole food, and Lafayette is a nice central LA town to hold the festival. It is also the Americain film festival with the most French-speaking films from around the world. This makes this festival unique. Vive la Louisiane!

    February 2020
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    Response from festival:

    Thank you for the thoughful and kind words, Phil! You rank very high as one of our favorite alums and your films have been audience favorites at COTB over the years!!

  • Jan Oconnell

    A fantastic festival, it fit like a glove for us. We started out our premiere at a place we now call home. Cynthia Mort (writer/director) and star Grammy Award Winning Shelby Lynne headed down to the Bayou. When We Kill The Creators was COTB Opening Night film and the audience response was emotional, smart, inviting and accepting. Pat Mire and Rebecca Hudsmith have an exceptional eye for films from all over the world with French/English focus. It's a cool film festival and should be in the top 10 COOL FILM FESTIVALS. I'll be back.

    February 2020
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    Response from festival:

    Thanks for the beautiful review and making this beautiful film! The audiences at both screenings were very moved by this tastefully written and superbly directed art film!!!
    We agree with you, we should be in the top 10 cool film festivals!!!